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	<title>Comments on: Summer Jams</title>
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		<title>By: Michael Robbins</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/summer-jams/#comment-4372</link>
		<dc:creator>Michael Robbins</dc:creator>
		<pubDate>Tue, 19 Aug 2008 14:35:35 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=953#comment-4372</guid>
		<description>Dept. of Futile Enforcement of Obsolete Business Model:
&lt;a href=&quot;http://www.pitchforkmedia.com/article/news/144766-muxtape-shut-down-for-now&quot; rel=&quot;nofollow&quot;&gt;http://www.pitchforkmedia.com/article/news/144766-muxtape-shut-down-for-now&lt;/a&gt;
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		<content:encoded><![CDATA[<p>Dept. of Futile Enforcement of Obsolete Business Model:<br />
<a href="http://www.pitchforkmedia.com/article/news/144766-muxtape-shut-down-for-now" rel="nofollow">http://www.pitchforkmedia.com/article/news/144766-muxtape-shut-down-for-now</a><br /><span id="reportcomment_results_div_4372"><a href="javascript:void(0);" onclick="reportComment( 4372 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Travis Nichols</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/summer-jams/#comment-4371</link>
		<dc:creator>Travis Nichols</dc:creator>
		<pubDate>Tue, 22 Jul 2008 14:52:12 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=953#comment-4371</guid>
		<description>That&#039;s what I&#039;m talking about!  Nice work, Michael &quot;Double B&quot; Robbins!  Lucky Darryl, you got next?
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		<content:encoded><![CDATA[<p>That&#8217;s what I&#8217;m talking about!  Nice work, Michael &#8220;Double B&#8221; Robbins!  Lucky Darryl, you got next?<br /><span id="reportcomment_results_div_4371"><a href="javascript:void(0);" onclick="reportComment( 4371 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Michael Robbins</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/summer-jams/#comment-4370</link>
		<dc:creator>Michael Robbins</dc:creator>
		<pubDate>Tue, 22 Jul 2008 04:13:00 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=953#comment-4370</guid>
		<description>In defiance of Plato, Mann, Heller, &amp; Fehér, I offer this politically suspect muxtape to Harriet:
&lt;a href=&quot;http://murkplectrum.muxtape.com/&quot; rel=&quot;nofollow&quot;&gt;http://murkplectrum.muxtape.com/&lt;/a&gt;
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		<content:encoded><![CDATA[<p>In defiance of Plato, Mann, Heller, &#038; Fehér, I offer this politically suspect muxtape to Harriet:<br />
<a href="http://murkplectrum.muxtape.com/" rel="nofollow">http://murkplectrum.muxtape.com/</a><br /><span id="reportcomment_results_div_4370"><a href="javascript:void(0);" onclick="reportComment( 4370 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: bill knott</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/summer-jams/#comment-4369</link>
		<dc:creator>bill knott</dc:creator>
		<pubDate>Sat, 19 Jul 2008 14:41:14 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=953#comment-4369</guid>
		<description>. . .  from
The Grandeur and Twilight of Radical Universalism, by Agnes Heller and Ferenc Fehér, p. 364:
Both Plato and Thomas Mann were right in regarding music as politically suspect.  While under its spell, we are more indeterminate and unspecific in our hates and sympathies than politics would like us to be.  There is no doubt that we communicate while we are listening to music and hugging millions.  But this is a special kind of communication.  Its message is meager yet redundant.  It conveys to those millions in my embrace only the truism that they are like me and I am like them.  It is a discourse that knows no argument; indeed it is one that draws its strength from the absence of argument . . . .
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		<content:encoded><![CDATA[<p>. . .  from<br />
The Grandeur and Twilight of Radical Universalism, by Agnes Heller and Ferenc Fehér, p. 364:<br />
Both Plato and Thomas Mann were right in regarding music as politically suspect.  While under its spell, we are more indeterminate and unspecific in our hates and sympathies than politics would like us to be.  There is no doubt that we communicate while we are listening to music and hugging millions.  But this is a special kind of communication.  Its message is meager yet redundant.  It conveys to those millions in my embrace only the truism that they are like me and I am like them.  It is a discourse that knows no argument; indeed it is one that draws its strength from the absence of argument . . . .<br /><span id="reportcomment_results_div_4369"><a href="javascript:void(0);" onclick="reportComment( 4369 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Don Share</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/summer-jams/#comment-4368</link>
		<dc:creator>Don Share</dc:creator>
		<pubDate>Sat, 19 Jul 2008 12:26:06 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=953#comment-4368</guid>
		<description>Kimbo, the only thing I can think of is &lt;i&gt;On a Mission: Selected Poems and a History of the Last Poets&lt;/i&gt; by Abiodun Oyewole, Umar Bin Hassan, and Kim Green, but you may have seen this already.
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		<content:encoded><![CDATA[<p>Kimbo, the only thing I can think of is <i>On a Mission: Selected Poems and a History of the Last Poets</i> by Abiodun Oyewole, Umar Bin Hassan, and Kim Green, but you may have seen this already.<br /><span id="reportcomment_results_div_4368"><a href="javascript:void(0);" onclick="reportComment( 4368 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Kimbo Slice</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/summer-jams/#comment-4367</link>
		<dc:creator>Kimbo Slice</dc:creator>
		<pubDate>Fri, 18 Jul 2008 20:25:46 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=953#comment-4367</guid>
		<description>oh, and only slightly more earnestly... does anyone out there know if there&#039;s any good critical writing on the Last Poets? i&#039;ve looked to no avail...
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		<content:encoded><![CDATA[<p>oh, and only slightly more earnestly&#8230; does anyone out there know if there&#8217;s any good critical writing on the Last Poets? i&#8217;ve looked to no avail&#8230;<br /><span id="reportcomment_results_div_4367"><a href="javascript:void(0);" onclick="reportComment( 4367 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Travis Nichols</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/summer-jams/#comment-4366</link>
		<dc:creator>Travis Nichols</dc:creator>
		<pubDate>Fri, 18 Jul 2008 20:23:25 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=953#comment-4366</guid>
		<description>That Crystal Castles &quot;song&quot; is tearing my brain apart one spongiform unit at a time.  Merci, Kimbo!
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		<content:encoded><![CDATA[<p>That Crystal Castles &#8220;song&#8221; is tearing my brain apart one spongiform unit at a time.  Merci, Kimbo!<br /><span id="reportcomment_results_div_4366"><a href="javascript:void(0);" onclick="reportComment( 4366 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Kimbo Slice</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/summer-jams/#comment-4365</link>
		<dc:creator>Kimbo Slice</dc:creator>
		<pubDate>Fri, 18 Jul 2008 19:58:33 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=953#comment-4365</guid>
		<description>Here&#039;s a link to my muxtape:
&lt;a href=&quot;http://flizzo.muxtape.com/&quot; rel=&quot;nofollow&quot;&gt;http://flizzo.muxtape.com/&lt;/a&gt;
Dylan fans will be pleased. Also notice how the Baden version of Berimbau approaches an Aram Aroyan understatedness.
One might considered how the remix, sampling, and bootlegs contribute to the peripheral field of music production, and what that might look like as equivalents in terms of poetry... or you can just tap your foot along...
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		<content:encoded><![CDATA[<p>Here&#8217;s a link to my muxtape:<br />
<a href="http://flizzo.muxtape.com/" rel="nofollow">http://flizzo.muxtape.com/</a><br />
Dylan fans will be pleased. Also notice how the Baden version of Berimbau approaches an Aram Aroyan understatedness.<br />
One might considered how the remix, sampling, and bootlegs contribute to the peripheral field of music production, and what that might look like as equivalents in terms of poetry&#8230; or you can just tap your foot along&#8230;<br /><span id="reportcomment_results_div_4365"><a href="javascript:void(0);" onclick="reportComment( 4365 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Michael Robbins</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/summer-jams/#comment-4364</link>
		<dc:creator>Michael Robbins</dc:creator>
		<pubDate>Fri, 18 Jul 2008 16:24:45 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=953#comment-4364</guid>
		<description>No Harrieteer has a Mux to share? Official verse kulchur!
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		<content:encoded><![CDATA[<p>No Harrieteer has a Mux to share? Official verse kulchur!<br /><span id="reportcomment_results_div_4364"><a href="javascript:void(0);" onclick="reportComment( 4364 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Michael Robbins</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/summer-jams/#comment-4363</link>
		<dc:creator>Michael Robbins</dc:creator>
		<pubDate>Wed, 16 Jul 2008 02:01:44 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=953#comment-4363</guid>
		<description>Ha! I&#039;d not read that -- thanks, Emily. (Nor did I know Brandon Stosuy had written for PF -- how did that come about? I&#039;m familiar with his metal reviews.)
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		<content:encoded><![CDATA[<p>Ha! I&#8217;d not read that &#8212; thanks, Emily. (Nor did I know Brandon Stosuy had written for PF &#8212; how did that come about? I&#8217;m familiar with his metal reviews.)<br /><span id="reportcomment_results_div_4363"><a href="javascript:void(0);" onclick="reportComment( 4363 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Emily Warn</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/summer-jams/#comment-4362</link>
		<dc:creator>Emily Warn</dc:creator>
		<pubDate>Wed, 16 Jul 2008 01:04:10 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=953#comment-4362</guid>
		<description>You can read why &quot;Berryman isn’t the first or last figure in a Hold Steady song to hover by the Mississippi&quot;&lt;a href=&quot;http://www.poetryfoundation.org/archive/feature.html?id=179023&quot; rel=&quot;nofollow&quot;&gt; here&lt;/a&gt;.
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		<content:encoded><![CDATA[<p>You can read why &#8220;Berryman isn’t the first or last figure in a Hold Steady song to hover by the Mississippi&#8221;<a href="http://www.poetryfoundation.org/archive/feature.html?id=179023" rel="nofollow"> here</a>.<br /><span id="reportcomment_results_div_4362"><a href="javascript:void(0);" onclick="reportComment( 4362 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Travis Nichols</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/summer-jams/#comment-4361</link>
		<dc:creator>Travis Nichols</dc:creator>
		<pubDate>Mon, 14 Jul 2008 23:37:55 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=953#comment-4361</guid>
		<description>Lisa Lisa and the Cult Jam, Lil Wayne, the Hold Steady . . . I think links to non-poetry muxtapes  would be accepted (even welcomed) here in the comments.  In fact, &lt;a href=&quot;http://travisjohnknucklzz.muxtape.com/&quot; rel=&quot;nofollow&quot;&gt;here&#039;s this&lt;/a&gt; (until I upload some poetry).
</description>
		<content:encoded><![CDATA[<p>Lisa Lisa and the Cult Jam, Lil Wayne, the Hold Steady . . . I think links to non-poetry muxtapes  would be accepted (even welcomed) here in the comments.  In fact, <a href="http://travisjohnknucklzz.muxtape.com/" rel="nofollow">here&#8217;s this</a> (until I upload some poetry).<br /><span id="reportcomment_results_div_4361"><a href="javascript:void(0);" onclick="reportComment( 4361 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: D. A. Powell</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/summer-jams/#comment-4360</link>
		<dc:creator>D. A. Powell</dc:creator>
		<pubDate>Mon, 14 Jul 2008 23:25:29 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=953#comment-4360</guid>
		<description>Hey Travis,
The UPenn files really are amazing.
A poet who must remain nameless, but whom you no doubt know, worked in the library of a large East Coast university, and he would occasionally loan me dubs of readings that were in the university&#039;s archives. Much as I was tempted, I never made duplicates of the recordings.
Troy Jollimore burned me a disc recently, with some terrific music, and poetry by O&#039;Hara, Berryman, Muldoon, Ondaatje, etc. It has become the soundtrack to my mornings of late, when I&#039;m not listening to Lisa Lisa and the Cult Jam.
</description>
		<content:encoded><![CDATA[<p>Hey Travis,<br />
The UPenn files really are amazing.<br />
A poet who must remain nameless, but whom you no doubt know, worked in the library of a large East Coast university, and he would occasionally loan me dubs of readings that were in the university&#8217;s archives. Much as I was tempted, I never made duplicates of the recordings.<br />
Troy Jollimore burned me a disc recently, with some terrific music, and poetry by O&#8217;Hara, Berryman, Muldoon, Ondaatje, etc. It has become the soundtrack to my mornings of late, when I&#8217;m not listening to Lisa Lisa and the Cult Jam.<br /><span id="reportcomment_results_div_4360"><a href="javascript:void(0);" onclick="reportComment( 4360 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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		<title>By: Michael Robbins</title>
		<link>http://www.poetryfoundation.org/harriet/2008/07/summer-jams/#comment-4359</link>
		<dc:creator>Michael Robbins</dc:creator>
		<pubDate>Mon, 14 Jul 2008 22:26:16 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=953#comment-4359</guid>
		<description>I must be in a distinct minority: my experience of poetry is text-based. I can&#039;t stand poetry readings (although I sometimes attend them), &amp; I almost never listen to recorded poetry. Unless by &quot;poetry&quot; we mean, as I think we should, that denigrated form, the song. In which case, &amp; with apologies for violating the spirit of the post, my poetry muxtape would run, today anyway, something like this:
The Hold Steady, &quot;Stuck between Stations&quot;: sample lyrics: &quot;There was that night that we thought that John Berryman could fly. / But he didn&#039;t so he died. / She said &#039;you&#039;re pretty good with words but words won&#039;t save your life&#039; / And they didn&#039;t so he died. / He was drunk and exhausted but he was critically acclaimed and respected. / He loved the Golden Gophers but he hated all the drawn out winters. / He likes the warm feeling but he&#039;s tired of all the dehydration. / Most nights were kind of fuzzy but that last night he had total retention.&quot;
Lil Wayne, &quot;Sky&#039;s the Limit&quot;: &quot;Relying on rap, but in the kitchen I&#039;m a chemist, / And when I was 5, my favorite movie was the &lt;i&gt;Gremlins&lt;/i&gt;. / Ain&#039;t got shit to do with this, but I just thought that I should mention it.&quot;
Ghostface Killah, &quot;The Champ&quot;:
I&#039;m James Bond in the Octagon with two razors
Bet y&#039;all didn&#039;t know I had a fake arm
I lost it
Sonic Youth, &quot;Incinerate&quot;: &quot;The firefighters were so nice.&quot;
Laurie Anderson, &quot;The Dream Before&quot;: a perfect poem that borrows Benjamin.
Clipse, &quot;Play Your Part&quot;:
All the snow on the timepiece confusing them
All the snow on the concrete Peruvian
I flew &#039;em in, it ruined men, I&#039;m through with them
Blamed for misguiding their life
So go and sue me then
Steinski, &quot;It&#039;s up to You (Television Mix)&quot;: contains a sample of George Bush I saying (musically arranged in such a way that the rhythm &amp; rhyme are emphasized): &quot;Regrettably / we now believe / that only force / will make him leave.&quot;
Robert Johnson, &quot;Me &amp; the Devil Blues&quot;: &quot;You may bury my body down by the highway side / So my old evil spirit can catch a Greyhound bus &amp; ride.&quot;
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		<content:encoded><![CDATA[<p>I must be in a distinct minority: my experience of poetry is text-based. I can&#8217;t stand poetry readings (although I sometimes attend them), &#038; I almost never listen to recorded poetry. Unless by &#8220;poetry&#8221; we mean, as I think we should, that denigrated form, the song. In which case, &#038; with apologies for violating the spirit of the post, my poetry muxtape would run, today anyway, something like this:<br />
The Hold Steady, &#8220;Stuck between Stations&#8221;: sample lyrics: &#8220;There was that night that we thought that John Berryman could fly. / But he didn&#8217;t so he died. / She said &#8216;you&#8217;re pretty good with words but words won&#8217;t save your life&#8217; / And they didn&#8217;t so he died. / He was drunk and exhausted but he was critically acclaimed and respected. / He loved the Golden Gophers but he hated all the drawn out winters. / He likes the warm feeling but he&#8217;s tired of all the dehydration. / Most nights were kind of fuzzy but that last night he had total retention.&#8221;<br />
Lil Wayne, &#8220;Sky&#8217;s the Limit&#8221;: &#8220;Relying on rap, but in the kitchen I&#8217;m a chemist, / And when I was 5, my favorite movie was the <i>Gremlins</i>. / Ain&#8217;t got shit to do with this, but I just thought that I should mention it.&#8221;<br />
Ghostface Killah, &#8220;The Champ&#8221;:<br />
I&#8217;m James Bond in the Octagon with two razors<br />
Bet y&#8217;all didn&#8217;t know I had a fake arm<br />
I lost it<br />
Sonic Youth, &#8220;Incinerate&#8221;: &#8220;The firefighters were so nice.&#8221;<br />
Laurie Anderson, &#8220;The Dream Before&#8221;: a perfect poem that borrows Benjamin.<br />
Clipse, &#8220;Play Your Part&#8221;:<br />
All the snow on the timepiece confusing them<br />
All the snow on the concrete Peruvian<br />
I flew &#8216;em in, it ruined men, I&#8217;m through with them<br />
Blamed for misguiding their life<br />
So go and sue me then<br />
Steinski, &#8220;It&#8217;s up to You (Television Mix)&#8221;: contains a sample of George Bush I saying (musically arranged in such a way that the rhythm &#038; rhyme are emphasized): &#8220;Regrettably / we now believe / that only force / will make him leave.&#8221;<br />
Robert Johnson, &#8220;Me &#038; the Devil Blues&#8221;: &#8220;You may bury my body down by the highway side / So my old evil spirit can catch a Greyhound bus &#038; ride.&#8221;<br /><span id="reportcomment_results_div_4359"><a href="javascript:void(0);" onclick="reportComment( 4359 );" title="Report this comment" rel="nofollow">Report this comment</a></span></p>
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