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	<title>Comments on: Left of Karl Marx (Part II)</title>
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	<link>http://www.poetryfoundation.org/harriet/2008/07/left-of-karl-marx-part-ii/</link>
	<description>A blog from the Poetry Foundation where contemporary poets debate classic and contemporary poetry from America and around the world.</description>
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		<title>By: john</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/left-of-karl-marx-part-ii/#comment-4314</link>
		<dc:creator>john</dc:creator>
		<pubDate>Wed, 16 Jul 2008 18:05:21 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=944#comment-4314</guid>
		<description>De Man&#039;s wicked history seemed resonant in a discussion, the occasion of which is the attempt at a recovery from historical oblivion of a Stalinist poet.  De Man&#039;s unconfessed past particularly invites psychological readings.  I do find metaphors of &quot;innocence&quot; and &quot;evil&quot; as descriptors of reading to be lurid and neither intellectually rigorous (to use that metaphor so fetishized by the deconstructionists) nor illuminating (not to bring religion into it . . . ).
But, yes, I agree -- this does not negate your broader point -- that poems hold historical and ideological interest as well.
&quot;Aesthetic value is something of a mystery.&quot;  Yes!
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		<content:encoded><![CDATA[<p>De Man&#8217;s wicked history seemed resonant in a discussion, the occasion of which is the attempt at a recovery from historical oblivion of a Stalinist poet.  De Man&#8217;s unconfessed past particularly invites psychological readings.  I do find metaphors of &#8220;innocence&#8221; and &#8220;evil&#8221; as descriptors of reading to be lurid and neither intellectually rigorous (to use that metaphor so fetishized by the deconstructionists) nor illuminating (not to bring religion into it . . . ).<br />
But, yes, I agree &#8212; this does not negate your broader point &#8212; that poems hold historical and ideological interest as well.<br />
&#8220;Aesthetic value is something of a mystery.&#8221;  Yes!</p>
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		<title>By: Michael Robbins</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/left-of-karl-marx-part-ii/#comment-4313</link>
		<dc:creator>Michael Robbins</dc:creator>
		<pubDate>Wed, 16 Jul 2008 15:51:54 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=944#comment-4313</guid>
		<description>No problem -- I own up to being a pain in the ass!
I certainly didn&#039;t mean to foreclose the possibility of aesthetic response -- only to note that the point of Mark&#039;s post seemed larger than such a response. Didn&#039;t mean to scold, ya heard?
Of course I acknowledge my aesthetic interest in poetry -- it seems tautological to do so. Who, who reads poems, doesn&#039;t read them for aesthetic pleasure? I do think, though, that what &quot;aesthetic response&quot; &lt;i&gt;is&lt;/i&gt; is a complex &amp;, uh, overdetermined question, worth, uh, interrogating. I don&#039;t think it&#039;s transparent. Aesthetic value is something of a mystery.
It seems to be required to drag up de Man&#039;s fascist-sympathizing credentials whenever he&#039;s mentioned. I have nothing original to say about that tired debate. It&#039;s certainly possible that there&#039;s a relationship between his insistence on &quot;the absolute randomness of language&quot; &amp; the &quot;evil&quot; instantiated by reading &amp; his having written in support of evil when he was young. But I do not believe it negates what he says in the passage I quoted.
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		<content:encoded><![CDATA[<p>No problem &#8212; I own up to being a pain in the ass!<br />
I certainly didn&#8217;t mean to foreclose the possibility of aesthetic response &#8212; only to note that the point of Mark&#8217;s post seemed larger than such a response. Didn&#8217;t mean to scold, ya heard?<br />
Of course I acknowledge my aesthetic interest in poetry &#8212; it seems tautological to do so. Who, who reads poems, doesn&#8217;t read them for aesthetic pleasure? I do think, though, that what &#8220;aesthetic response&#8221; <i>is</i> is a complex &#038;, uh, overdetermined question, worth, uh, interrogating. I don&#8217;t think it&#8217;s transparent. Aesthetic value is something of a mystery.<br />
It seems to be required to drag up de Man&#8217;s fascist-sympathizing credentials whenever he&#8217;s mentioned. I have nothing original to say about that tired debate. It&#8217;s certainly possible that there&#8217;s a relationship between his insistence on &#8220;the absolute randomness of language&#8221; &#038; the &#8220;evil&#8221; instantiated by reading &#038; his having written in support of evil when he was young. But I do not believe it negates what he says in the passage I quoted.</p>
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		<title>By: john</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/left-of-karl-marx-part-ii/#comment-4312</link>
		<dc:creator>john</dc:creator>
		<pubDate>Wed, 16 Jul 2008 15:25:09 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=944#comment-4312</guid>
		<description>p.p.s.  Noting that Michael&#039;s subsequent comments and discussion with Emily and Don weren&#039;t scolding at all.
I apologize for &quot;pain in the ass.&quot;  But it&#039;s true!  Has anybody here never had a teacher who wasn&#039;t a pain in the patootie?
I&#039;m thinking now that Lucia&#039;s comment wasn&#039;t exasperated or polemical, but teasing.  Imagine it being said in a bar.
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		<content:encoded><![CDATA[<p>p.p.s.  Noting that Michael&#8217;s subsequent comments and discussion with Emily and Don weren&#8217;t scolding at all.<br />
I apologize for &#8220;pain in the ass.&#8221;  But it&#8217;s true!  Has anybody here never had a teacher who wasn&#8217;t a pain in the patootie?<br />
I&#8217;m thinking now that Lucia&#8217;s comment wasn&#8217;t exasperated or polemical, but teasing.  Imagine it being said in a bar.</p>
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		<title>By: john</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/left-of-karl-marx-part-ii/#comment-4311</link>
		<dc:creator>john</dc:creator>
		<pubDate>Wed, 16 Jul 2008 14:57:18 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=944#comment-4311</guid>
		<description>p.s.  Not disagreeing with Michael&#039;s less hyperbolic point that reading is always theoretical and determined.
But a person&#039;s aesthetic response is always of interest as well.  That was Lucia&#039;s initial comment.  Michael adopted a somewhat scolding tone in response, arguably disregarding the validity of having an aesthetic interest in the poetry.
Michael may not have intended to produce a scolding tone, or to foreclose the possibility of holding an aesthetic interest in the poetry as well as an ideological and historical one; he may have simply hoping to be opening the field of interest to include ideological and historical concerns in addition to aesthetic ones; but it&#039;s unclear.  We know that Michael has aesthetic interests in poetry too, because he has shared aesthetic enthusiasms on Harriet.  So I&#039;d be inclined to think that he wasn&#039;t trying to foreclose on aesthetic interest, but I would understand why someone might think differently.
Lucia responded, understandably, in an exasperated fashion, and Michael hauled out an unconfessed Nazi collaborator to scold her explicitly.
&quot;Overdetermined&quot; is a funny word.
Teachers can be such a pain in the ass.
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		<content:encoded><![CDATA[<p>p.s.  Not disagreeing with Michael&#8217;s less hyperbolic point that reading is always theoretical and determined.<br />
But a person&#8217;s aesthetic response is always of interest as well.  That was Lucia&#8217;s initial comment.  Michael adopted a somewhat scolding tone in response, arguably disregarding the validity of having an aesthetic interest in the poetry.<br />
Michael may not have intended to produce a scolding tone, or to foreclose the possibility of holding an aesthetic interest in the poetry as well as an ideological and historical one; he may have simply hoping to be opening the field of interest to include ideological and historical concerns in addition to aesthetic ones; but it&#8217;s unclear.  We know that Michael has aesthetic interests in poetry too, because he has shared aesthetic enthusiasms on Harriet.  So I&#8217;d be inclined to think that he wasn&#8217;t trying to foreclose on aesthetic interest, but I would understand why someone might think differently.<br />
Lucia responded, understandably, in an exasperated fashion, and Michael hauled out an unconfessed Nazi collaborator to scold her explicitly.<br />
&#8220;Overdetermined&#8221; is a funny word.<br />
Teachers can be such a pain in the ass.</p>
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		<title>By: john</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/left-of-karl-marx-part-ii/#comment-4310</link>
		<dc:creator>john</dc:creator>
		<pubDate>Wed, 16 Jul 2008 14:34:34 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=944#comment-4310</guid>
		<description>The idea that reading &quot;is the starting point of all evil&quot; is so melodramatic, so hyperbolic, so purple, that it might be funny, if it hadn&#039;t been a Nazi collaborator who said it.  Knowing that de Man wrote anti-Semitic articles in occupied Belgium for a collaborationist newspaper, it sounds either chilling or semi-consciously semi-confessional.  In any case not generally applicable.
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		<content:encoded><![CDATA[<p>The idea that reading &#8220;is the starting point of all evil&#8221; is so melodramatic, so hyperbolic, so purple, that it might be funny, if it hadn&#8217;t been a Nazi collaborator who said it.  Knowing that de Man wrote anti-Semitic articles in occupied Belgium for a collaborationist newspaper, it sounds either chilling or semi-consciously semi-confessional.  In any case not generally applicable.</p>
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		<title>By: Michael Robbins</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/left-of-karl-marx-part-ii/#comment-4309</link>
		<dc:creator>Michael Robbins</dc:creator>
		<pubDate>Wed, 16 Jul 2008 01:59:06 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=944#comment-4309</guid>
		<description>Well, yes, &amp; I&#039;m being polemical back. Because, as you know, the real question she&#039;s asking is decidedly not whether you need a PhD to read a poem -- she knows perfectly well you don&#039;t. Rather, she suggests that the above discussion engages in over-analysis (PhD synecdochal for intellectualization of the transparent act of &quot;reading a poem&quot;), &amp; by implication that &quot;reading a poem&quot; is a totally straightforward &amp; innocent act that can just take place between the poem &amp; reader without a bunch of theory &amp; criticism intruding. I think that&#039;s a fair paraphrase &amp; reject the terms of that assertion. I believe Paul de Man is right to insist that &quot;the act of reading is [not] innocent. Far from it. It is the starting point of all evil.&quot; This is why I said that the asking of these questions is ethically urged on us. &quot;Reading a poem&quot; is already an overdetermined act, not something that one does in a vacuum, disconnected from all other acts &amp; beliefs.
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		<content:encoded><![CDATA[<p>Well, yes, &#038; I&#8217;m being polemical back. Because, as you know, the real question she&#8217;s asking is decidedly not whether you need a PhD to read a poem &#8212; she knows perfectly well you don&#8217;t. Rather, she suggests that the above discussion engages in over-analysis (PhD synecdochal for intellectualization of the transparent act of &#8220;reading a poem&#8221;), &#038; by implication that &#8220;reading a poem&#8221; is a totally straightforward &#038; innocent act that can just take place between the poem &#038; reader without a bunch of theory &#038; criticism intruding. I think that&#8217;s a fair paraphrase &#038; reject the terms of that assertion. I believe Paul de Man is right to insist that &#8220;the act of reading is [not] innocent. Far from it. It is the starting point of all evil.&#8221; This is why I said that the asking of these questions is ethically urged on us. &#8220;Reading a poem&#8221; is already an overdetermined act, not something that one does in a vacuum, disconnected from all other acts &#038; beliefs.</p>
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		<title>By: Emily Warn</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/left-of-karl-marx-part-ii/#comment-4308</link>
		<dc:creator>Emily Warn</dc:creator>
		<pubDate>Wed, 16 Jul 2008 01:17:01 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=944#comment-4308</guid>
		<description>Questioning whether you need a Ph.D. to understand a poem is anti-intellectual?  Lucia is being, uh, what you might call polemical.
What we really need is Claudia Jones&#039; poetry.  I&#039;ve ordered the Carole Boyce Davies’ book and hope that will help us find it.  After that, we turn to the &lt;a href=&quot;http://www.fcc.gov/foia/&quot; rel=&quot;nofollow&quot;&gt;Freedom of Information Act &lt;/a&gt;website.
Emily
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		<content:encoded><![CDATA[<p>Questioning whether you need a Ph.D. to understand a poem is anti-intellectual?  Lucia is being, uh, what you might call polemical.<br />
What we really need is Claudia Jones&#8217; poetry.  I&#8217;ve ordered the Carole Boyce Davies’ book and hope that will help us find it.  After that, we turn to the <a href="http://www.fcc.gov/foia/" rel="nofollow">Freedom of Information Act </a>website.<br />
Emily</p>
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		<title>By: Michael Robbins</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/left-of-karl-marx-part-ii/#comment-4307</link>
		<dc:creator>Michael Robbins</dc:creator>
		<pubDate>Tue, 15 Jul 2008 16:48:12 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=944#comment-4307</guid>
		<description>Lucia, I don&#039;t think an anti-intellectual tone helps the discussion. If you&#039;re not interested in these aspects of poetic reception, that&#039;s fine. But do you really believe that these questions don&#039;t exist or aren&#039;t of concern to others? Is Bourdieu just full of it? Does poetry occur in a vacuum, removed from all social relationships &amp; economic arrangements?
At any rate, I happen to believe that an intellectual engagement with arguments like Bourdieu&#039;s is ethically urged on those of us who love poetry, but I don&#039;t believe anyone&#039;s forcing you to feel the same way. The answer to yr question is no.
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		<content:encoded><![CDATA[<p>Lucia, I don&#8217;t think an anti-intellectual tone helps the discussion. If you&#8217;re not interested in these aspects of poetic reception, that&#8217;s fine. But do you really believe that these questions don&#8217;t exist or aren&#8217;t of concern to others? Is Bourdieu just full of it? Does poetry occur in a vacuum, removed from all social relationships &#038; economic arrangements?<br />
At any rate, I happen to believe that an intellectual engagement with arguments like Bourdieu&#8217;s is ethically urged on those of us who love poetry, but I don&#8217;t believe anyone&#8217;s forcing you to feel the same way. The answer to yr question is no.</p>
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		<title>By: Lucia</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/left-of-karl-marx-part-ii/#comment-4306</link>
		<dc:creator>Lucia</dc:creator>
		<pubDate>Tue, 15 Jul 2008 16:08:53 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=944#comment-4306</guid>
		<description>Jesus, all I want to do is read some of Claudia Jones&#039; poems.  Do I have to have a Ph.D. to do that?
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		<content:encoded><![CDATA[<p>Jesus, all I want to do is read some of Claudia Jones&#8217; poems.  Do I have to have a Ph.D. to do that?</p>
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		<title>By: Al Filreis</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/left-of-karl-marx-part-ii/#comment-4305</link>
		<dc:creator>Al Filreis</dc:creator>
		<pubDate>Tue, 15 Jul 2008 12:52:46 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=944#comment-4305</guid>
		<description>I&#039;ve posted a reponse to this discussion here:
&lt;a href=&quot;http://afilreis.blogspot.com/2008/07/as-i-prepared-to-write-book-on.html&quot; rel=&quot;nofollow&quot;&gt;http://afilreis.blogspot.com/2008/07/as-i-prepared-to-write-book-on.html&lt;/a&gt;
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		<content:encoded><![CDATA[<p>I&#8217;ve posted a reponse to this discussion here:<br />
<a href="http://afilreis.blogspot.com/2008/07/as-i-prepared-to-write-book-on.html" rel="nofollow">http://afilreis.blogspot.com/2008/07/as-i-prepared-to-write-book-on.html</a></p>
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