Comments on: Border Poetry

By: Martha Galvan

Martha Galvan — Mon, 06 Oct 2008 17:41:35 +0000

hi.
just months ago i found out that the corrido de Jacinto Treviño was made for one of my grandmas uncles from her dads side, and ive been making research since i want to know how her uncle looks like because i want to know more about my family. and my grandmas father just pased away on 2006 guadalupe treviño.

By: Linh DInh

Linh DInh — Mon, 21 Apr 2008 13:37:56 +0000

Hi Shailendra, Brian and Scott,
I’m very glad you like these posts. I’ll definitely bring more “foreign” elements to the Harriet Blog. Cheers!
Linh

By: Scott Eaton

Scott Eaton — Sun, 20 Apr 2008 23:19:21 +0000

Linh,
I have been following all of your posts on the Harriet blog & I wish to express my thanks for all of the magnificent pieces you have left. As far as the most recent post goes, thank you for introducing me to the linocuts of Artemio Rodriguez, it’s such a relief to see that the paths that Posada opened are still being traveled, as well as the wonderful Roberto Castillo Udiarte piece. Elsewhere on your blog you have written about the outlandish and intriguing art in Vietnamese poetry collections, I believe they were samizdat collections. The Harriet blog would definitely be enriched by a few samples of these pieces. Thanks again for your inclusion of translations and pieces on non-English poetry. American poetry needs these contacts desperately.

By: Brian Salchert

Brian Salchert — Sun, 20 Apr 2008 20:03:39 +0000

Thank you.
Such truths are good to know.

By: shailendra tiwari

shailendra tiwari — Sat, 19 Apr 2008 05:02:33 +0000

The poetry is bewitching it is capturing the microdetails and eternal current of our TIME which otherwise remain unnoticed. I hope one day poetry becomes a universal leanguage and people take care of cuts and bruises on others body and soule.
Shailendra Tiwari
Artist B
Bhopal
http://www.absolutearts.com/portfolios/s/shailendra.