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	<title>Comments on: From Peter O&#8217;Leary: Poetry of the 1970s, Days 4 &amp; 5</title>
	<atom:link href="http://www.poetryfoundation.org/harriet/2008/06/from-peter-oleary-poetry-of-the-1970s-days-4-5/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.poetryfoundation.org/harriet/2008/06/from-peter-oleary-poetry-of-the-1970s-days-4-5/</link>
	<description>A blog from the Poetry Foundation where contemporary poets debate classic and contemporary poetry from America and around the world.</description>
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		<title>By: Don Share</title>
		<link>http://www.poetryfoundation.org/harriet/2008/06/from-peter-oleary-poetry-of-the-1970s-days-4-5/#comment-4145</link>
		<dc:creator>Don Share</dc:creator>
		<pubDate>Thu, 26 Jun 2008 20:18:49 +0000</pubDate>
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		<description>Stay tuned for an essay by Vivian Gornick which discusses literary and other friendships, taking into account Andrew Epstein&#039;s fascinating book - it&#039;ll be in the July/August issue of &lt;i&gt;Poetry&lt;/i&gt;, about which more very soon!
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		<content:encoded><![CDATA[<p>Stay tuned for an essay by Vivian Gornick which discusses literary and other friendships, taking into account Andrew Epstein&#8217;s fascinating book &#8211; it&#8217;ll be in the July/August issue of <i>Poetry</i>, about which more very soon!</p>
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		<title>By: Peter O'Leary</title>
		<link>http://www.poetryfoundation.org/harriet/2008/06/from-peter-oleary-poetry-of-the-1970s-days-4-5/#comment-4144</link>
		<dc:creator>Peter O'Leary</dc:creator>
		<pubDate>Thu, 26 Jun 2008 18:26:54 +0000</pubDate>
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		<description>Andrew Epstein has informed me that the Ashbery poem referred to in Bob Perelman&#039;s talk that I tried to summarize above is called &quot;Variations, Calypso, and Fugue on a Theme by Ella Wheeler Wilcox,&quot; rather than the confusion I pulled from my notes. This should tell you was a novice Ashbery reader I still am, but more importantly, what a good reader &amp; scholar Andrew is. If you haven&#039;t read it, you should get a copy of Andrew&#039;s &lt;i&gt;Beautiful Enemies: Friendship and Postwar American Poetry,&quot; which includes lots of good stuff on Ashbery, Frank O&#039;Hara, &amp; Leroi Jones (Amiri Baraka).
If I&#039;ve misrepresented anyone else&#039;s talks in any ways, please post a correction. Otherwise, visit the ongoing experiment that is ThoughtMesh to read the actual papers.&lt;/i&gt;
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		<content:encoded><![CDATA[<p>Andrew Epstein has informed me that the Ashbery poem referred to in Bob Perelman&#8217;s talk that I tried to summarize above is called &#8220;Variations, Calypso, and Fugue on a Theme by Ella Wheeler Wilcox,&#8221; rather than the confusion I pulled from my notes. This should tell you was a novice Ashbery reader I still am, but more importantly, what a good reader &#038; scholar Andrew is. If you haven&#8217;t read it, you should get a copy of Andrew&#8217;s <i>Beautiful Enemies: Friendship and Postwar American Poetry,&#8221; which includes lots of good stuff on Ashbery, Frank O&#8217;Hara, &#038; Leroi Jones (Amiri Baraka).<br />
If I&#8217;ve misrepresented anyone else&#8217;s talks in any ways, please post a correction. Otherwise, visit the ongoing experiment that is ThoughtMesh to read the actual papers.</i></p>
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		<title>By: Peter O'Leary</title>
		<link>http://www.poetryfoundation.org/harriet/2008/06/from-peter-oleary-poetry-of-the-1970s-days-4-5/#comment-5111</link>
		<dc:creator>Peter O'Leary</dc:creator>
		<pubDate>Thu, 26 Jun 2008 18:26:54 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=927#comment-5111</guid>
		<description>Andrew Epstein has informed me that the Ashbery poem referred to in Bob Perelman&#039;s talk that I tried to summarize above is called &quot;Variations, Calypso, and Fugue on a Theme by Ella Wheeler Wilcox,&quot; rather than the confusion I pulled from my notes. This should tell you was a novice Ashbery reader I still am, but more importantly, what a good reader &amp; scholar Andrew is. If you haven&#039;t read it, you should get a copy of Andrew&#039;s &lt;i&gt;Beautiful Enemies: Friendship and Postwar American Poetry,&quot; which includes lots of good stuff on Ashbery, Frank O&#039;Hara, &amp; Leroi Jones (Amiri Baraka).
If I&#039;ve misrepresented anyone else&#039;s talks in any ways, please post a correction. Otherwise, visit the ongoing experiment that is ThoughtMesh to read the actual papers.&lt;/i&gt;
</description>
		<content:encoded><![CDATA[<p>Andrew Epstein has informed me that the Ashbery poem referred to in Bob Perelman&#8217;s talk that I tried to summarize above is called &#8220;Variations, Calypso, and Fugue on a Theme by Ella Wheeler Wilcox,&#8221; rather than the confusion I pulled from my notes. This should tell you was a novice Ashbery reader I still am, but more importantly, what a good reader &#038; scholar Andrew is. If you haven&#8217;t read it, you should get a copy of Andrew&#8217;s <i>Beautiful Enemies: Friendship and Postwar American Poetry,&#8221; which includes lots of good stuff on Ashbery, Frank O&#8217;Hara, &#038; Leroi Jones (Amiri Baraka).<br />
If I&#8217;ve misrepresented anyone else&#8217;s talks in any ways, please post a correction. Otherwise, visit the ongoing experiment that is ThoughtMesh to read the actual papers.</i></p>
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