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	<title>Comments on: Happy New Year?</title>
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	<link>http://www.poetryfoundation.org/harriet/2009/01/happy-new-year/</link>
	<description>A blog from the Poetry Foundation where contemporary poets debate classic and contemporary poetry from America and around the world.</description>
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		<title>By: Rita Wong</title>
		<link>http://www.poetryfoundation.org/harriet/2009/01/happy-new-year/#comment-6596</link>
		<dc:creator>Rita Wong</dc:creator>
		<pubDate>Tue, 06 Jan 2009 16:40:29 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=1213#comment-6596</guid>
		<description>Glad you&#039;re back, Mark!  Funny, I just started teaching today, and the class read and responded to a couple of sonnets (by Wanda Coleman and Roger Farr) that involve economic questions (below), though I&#039;ll need to keep looking for poems specifically responding to the current economic climate. Thanks for putting that question in my head.
It&#039;s not a poem, but I just found out about this book/DVD, To the Tar Sands, which looks at the effects of the oil industry boom on communities in Alberta:
&lt;a href=&quot;http://www.rabble.ca/whatsup/book-launch-journey-tar-sands-and-screening-associated-documentary-film&quot; rel=&quot;nofollow&quot;&gt;http://www.rabble.ca/whatsup/book-launch-journey-tar-sands-and-screening-associated-documentary-film&lt;/a&gt;
Things may be slowing down economically, but the pollution of the oil industry remains terrifyingly toxic (for instance see &lt;a href=&quot;http://www.cbc.ca/thecurrent/water.html,&quot; rel=&quot;nofollow&quot;&gt;http://www.cbc.ca/thecurrent/water.html,&lt;/a&gt; scroll down to Oct 1- Alberta Tar Sands), and I hope people can find ways to survive that don&#039;t rely on poisoning the land and people&#039;s futures - back to Farr&#039;s &quot;autonomous land initiatives&quot; below... and measurements like the genuine progress indicator (http://www.rprogress.org/sustainability_indicators/genuine_progress_indicator.htm)....
American Sonnet 61
reaching down into my griot bag
of womanish wisdom and wily
social commentary, i come up with bricks
with which to either reconstruct
the past or deconstruct a head. dolor
robs me of art&#039;s coin
as i push, for peanuts, to level walls and
rebuild the ruins of my poetic promise. from
the infinite alphabet of afroblues
intertwinings, i cull apocalyptic visions
(the details and lovers entirely real)
and articulate my voyage beyond that
point where self disappears
mis violentas flores negras
these are my slave songs
- by Wanda Coleman  (from Bathwater Wine, Santa Rose, CA: Black Sparrow Press, 1998)
XIX
I&#039;m sorry to make of poetry a mockery again
But this evening, as I exited Safeway, the historical process
Of separating the proletariat from the means of subsistence
Forced itself upon my eyes with such a violence
As to break the levees of false consciousness.
For it was there, among the Tylenol and the razor blades
Among a disturbing array of meat and dairy products
I spent $3.38 on mozzarella cheese, $1.04 on Macintosh
Apples, $2.29 on fresh basil, $1.10 on hot-house tomatoes
$1.95 on French-style Artisan bread, and $4.99 on a Green
Drink. Now I admit I’m no campesino. But as the last
Long rays of a late September sun cast shadows over
The obsolete lawns of Oak Bay, I understood precisely
Our need for autonomous land initiatives.
- by Roger Farr, from Surplus (Burnaby, BC: Line Books, 2006)
</description>
		<content:encoded><![CDATA[<p>Glad you&#8217;re back, Mark!  Funny, I just started teaching today, and the class read and responded to a couple of sonnets (by Wanda Coleman and Roger Farr) that involve economic questions (below), though I&#8217;ll need to keep looking for poems specifically responding to the current economic climate. Thanks for putting that question in my head.<br />
It&#8217;s not a poem, but I just found out about this book/DVD, To the Tar Sands, which looks at the effects of the oil industry boom on communities in Alberta:<br />
<a href="http://www.rabble.ca/whatsup/book-launch-journey-tar-sands-and-screening-associated-documentary-film" rel="nofollow">http://www.rabble.ca/whatsup/book-launch-journey-tar-sands-and-screening-associated-documentary-film</a><br />
Things may be slowing down economically, but the pollution of the oil industry remains terrifyingly toxic (for instance see <a href="http://www.cbc.ca/thecurrent/water.html," rel="nofollow"></a><a href="http://www.cbc.ca/thecurrent/water.html" rel="nofollow">http://www.cbc.ca/thecurrent/water.html</a>, scroll down to Oct 1- Alberta Tar Sands), and I hope people can find ways to survive that don&#8217;t rely on poisoning the land and people&#8217;s futures &#8211; back to Farr&#8217;s &#8220;autonomous land initiatives&#8221; below&#8230; and measurements like the genuine progress indicator (<a href="http://www.rprogress.org/sustainability_indicators/genuine_progress_indicator.htm)..." rel="nofollow">http://www.rprogress.org/sustainability_indicators/genuine_progress_indicator.htm)&#8230;</a>.<br />
American Sonnet 61<br />
reaching down into my griot bag<br />
of womanish wisdom and wily<br />
social commentary, i come up with bricks<br />
with which to either reconstruct<br />
the past or deconstruct a head. dolor<br />
robs me of art&#8217;s coin<br />
as i push, for peanuts, to level walls and<br />
rebuild the ruins of my poetic promise. from<br />
the infinite alphabet of afroblues<br />
intertwinings, i cull apocalyptic visions<br />
(the details and lovers entirely real)<br />
and articulate my voyage beyond that<br />
point where self disappears<br />
mis violentas flores negras<br />
these are my slave songs<br />
- by Wanda Coleman  (from Bathwater Wine, Santa Rose, CA: Black Sparrow Press, 1998)<br />
XIX<br />
I&#8217;m sorry to make of poetry a mockery again<br />
But this evening, as I exited Safeway, the historical process<br />
Of separating the proletariat from the means of subsistence<br />
Forced itself upon my eyes with such a violence<br />
As to break the levees of false consciousness.<br />
For it was there, among the Tylenol and the razor blades<br />
Among a disturbing array of meat and dairy products<br />
I spent $3.38 on mozzarella cheese, $1.04 on Macintosh<br />
Apples, $2.29 on fresh basil, $1.10 on hot-house tomatoes<br />
$1.95 on French-style Artisan bread, and $4.99 on a Green<br />
Drink. Now I admit I’m no campesino. But as the last<br />
Long rays of a late September sun cast shadows over<br />
The obsolete lawns of Oak Bay, I understood precisely<br />
Our need for autonomous land initiatives.<br />
- by Roger Farr, from Surplus (Burnaby, BC: Line Books, 2006)</p>
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		<title>By: Matt</title>
		<link>http://www.poetryfoundation.org/harriet/2009/01/happy-new-year/#comment-6595</link>
		<dc:creator>Matt</dc:creator>
		<pubDate>Tue, 06 Jan 2009 14:54:16 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=1213#comment-6595</guid>
		<description>Joseph, isn&#039;t that a bit of a blue collar stereotype--&quot;mud on their shoes&quot;?  As if country folk are the only ones who have hard lives working for less-than-living-wages.  There&#039;s very little mud in NYC outside of our city parks, but if you think there aren&#039;t poor people here doing menial jobs, you&#039;re kidding yourself.
</description>
		<content:encoded><![CDATA[<p>Joseph, isn&#8217;t that a bit of a blue collar stereotype&#8211;&#8221;mud on their shoes&#8221;?  As if country folk are the only ones who have hard lives working for less-than-living-wages.  There&#8217;s very little mud in NYC outside of our city parks, but if you think there aren&#8217;t poor people here doing menial jobs, you&#8217;re kidding yourself.</p>
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		<title>By: Joseph Hutchison</title>
		<link>http://www.poetryfoundation.org/harriet/2009/01/happy-new-year/#comment-6594</link>
		<dc:creator>Joseph Hutchison</dc:creator>
		<pubDate>Mon, 05 Jan 2009 15:54:28 +0000</pubDate>
		<guid isPermaLink="false">http://pf/harriet/?p=1213#comment-6594</guid>
		<description>It&#039;s good to have you back, Mark. Harriet needs some poets with mud on their shoes....
</description>
		<content:encoded><![CDATA[<p>It&#8217;s good to have you back, Mark. Harriet needs some poets with mud on their shoes&#8230;.</p>
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