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	<title>Comments on: What&#8217;s In &amp; What&#8217;s Out -2008 (Part I)</title>
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	<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/</link>
	<description>A blog from the Poetry Foundation where contemporary poets debate classic and contemporary poetry from America and around the world.</description>
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		<title>By: Tony</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-2005</link>
		<dc:creator>Tony</dc:creator>
		<pubDate>Sat, 15 Dec 2007 00:54:48 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-2005</guid>
		<description>Major--
Out: Eugene, Oregon; In: the Old Sincerity
</description>
		<content:encoded><![CDATA[<p>Major&#8211;<br />
Out: Eugene, Oregon; In: the Old Sincerity</p>
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		<title>By: Sam Amadon</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-2004</link>
		<dc:creator>Sam Amadon</dc:creator>
		<pubDate>Thu, 13 Dec 2007 13:45:51 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-2004</guid>
		<description>I&#039;m pretty sure the only way the Pats are in anything is with an Asterisk.
</description>
		<content:encoded><![CDATA[<p>I&#8217;m pretty sure the only way the Pats are in anything is with an Asterisk.</p>
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		<title>By: Simon DeDeo</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-2003</link>
		<dc:creator>Simon DeDeo</dc:creator>
		<pubDate>Mon, 10 Dec 2007 17:06:42 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-2003</guid>
		<description>Hey Major --
I&#039;m quite aware -- I say this in the opening line of my comment -- that you&#039;re presenting this as humor.
What really struck me about the piece is how it shows our notion of the poet has changed -- how she&#039;s been absorbed into a unit of commercial culture. As I said, back fifty or a hundred years ago, the joke would have been a condescending one -- now it seems nastier and self-directed.
Simon
PS: I totally love the L-word. It&#039;s interesting how Anne Carson was used there -- in a very &quot;old school&quot; fashion, with Marina playing a kind of tormentor-muse to Jenny, the poet is given a kind of elite and etherial status. The way it&#039;s played is that the poet is an interruption and not, as in a tired/wired list, a continuation of consumption by other means.
</description>
		<content:encoded><![CDATA[<p>Hey Major &#8211;<br />
I&#8217;m quite aware &#8212; I say this in the opening line of my comment &#8212; that you&#8217;re presenting this as humor.<br />
What really struck me about the piece is how it shows our notion of the poet has changed &#8212; how she&#8217;s been absorbed into a unit of commercial culture. As I said, back fifty or a hundred years ago, the joke would have been a condescending one &#8212; now it seems nastier and self-directed.<br />
Simon<br />
PS: I totally love the L-word. It&#8217;s interesting how Anne Carson was used there &#8212; in a very &#8220;old school&#8221; fashion, with Marina playing a kind of tormentor-muse to Jenny, the poet is given a kind of elite and etherial status. The way it&#8217;s played is that the poet is an interruption and not, as in a tired/wired list, a continuation of consumption by other means.</p>
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		<title>By: Jennifer Bartlett</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-2002</link>
		<dc:creator>Jennifer Bartlett</dc:creator>
		<pubDate>Mon, 10 Dec 2007 16:36:12 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-2002</guid>
		<description>Hey Major,
You should come hear Andrea Baker and I read to Robin&#039;s tonight. We&#039;re both kind-of in.
I thought Jorie Graham was out? Where is Duluth, NM? I vote for Las Cruces!
</description>
		<content:encoded><![CDATA[<p>Hey Major,<br />
You should come hear Andrea Baker and I read to Robin&#8217;s tonight. We&#8217;re both kind-of in.<br />
I thought Jorie Graham was out? Where is Duluth, NM? I vote for Las Cruces!</p>
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	</item>
	<item>
		<title>By: Major</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-2001</link>
		<dc:creator>Major</dc:creator>
		<pubDate>Mon, 10 Dec 2007 13:58:29 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-2001</guid>
		<description>Simon,
I get your point, but, um . . . this is so tongue-in-cheek. And if Showtime&#039;s L-word show can appropriate Anne Carson&#039;s Eros the Bittersweet to firm up its sophistication factor, as do many a Hollywood screenwriter over the course of cinematic history, then a little reversal of intentions seems okay. Don&#039;t you think?  It&#039;s about tickling the whole funny bone, especially if we have one. Why not?
&lt;a href=&quot;http://www.slate.com/id/2095317/&quot; rel=&quot;nofollow&quot;&gt;http://www.slate.com/id/2095317/&lt;/a&gt;
</description>
		<content:encoded><![CDATA[<p>Simon,<br />
I get your point, but, um . . . this is so tongue-in-cheek. And if Showtime&#8217;s L-word show can appropriate Anne Carson&#8217;s Eros the Bittersweet to firm up its sophistication factor, as do many a Hollywood screenwriter over the course of cinematic history, then a little reversal of intentions seems okay. Don&#8217;t you think?  It&#8217;s about tickling the whole funny bone, especially if we have one. Why not?<br />
<a href="http://www.slate.com/id/2095317/" rel="nofollow">http://www.slate.com/id/2095317/</a></p>
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	</item>
	<item>
		<title>By: D.L.</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-2000</link>
		<dc:creator>D.L.</dc:creator>
		<pubDate>Sat, 08 Dec 2007 05:01:40 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-2000</guid>
		<description>In					Out
Cleveland				Manhattan
Detroit					Brooklyn
Pittsburg				Queens
Austin					Bronx
Bayonne, NJ				Staten Island
texts					poetry
books					blogs
UBU WEB				Poetry Foundation
Rachel Blau DuPlessis		Jorie Graham
post-quietude				flarf
rack of lamb				tapas
jamón serrano				prosciutto
Gertrude Stein&#039;s hat			Ezra Pound’s beard
flat-coated retrievers			American Staffordshire Terriers
effing press				Ugly Duckling Presse
Eric Dolphy 				Arcade Fire
Matthew Ship				Bad Plus
Canada 				France
anarchism				Socialism
blueberry smoothies			vitamin water
commas				periods
bookshelves				celebrities
Fanny Howe				Gjertrud Schnackenberg
Kevin Davies				Robert Hass
touch-and-feel board books		iPods
Atelos					Norton
Lisa Robertson			Anne Carson
Buck Owens				Merle Haggard
avant-agrarian 			New York School
napping				poetry readings
free jazz				musicals
repetition 				rhyme
neo-fragmentation			New Sentence
</description>
		<content:encoded><![CDATA[<p>In					Out<br />
Cleveland				Manhattan<br />
Detroit					Brooklyn<br />
Pittsburg				Queens<br />
Austin					Bronx<br />
Bayonne, NJ				Staten Island<br />
texts					poetry<br />
books					blogs<br />
UBU WEB				Poetry Foundation<br />
Rachel Blau DuPlessis		Jorie Graham<br />
post-quietude				flarf<br />
rack of lamb				tapas<br />
jamón serrano				prosciutto<br />
Gertrude Stein&#8217;s hat			Ezra Pound’s beard<br />
flat-coated retrievers			American Staffordshire Terriers<br />
effing press				Ugly Duckling Presse<br />
Eric Dolphy 				Arcade Fire<br />
Matthew Ship				Bad Plus<br />
Canada 				France<br />
anarchism				Socialism<br />
blueberry smoothies			vitamin water<br />
commas				periods<br />
bookshelves				celebrities<br />
Fanny Howe				Gjertrud Schnackenberg<br />
Kevin Davies				Robert Hass<br />
touch-and-feel board books		iPods<br />
Atelos					Norton<br />
Lisa Robertson			Anne Carson<br />
Buck Owens				Merle Haggard<br />
avant-agrarian 			New York School<br />
napping				poetry readings<br />
free jazz				musicals<br />
repetition 				rhyme<br />
neo-fragmentation			New Sentence</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Seth Abramson</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1999</link>
		<dc:creator>Seth Abramson</dc:creator>
		<pubDate>Sat, 08 Dec 2007 02:22:19 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1999</guid>
		<description>Major,
Sorry, typo, I meant &quot;50 Cent&quot;--the rapper.  Who, last we heard from him, was bragging about how his tunes were more amenable to being sold as ring-tones in Europe than other rappers!
Now *that&#039;s* street cred!
:-)
S.
</description>
		<content:encoded><![CDATA[<p>Major,<br />
Sorry, typo, I meant &#8220;50 Cent&#8221;&#8211;the rapper.  Who, last we heard from him, was bragging about how his tunes were more amenable to being sold as ring-tones in Europe than other rappers!<br />
Now *that&#8217;s* street cred! <img src='http://www.poetryfoundation.org/harriet/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /><br />
S.</p>
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		<title>By: Aaron Fagan</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1998</link>
		<dc:creator>Aaron Fagan</dc:creator>
		<pubDate>Fri, 07 Dec 2007 18:23:34 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1998</guid>
		<description>Poets as beacons of failure is completely in right now!
</description>
		<content:encoded><![CDATA[<p>Poets as beacons of failure is completely in right now!</p>
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		<title>By: Aaron Fagan</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1997</link>
		<dc:creator>Aaron Fagan</dc:creator>
		<pubDate>Fri, 07 Dec 2007 17:01:35 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1997</guid>
		<description>One could say that these plaids will lay to rest the Burberry plaid.
Lest we forget Spaceball One--able to break the speed of light and go into plaid, a completely different dimension of light travel.
</description>
		<content:encoded><![CDATA[<p>One could say that these plaids will lay to rest the Burberry plaid.<br />
Lest we forget Spaceball One&#8211;able to break the speed of light and go into plaid, a completely different dimension of light travel.</p>
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		<title>By: Jeannine Hall Gailey</title>
		<link>http://www.poetryfoundation.org/harriet/2007/12/whats-in-whats-out-2008-part-i/#comment-1996</link>
		<dc:creator>Jeannine Hall Gailey</dc:creator>
		<pubDate>Fri, 07 Dec 2007 16:43:39 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=565#comment-1996</guid>
		<description>Au contraire, Major! Robots will always be in! See: Astro-Boy live-action re-make, Robo-Boy poems by Matthea Harvey, and new Futurama episodes with Bender, the loveable robot! Also: solar-powered robots, helper robots, Toyota robots, robot vacuum cleaners.
</description>
		<content:encoded><![CDATA[<p>Au contraire, Major! Robots will always be in! See: Astro-Boy live-action re-make, Robo-Boy poems by Matthea Harvey, and new Futurama episodes with Bender, the loveable robot! Also: solar-powered robots, helper robots, Toyota robots, robot vacuum cleaners.</p>
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