This seems like as good of a time as any to re-introduce myself as a Harriet citizen, so here I go:
Hi. How’s it going?
First up on the to-do list? Comments!
Let’s talk about the comments.
First of all, thanks to everyone for their suggestions and input over the past week in response to Cathy’s post, “A Few Harriet Statistics.” The response has been instructive in many ways, and we’re grateful to have had it here.
I was recently asked to write a poem for the inauguration of my university’s president, and I read it at the ceremony last weekend. This gratifying experience got me thinking about the place of occasional poetry in our culture.
Johann Wolfgang von Goethe

The NYT reported yesterday that the Justice Department is looking into the anti-trust implications of the Google Books Settlement.
This is the latest twist in an ongoing saga–one which leaves many savvy publishers and copyright experts (let alone writers) more than a little confused.
Some background: In 2005, the Authors Guild and the Association of American Publishers filed a class action suit against Google, accusing the online company violated copyright when it scanned millions of books (many under copyright) for use in the Book Search program.
I’ve been posting quite a bit about the exciting work produced by some of our finest emerging poets, and I’ve also written about poems that are sonically engaging. So it may come as no surprise that I am pleased to announce that From the Fishouse: An Anthology of Poems that Sing, Rhyme, Resound, Syncopate, Alliterate, and Just Plain Sound Great arrived in my mailbox (and bookstore) this week.
Throughout the month of April, the National Post, a paper up here in Canada (or down here, if you live in Wasilla or something) has been conducting brief E-mail interviews with poets, for its books blog. I thought I would reproduce one of the quirkier questions here: “Novels are always being adapted into movies. What are some poems that deserve the Hollywood treatment?”
(My answer to this question, by the way, was: “Not Beowulf.”)
Poetry of the 1950s has added some rare notes to its scale the last year or two thanks to two badly-needed editions , Kristin Prevallet’s A Helen Adam Reader (National Poetry Foundation) and Peter Gizzi/Kevin Killian’s My Vocabulary Did This to Me: Collected Poetry of Jack Spicer (Wesleyan)

Real estate is on a lot of minds these days, but it’s in them, too; isn’t the mind (read: the imagination) a kind of low-rent housing to which we can retreat, however briefly, when we’ve been startled by a sudden scattering of cockroaches or when life, in general, looks grim under its bare bulb? I write “low-rent” because the only price the imagination exacts is our attention to what’s going on around us, in the real world, which is not always very interesting. But why limit ourselves to our own imaginations when we can live comfortably in those of others? This is a question that was prompted by a recently reprinted Don Coles poem:

How the Air Force Handles Blog Wars
Ten years ago, I ran a site for teenage girls with over 4 million registered users. We had at least a million teenage girls posting on our discussion boards, especially the poetry board. Every once in a while, we’d have to “bozo” one of the mean girl commenters, which meant she could keep on posting till she was blue in the face, but she was the only person who saw her posts.
For a minute there, when the Harriet comments section resembled a roller derby, we thought about bozo-ing a few of you. Instead, we thought we’d share a few Harriet statistics and pose a question.
Harriet accounts for about 3% of poetryfoundation.org traffic. Guess what gets the most traffic by a long shot? Love poetry. More on that in another post.
Here in our little Harriet pond, we had 39 blog posts in the month of March, which generated about 829 comments. About 30% of those comments where generated by just three people. We don’t have hard data for how many people are on Harriet each month, but it’s certainly more than three. Yet too often, it seems, the comments section devolves into a spitting contest between a small handful of people.
We’d love to hear what a conversation between a larger group of poetry lovers would sound like. To that end, we’re going to be experimenting with the format of the comments section in the coming weeks. In the meantime, if you have ideas for how to open up the discussion here, please feel free to share them.
Every week I introduce my students to a few poems I think speak to what they’ve tried to write themselves. I do this hoping they’ll read more and, reading more, learn to write better and better. Amen. It being near the end of the semester, I’ve been interested in what resonated most. As ever, the answers surprised me.

Jim Behrle (pictured above) has launched Baby Trotsky a Twitter literary magazine featuring, of course, 140 character poems and short (short!) stories. Who knows if it will be as successful as Twitter’s LOLcat haiku, or Anon Poetry (or even the PoFo’s own Poetry News), but Mr. Behrle is nothing if not devoted to his projects, so we can all hope. Send your submissions now, before it gets overrun by disgruntled canwehaveourballback rejects.
In other Zadie Smith news, Coudal Partners, a Chicago design firm, features a very cool “poetry meme” on their very cool website.
Anselm Berrigan
Abigail Deutsch
Tonya Foster
Melissa Friedling
John S. O'Connor
Barbara Jane Reyes
Amber Tamblyn
Edwin Torres
Cathy Halley
Michael Marcinkowski
Travis Nichols
Fred Sasaki
Don Share
a question on hearing (5)
Indie Publishing: Two Questions and More... (5)
Brand World Atheist (16)
Poetry Noir (7)
Poetry Marathon at the Serpentine Gallery,... (21)
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