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	<title>Comments on: What&#8217;s In &amp; What&#8217;s Out -2008 (Part I)</title>
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	<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/</link>
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		<title>By: Tony</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-2005</link>
		<dc:creator>Tony</dc:creator>
		<pubDate>Sat, 15 Dec 2007 00:54:48 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-2005</guid>
		<description>Major--
Out: Eugene, Oregon; In: the Old Sincerity
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		<content:encoded><![CDATA[<p>Major&#8211;<br />
Out: Eugene, Oregon; In: the Old Sincerity<br /><span id="reportcomment_results_div_2005"><a href="javascript:void(0);" onclick="reportComment( 2005 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Sam Amadon</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-2004</link>
		<dc:creator>Sam Amadon</dc:creator>
		<pubDate>Thu, 13 Dec 2007 13:45:51 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-2004</guid>
		<description>I&#039;m pretty sure the only way the Pats are in anything is with an Asterisk.
</description>
		<content:encoded><![CDATA[<p>I&#8217;m pretty sure the only way the Pats are in anything is with an Asterisk.<br /><span id="reportcomment_results_div_2004"><a href="javascript:void(0);" onclick="reportComment( 2004 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Simon DeDeo</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-2003</link>
		<dc:creator>Simon DeDeo</dc:creator>
		<pubDate>Mon, 10 Dec 2007 17:06:42 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-2003</guid>
		<description>Hey Major --
I&#039;m quite aware -- I say this in the opening line of my comment -- that you&#039;re presenting this as humor.
What really struck me about the piece is how it shows our notion of the poet has changed -- how she&#039;s been absorbed into a unit of commercial culture. As I said, back fifty or a hundred years ago, the joke would have been a condescending one -- now it seems nastier and self-directed.
Simon
PS: I totally love the L-word. It&#039;s interesting how Anne Carson was used there -- in a very &quot;old school&quot; fashion, with Marina playing a kind of tormentor-muse to Jenny, the poet is given a kind of elite and etherial status. The way it&#039;s played is that the poet is an interruption and not, as in a tired/wired list, a continuation of consumption by other means.
</description>
		<content:encoded><![CDATA[<p>Hey Major &#8211;<br />
I&#8217;m quite aware &#8212; I say this in the opening line of my comment &#8212; that you&#8217;re presenting this as humor.<br />
What really struck me about the piece is how it shows our notion of the poet has changed &#8212; how she&#8217;s been absorbed into a unit of commercial culture. As I said, back fifty or a hundred years ago, the joke would have been a condescending one &#8212; now it seems nastier and self-directed.<br />
Simon<br />
PS: I totally love the L-word. It&#8217;s interesting how Anne Carson was used there &#8212; in a very &#8220;old school&#8221; fashion, with Marina playing a kind of tormentor-muse to Jenny, the poet is given a kind of elite and etherial status. The way it&#8217;s played is that the poet is an interruption and not, as in a tired/wired list, a continuation of consumption by other means.<br /><span id="reportcomment_results_div_2003"><a href="javascript:void(0);" onclick="reportComment( 2003 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Jennifer Bartlett</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-2002</link>
		<dc:creator>Jennifer Bartlett</dc:creator>
		<pubDate>Mon, 10 Dec 2007 16:36:12 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-2002</guid>
		<description>Hey Major,
You should come hear Andrea Baker and I read to Robin&#039;s tonight. We&#039;re both kind-of in.
I thought Jorie Graham was out? Where is Duluth, NM? I vote for Las Cruces!
</description>
		<content:encoded><![CDATA[<p>Hey Major,<br />
You should come hear Andrea Baker and I read to Robin&#8217;s tonight. We&#8217;re both kind-of in.<br />
I thought Jorie Graham was out? Where is Duluth, NM? I vote for Las Cruces!<br /><span id="reportcomment_results_div_2002"><a href="javascript:void(0);" onclick="reportComment( 2002 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Major</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-2001</link>
		<dc:creator>Major</dc:creator>
		<pubDate>Mon, 10 Dec 2007 13:58:29 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-2001</guid>
		<description>Simon,
I get your point, but, um . . . this is so tongue-in-cheek. And if Showtime&#039;s L-word show can appropriate Anne Carson&#039;s Eros the Bittersweet to firm up its sophistication factor, as do many a Hollywood screenwriter over the course of cinematic history, then a little reversal of intentions seems okay. Don&#039;t you think?  It&#039;s about tickling the whole funny bone, especially if we have one. Why not?
&lt;a href=&quot;http://www.slate.com/id/2095317/&quot; rel=&quot;nofollow&quot;&gt;http://www.slate.com/id/2095317/&lt;/a&gt;
</description>
		<content:encoded><![CDATA[<p>Simon,<br />
I get your point, but, um . . . this is so tongue-in-cheek. And if Showtime&#8217;s L-word show can appropriate Anne Carson&#8217;s Eros the Bittersweet to firm up its sophistication factor, as do many a Hollywood screenwriter over the course of cinematic history, then a little reversal of intentions seems okay. Don&#8217;t you think?  It&#8217;s about tickling the whole funny bone, especially if we have one. Why not?<br />
<a href="http://www.slate.com/id/2095317/" rel="nofollow">http://www.slate.com/id/2095317/</a><br /><span id="reportcomment_results_div_2001"><a href="javascript:void(0);" onclick="reportComment( 2001 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: D.L.</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-2000</link>
		<dc:creator>D.L.</dc:creator>
		<pubDate>Sat, 08 Dec 2007 05:01:40 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-2000</guid>
		<description>In					Out
Cleveland				Manhattan
Detroit					Brooklyn
Pittsburg				Queens
Austin					Bronx
Bayonne, NJ				Staten Island
texts					poetry
books					blogs
UBU WEB				Poetry Foundation
Rachel Blau DuPlessis		Jorie Graham
post-quietude				flarf
rack of lamb				tapas
jamón serrano				prosciutto
Gertrude Stein&#039;s hat			Ezra Pound’s beard
flat-coated retrievers			American Staffordshire Terriers
effing press				Ugly Duckling Presse
Eric Dolphy 				Arcade Fire
Matthew Ship				Bad Plus
Canada 				France
anarchism				Socialism
blueberry smoothies			vitamin water
commas				periods
bookshelves				celebrities
Fanny Howe				Gjertrud Schnackenberg
Kevin Davies				Robert Hass
touch-and-feel board books		iPods
Atelos					Norton
Lisa Robertson			Anne Carson
Buck Owens				Merle Haggard
avant-agrarian 			New York School
napping				poetry readings
free jazz				musicals
repetition 				rhyme
neo-fragmentation			New Sentence
</description>
		<content:encoded><![CDATA[<p>In					Out<br />
Cleveland				Manhattan<br />
Detroit					Brooklyn<br />
Pittsburg				Queens<br />
Austin					Bronx<br />
Bayonne, NJ				Staten Island<br />
texts					poetry<br />
books					blogs<br />
UBU WEB				Poetry Foundation<br />
Rachel Blau DuPlessis		Jorie Graham<br />
post-quietude				flarf<br />
rack of lamb				tapas<br />
jamón serrano				prosciutto<br />
Gertrude Stein&#8217;s hat			Ezra Pound’s beard<br />
flat-coated retrievers			American Staffordshire Terriers<br />
effing press				Ugly Duckling Presse<br />
Eric Dolphy 				Arcade Fire<br />
Matthew Ship				Bad Plus<br />
Canada 				France<br />
anarchism				Socialism<br />
blueberry smoothies			vitamin water<br />
commas				periods<br />
bookshelves				celebrities<br />
Fanny Howe				Gjertrud Schnackenberg<br />
Kevin Davies				Robert Hass<br />
touch-and-feel board books		iPods<br />
Atelos					Norton<br />
Lisa Robertson			Anne Carson<br />
Buck Owens				Merle Haggard<br />
avant-agrarian 			New York School<br />
napping				poetry readings<br />
free jazz				musicals<br />
repetition 				rhyme<br />
neo-fragmentation			New Sentence<br /><span id="reportcomment_results_div_2000"><a href="javascript:void(0);" onclick="reportComment( 2000 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Seth Abramson</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1999</link>
		<dc:creator>Seth Abramson</dc:creator>
		<pubDate>Sat, 08 Dec 2007 02:22:19 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1999</guid>
		<description>Major,
Sorry, typo, I meant &quot;50 Cent&quot;--the rapper.  Who, last we heard from him, was bragging about how his tunes were more amenable to being sold as ring-tones in Europe than other rappers!
Now *that&#039;s* street cred!
:-)
S.
</description>
		<content:encoded><![CDATA[<p>Major,<br />
Sorry, typo, I meant &#8220;50 Cent&#8221;&#8211;the rapper.  Who, last we heard from him, was bragging about how his tunes were more amenable to being sold as ring-tones in Europe than other rappers!<br />
Now *that&#8217;s* street cred! <img src='http://www.poetryfoundation.org/harriet/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /><br />
S.<br /><span id="reportcomment_results_div_1999"><a href="javascript:void(0);" onclick="reportComment( 1999 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Aaron Fagan</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1998</link>
		<dc:creator>Aaron Fagan</dc:creator>
		<pubDate>Fri, 07 Dec 2007 18:23:34 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1998</guid>
		<description>Poets as beacons of failure is completely in right now!
</description>
		<content:encoded><![CDATA[<p>Poets as beacons of failure is completely in right now!<br /><span id="reportcomment_results_div_1998"><a href="javascript:void(0);" onclick="reportComment( 1998 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Aaron Fagan</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1997</link>
		<dc:creator>Aaron Fagan</dc:creator>
		<pubDate>Fri, 07 Dec 2007 17:01:35 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1997</guid>
		<description>One could say that these plaids will lay to rest the Burberry plaid.
Lest we forget Spaceball One--able to break the speed of light and go into plaid, a completely different dimension of light travel.
</description>
		<content:encoded><![CDATA[<p>One could say that these plaids will lay to rest the Burberry plaid.<br />
Lest we forget Spaceball One&#8211;able to break the speed of light and go into plaid, a completely different dimension of light travel.<br /><span id="reportcomment_results_div_1997"><a href="javascript:void(0);" onclick="reportComment( 1997 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Jeannine Hall Gailey</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1996</link>
		<dc:creator>Jeannine Hall Gailey</dc:creator>
		<pubDate>Fri, 07 Dec 2007 16:43:39 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1996</guid>
		<description>Au contraire, Major! Robots will always be in! See: Astro-Boy live-action re-make, Robo-Boy poems by Matthea Harvey, and new Futurama episodes with Bender, the loveable robot! Also: solar-powered robots, helper robots, Toyota robots, robot vacuum cleaners.
</description>
		<content:encoded><![CDATA[<p>Au contraire, Major! Robots will always be in! See: Astro-Boy live-action re-make, Robo-Boy poems by Matthea Harvey, and new Futurama episodes with Bender, the loveable robot! Also: solar-powered robots, helper robots, Toyota robots, robot vacuum cleaners.<br /><span id="reportcomment_results_div_1996"><a href="javascript:void(0);" onclick="reportComment( 1996 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Simon DeDeo</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1995</link>
		<dc:creator>Simon DeDeo</dc:creator>
		<pubDate>Fri, 07 Dec 2007 16:32:49 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1995</guid>
		<description>Can we not think of a better way to amuse ourselves than laughing at the joke of treating &quot;high culture&quot; as low? Up next, Morton Feldman and Brittany Spears! I mean, perhaps a hundred years ago this kind of thing would be considered condescending, and the fact that it no longer seems that way is a testament to how we&#039;ve allowed our notion of the artist to be completely levelled.
Instead of thinking of the artist as somehow beyond the &quot;culture&quot; of Blackberries and high-end &quot;early adopters&quot; -- we see her as just another functionary. While Spears is CocaCola, Jorie Graham is seen as that shapely Pomegranite juice marketed towards 20-something PR women.
The joke here is not that we think poets and poetry should be better than this, but that we ever thought that. Instead of laughing at consumer culture, we are laughing at, mocking poets for being so marginal to it.
It is kind of sad -- poetry with &quot;tired/wired&quot; lists -- it sort of feels like a beacon of our failure.
</description>
		<content:encoded><![CDATA[<p>Can we not think of a better way to amuse ourselves than laughing at the joke of treating &#8220;high culture&#8221; as low? Up next, Morton Feldman and Brittany Spears! I mean, perhaps a hundred years ago this kind of thing would be considered condescending, and the fact that it no longer seems that way is a testament to how we&#8217;ve allowed our notion of the artist to be completely levelled.<br />
Instead of thinking of the artist as somehow beyond the &#8220;culture&#8221; of Blackberries and high-end &#8220;early adopters&#8221; &#8212; we see her as just another functionary. While Spears is CocaCola, Jorie Graham is seen as that shapely Pomegranite juice marketed towards 20-something PR women.<br />
The joke here is not that we think poets and poetry should be better than this, but that we ever thought that. Instead of laughing at consumer culture, we are laughing at, mocking poets for being so marginal to it.<br />
It is kind of sad &#8212; poetry with &#8220;tired/wired&#8221; lists &#8212; it sort of feels like a beacon of our failure.<br /><span id="reportcomment_results_div_1995"><a href="javascript:void(0);" onclick="reportComment( 1995 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Major</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1994</link>
		<dc:creator>Major</dc:creator>
		<pubDate>Fri, 07 Dec 2007 16:00:25 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1994</guid>
		<description>Aaron,
You got it! Every rusticsexual should have some Washington State plaid in his closet and eau de cologne that smells like cow manure.
</description>
		<content:encoded><![CDATA[<p>Aaron,<br />
You got it! Every rusticsexual should have some Washington State plaid in his closet and eau de cologne that smells like cow manure.<br /><span id="reportcomment_results_div_1994"><a href="javascript:void(0);" onclick="reportComment( 1994 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Major</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1993</link>
		<dc:creator>Major</dc:creator>
		<pubDate>Fri, 07 Dec 2007 15:56:45 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1993</guid>
		<description>Rich &quot;South Boogie&quot; Villar,
Newark is definitely rolling through, has been for awhile now, if we consider their importance to American Poetry. I hear ya!
</description>
		<content:encoded><![CDATA[<p>Rich &#8220;South Boogie&#8221; Villar,<br />
Newark is definitely rolling through, has been for awhile now, if we consider their importance to American Poetry. I hear ya!<br /><span id="reportcomment_results_div_1993"><a href="javascript:void(0);" onclick="reportComment( 1993 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Major</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1992</link>
		<dc:creator>Major</dc:creator>
		<pubDate>Fri, 07 Dec 2007 15:55:06 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1992</guid>
		<description>Seth,
Fifty-Cent?
Irish Poetry: Long live Michael Longley
</description>
		<content:encoded><![CDATA[<p>Seth,<br />
Fifty-Cent?<br />
Irish Poetry: Long live Michael Longley<br /><span id="reportcomment_results_div_1992"><a href="javascript:void(0);" onclick="reportComment( 1992 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Major</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1991</link>
		<dc:creator>Major</dc:creator>
		<pubDate>Fri, 07 Dec 2007 15:54:15 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1991</guid>
		<description>Alicia,
I love my contradictions. Viva La Neo-Athenians!
</description>
		<content:encoded><![CDATA[<p>Alicia,<br />
I love my contradictions. Viva La Neo-Athenians!<br /><span id="reportcomment_results_div_1991"><a href="javascript:void(0);" onclick="reportComment( 1991 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Alicia (AE)</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1990</link>
		<dc:creator>Alicia (AE)</dc:creator>
		<pubDate>Fri, 07 Dec 2007 15:42:20 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1990</guid>
		<description>If ghazals are in, and Annie Finch is in, and Gjertrud Schnackenberg is in, can New Formalism be far behind?  Watch out, New Athenians!
</description>
		<content:encoded><![CDATA[<p>If ghazals are in, and Annie Finch is in, and Gjertrud Schnackenberg is in, can New Formalism be far behind?  Watch out, New Athenians!<br /><span id="reportcomment_results_div_1990"><a href="javascript:void(0);" onclick="reportComment( 1990 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: poetryman69</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1989</link>
		<dc:creator>poetryman69</dc:creator>
		<pubDate>Fri, 07 Dec 2007 09:16:28 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1989</guid>
		<description>wigs for dogs.
hmmm.
*******************************************************
Written on the Wind
</description>
		<content:encoded><![CDATA[<p>wigs for dogs.<br />
hmmm.<br />
*******************************************************<br />
Written on the Wind<br /><span id="reportcomment_results_div_1989"><a href="javascript:void(0);" onclick="reportComment( 1989 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Seth Abramson</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1988</link>
		<dc:creator>Seth Abramson</dc:creator>
		<pubDate>Thu, 06 Dec 2007 20:34:39 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1988</guid>
		<description>Hi Major,
Thanks for this.  It was fun!  On my blog I added-- IN: DIY &amp; small presses; The Bronx.  OUT: Irish Poetry (though I&#039;m sure it&#039;ll come back &#039;round again), and Fifty Cent.
S.
</description>
		<content:encoded><![CDATA[<p>Hi Major,<br />
Thanks for this.  It was fun!  On my blog I added&#8211; IN: DIY &#038; small presses; The Bronx.  OUT: Irish Poetry (though I&#8217;m sure it&#8217;ll come back &#8217;round again), and Fifty Cent.<br />
S.<br /><span id="reportcomment_results_div_1988"><a href="javascript:void(0);" onclick="reportComment( 1988 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Rich Villar</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1987</link>
		<dc:creator>Rich Villar</dc:creator>
		<pubDate>Thu, 06 Dec 2007 20:29:12 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1987</guid>
		<description>I agree with Fagan:
OUT:  Dumbo and Williamsburg, Brooklyn
IN:  Mott Haven, South Boogie (SoBro?  Not while I draw breath.)
And my slight prediction...
OUT:  Brooklyn Heights
IN:  Newark! (Dig that PATH train, y&#039;all.)
Mr. Jackson, I was with you at the Great Debaters, but I&#039;m officially mad at you for rhyming Finch and Grinch.
But I needed the laugh.  To the end of the semester, onward!
</description>
		<content:encoded><![CDATA[<p>I agree with Fagan:<br />
OUT:  Dumbo and Williamsburg, Brooklyn<br />
IN:  Mott Haven, South Boogie (SoBro?  Not while I draw breath.)<br />
And my slight prediction&#8230;<br />
OUT:  Brooklyn Heights<br />
IN:  Newark! (Dig that PATH train, y&#8217;all.)<br />
Mr. Jackson, I was with you at the Great Debaters, but I&#8217;m officially mad at you for rhyming Finch and Grinch.<br />
But I needed the laugh.  To the end of the semester, onward!<br /><span id="reportcomment_results_div_1987"><a href="javascript:void(0);" onclick="reportComment( 1987 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Shannon Reilly</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1986</link>
		<dc:creator>Shannon Reilly</dc:creator>
		<pubDate>Thu, 06 Dec 2007 20:02:17 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1986</guid>
		<description>Is  Zizek really just &quot;in&quot; now? Hasn&#039;t he been kind of timeless? I mean at least since his time:)
</description>
		<content:encoded><![CDATA[<p>Is  Zizek really just &#8220;in&#8221; now? Hasn&#8217;t he been kind of timeless? I mean at least since his time:)<br /><span id="reportcomment_results_div_1986"><a href="javascript:void(0);" onclick="reportComment( 1986 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Major</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1985</link>
		<dc:creator>Major</dc:creator>
		<pubDate>Thu, 06 Dec 2007 18:56:35 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1985</guid>
		<description>Ange,
You&#039;re vindicated; NYTIMES headline reads:
Amy Winehouse Draws 6 Grammy Nominations
&lt;a href=&quot;http://www.nytimes.com/2007/12/07/arts/music/06cnd-grammy.html?hp&quot; rel=&quot;nofollow&quot;&gt;http://www.nytimes.com/2007/12/07/arts/music/06cnd-grammy.html?hp&lt;/a&gt;
</description>
		<content:encoded><![CDATA[<p>Ange,<br />
You&#8217;re vindicated; NYTIMES headline reads:<br />
Amy Winehouse Draws 6 Grammy Nominations<br />
<a href="http://www.nytimes.com/2007/12/07/arts/music/06cnd-grammy.html?hp" rel="nofollow">http://www.nytimes.com/2007/12/07/arts/music/06cnd-grammy.html?hp</a><br /><span id="reportcomment_results_div_1985"><a href="javascript:void(0);" onclick="reportComment( 1985 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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	</item>
	<item>
		<title>By: Major</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1984</link>
		<dc:creator>Major</dc:creator>
		<pubDate>Thu, 06 Dec 2007 16:29:17 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1984</guid>
		<description>Pipaluk,
I&#039;ve also seen the EROSION of their teeth, up here in the North Country, and THE ERRANCY of their  vegetarian parents. You&#039;re right! Those Bunny Grahams are so IN.
or said in another way Snow: Bunny:: Graham: Jorie.
</description>
		<content:encoded><![CDATA[<p>Pipaluk,<br />
I&#8217;ve also seen the EROSION of their teeth, up here in the North Country, and THE ERRANCY of their  vegetarian parents. You&#8217;re right! Those Bunny Grahams are so IN.<br />
or said in another way Snow: Bunny:: Graham: Jorie.<br /><span id="reportcomment_results_div_1984"><a href="javascript:void(0);" onclick="reportComment( 1984 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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	</item>
	<item>
		<title>By: Major</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1983</link>
		<dc:creator>Major</dc:creator>
		<pubDate>Thu, 06 Dec 2007 16:24:46 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1983</guid>
		<description>Ange,
Winehouse is debatable. Laphroaig is not.
Keys is debatable, as is most of the list. Laphroaig is not. (smiles)
I adore that troubled angst-filled petulant souful Brit., but find her surface a little fabricated, familiar and mildly disquieting. No doubt, the girl can sing. For real.
</description>
		<content:encoded><![CDATA[<p>Ange,<br />
Winehouse is debatable. Laphroaig is not.<br />
Keys is debatable, as is most of the list. Laphroaig is not. (smiles)<br />
I adore that troubled angst-filled petulant souful Brit., but find her surface a little fabricated, familiar and mildly disquieting. No doubt, the girl can sing. For real.<br /><span id="reportcomment_results_div_1983"><a href="javascript:void(0);" onclick="reportComment( 1983 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Aaron Fagan</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1982</link>
		<dc:creator>Aaron Fagan</dc:creator>
		<pubDate>Thu, 06 Dec 2007 15:53:38 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1982</guid>
		<description>I imagine Absinthe will be a topic of some discussion in the coming years:
&lt;a href=&quot;http://www.nytimes.com/2007/12/05/dining/05absi.html?ex=1197522000&amp;en=da17104e230116ac&amp;ei=5070&amp;emc=eta1&quot; rel=&quot;nofollow&quot;&gt;http://www.nytimes.com/2007/12/05/dining/05absi.html?ex=1197522000&amp;en=da17104e230116ac&amp;ei=5070&amp;emc=eta1&lt;/a&gt;
It ripped Europe to it knees, why should they get to have all the historical fun!
</description>
		<content:encoded><![CDATA[<p>I imagine Absinthe will be a topic of some discussion in the coming years:<br />
<a href="http://www.nytimes.com/2007/12/05/dining/05absi.html?ex=1197522000&#038;en=da17104e230116ac&#038;ei=5070&#038;emc=eta1" rel="nofollow">http://www.nytimes.com/2007/12/05/dining/05absi.html?ex=1197522000&#038;en=da17104e230116ac&#038;ei=5070&#038;emc=eta1</a><br />
It ripped Europe to it knees, why should they get to have all the historical fun!<br /><span id="reportcomment_results_div_1982"><a href="javascript:void(0);" onclick="reportComment( 1982 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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	<item>
		<title>By: Aaron Fagan</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1981</link>
		<dc:creator>Aaron Fagan</dc:creator>
		<pubDate>Thu, 06 Dec 2007 15:37:29 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1981</guid>
		<description>Astoria in Queens is over with. Brooklyn, particularly Williamsburg, has been over with for awhile. Reporting from the Bronx... real estate people have begun to call the boogie down such things as SoBro since Harlem has been, and continues to be, largely erased. I live in Woodlawn, categorically uncool, which might be considered NoBro or WoBro or SoYo being that we are just south of Yonkers.
As for rusticsexuals ... I imagine might be a deeper extension of John Deere tomfoolery. Adirondack or Buffalo plaid being the new black or safety orange or whatever is faux current.
</description>
		<content:encoded><![CDATA[<p>Astoria in Queens is over with. Brooklyn, particularly Williamsburg, has been over with for awhile. Reporting from the Bronx&#8230; real estate people have begun to call the boogie down such things as SoBro since Harlem has been, and continues to be, largely erased. I live in Woodlawn, categorically uncool, which might be considered NoBro or WoBro or SoYo being that we are just south of Yonkers.<br />
As for rusticsexuals &#8230; I imagine might be a deeper extension of John Deere tomfoolery. Adirondack or Buffalo plaid being the new black or safety orange or whatever is faux current.<br /><span id="reportcomment_results_div_1981"><a href="javascript:void(0);" onclick="reportComment( 1981 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: J. Gennari</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1980</link>
		<dc:creator>J. Gennari</dc:creator>
		<pubDate>Thu, 06 Dec 2007 15:09:04 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1980</guid>
		<description>You poets have too much time on your hands, too many words on your minds.
Robert De Niro out? Never!
</description>
		<content:encoded><![CDATA[<p>You poets have too much time on your hands, too many words on your minds.<br />
Robert De Niro out? Never!<br /><span id="reportcomment_results_div_1980"><a href="javascript:void(0);" onclick="reportComment( 1980 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Aseem Kaul</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1979</link>
		<dc:creator>Aseem Kaul</dc:creator>
		<pubDate>Thu, 06 Dec 2007 11:23:18 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1979</guid>
		<description>Robert &lt;i&gt;Di Nero&lt;/i&gt;? I can see it now - the ultimate sociopath - the man snarling at his audience while Rome burns.
</description>
		<content:encoded><![CDATA[<p>Robert <i>Di Nero</i>? I can see it now &#8211; the ultimate sociopath &#8211; the man snarling at his audience while Rome burns.<br /><span id="reportcomment_results_div_1979"><a href="javascript:void(0);" onclick="reportComment( 1979 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: behrlle</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1978</link>
		<dc:creator>behrlle</dc:creator>
		<pubDate>Thu, 06 Dec 2007 05:39:34 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1978</guid>
		<description>Look, ma! I&#039;m OUT!!
</description>
		<content:encoded><![CDATA[<p>Look, ma! I&#8217;m OUT!!<br /><span id="reportcomment_results_div_1978"><a href="javascript:void(0);" onclick="reportComment( 1978 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: lillian</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1977</link>
		<dc:creator>lillian</dc:creator>
		<pubDate>Thu, 06 Dec 2007 00:31:17 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1977</guid>
		<description>major--
slouchy boots are out?!? shit, and i havent even gotten a pair!
if manhattan and brookyln are out, does this mean queens and bronx get in?
if you mean shortbus the movie, then ok, thats in. but hedwig has to be out? le sigh.
and wrap around dresses-yes yes yes!
but what the hell is a rusticsexual?
i&#039;m waiting anxiously for your prediction on designer t&#039;s....
</description>
		<content:encoded><![CDATA[<p>major&#8211;<br />
slouchy boots are out?!? shit, and i havent even gotten a pair!<br />
if manhattan and brookyln are out, does this mean queens and bronx get in?<br />
if you mean shortbus the movie, then ok, thats in. but hedwig has to be out? le sigh.<br />
and wrap around dresses-yes yes yes!<br />
but what the hell is a rusticsexual?<br />
i&#8217;m waiting anxiously for your prediction on designer t&#8217;s&#8230;.<br /><span id="reportcomment_results_div_1977"><a href="javascript:void(0);" onclick="reportComment( 1977 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Steve</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1976</link>
		<dc:creator>Steve</dc:creator>
		<pubDate>Thu, 06 Dec 2007 00:09:34 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1976</guid>
		<description>I refuse to believe that either Gertrude Stein as a whole or Bubble Tea Desserts in general will ever go out of style.
On the other hand, I love reading lists like this and hate making them myself, so maybe I should just quiet down and enjoy the binary sort.
</description>
		<content:encoded><![CDATA[<p>I refuse to believe that either Gertrude Stein as a whole or Bubble Tea Desserts in general will ever go out of style.<br />
On the other hand, I love reading lists like this and hate making them myself, so maybe I should just quiet down and enjoy the binary sort.<br /><span id="reportcomment_results_div_1976"><a href="javascript:void(0);" onclick="reportComment( 1976 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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