I was a little big hungover this morning after a wonderfully friendly reading in Williamsburg last night, after which I reconvened with some batshit crazy friend of mind from high school who I nomered “The Unlikeliest Attorney.” I mean, fifteen years ago this guy was growing hydroponic in a warehouse in Brooklyn and next thing you know he’s a public defender. This morning I woke up on the floor (intentionally) of my parents’ apartment, where they had kindly laid out the spare mattress in what they call “the library”–which really is a room lined with books. Among these books I noticed three copies in a row of my dad’s only one, published in 1973 by the Sierra Club. It’s called Unreal Estate, (har har, and that’s the point of this post) and it’s an expose of a certain bunch of real estate scams going down at the time. Knowing my dad, it’s probably a pretty dry read, but unfailingly accurate and even-handed. He’s a Libra. Right there and then, with my right temple alternately on fire and impaled by an ice pick I had a revelation: EVERYTHING is genetic. Or let me rephrase that as a question: IS Everything Genetic? Did even my helpless and unremitting fondness for punny or just jokey titles (”Laconic Parkway”; “The World Is My Cloister”; “Autobiographia Copularia”–these are just a few of my gems) come to me the same way my large hands and skinny ankles did? God knows my dad didn’t walk around the house punning or even just being humorous with any regularity. He’s a Libra.

Chickens without media come running. I am kneeling at the edge of their electronic fence with three crumpled index cards because unlike say DH Lawrence who wrote good animal poems, I have no memory. Not much. What would I have of your fat fullness without recording. One goes back into the chicken house then two. One tries another angle, getting close to me. A truck rides by laughing. Look at

Two poets at Faulkner's pad (C. Dungy and Major Jackson in Oxford, MS)
As I feared when I packed my life into boxes this spring, plenty is still lost to the inside of paper-walled containers. My copy of Flight to Canada must still be boxed up in cardboard, also my third-favorite terrycloth robe. Did I leave my good black bra in the old building’s washer, and where in laurels’ name is my signed copy of Native Guard? I can’t even locate the sheet of return address labels my insurance agent sent. Why would I bother to lose something as useless as that? The husband asks where our checkbooks are, and I panic. He asks where I’ve hidden his favorite sugar dispenser, and I tell him his guess is as good as mine. I’m pretty sure the box of his baby pictures my mother-in-law keeps asking after is buried in that incredibly dusty storage closet. Which means I’ll soon be back in the closet, stirring up dirt from the past. Consider the possibility of having permanently misplaced your husband’s baby pictures. Now write a poem.
Psst! Yeah, you! Wanna see some rare poetry?
Click here.

Here at last, live, the chickens get to do their own bidding, despite the human voice trying to introduce them, to rile them up, to get the chickens to give a good show.
Hi, Harriet. I’m going to do some more recycling! I wrote this review for some peeps and they never published it. I thought this was a bummer, not only because I’d spent time working on it, but also because I thought these books deserved some notice. I cut-n-paste the review here on Harriet for those reasons, plus the reason of needing things to blawg about from a contractual point of view, plus to say nyah nyah to the aforementioned review-not-printing peeps, plus to satisfy a certain meta-curiosity I’ve been feeling, namely, whether/how/why my writer-writing differs — in tone, substance, form, content, etc. — from my blogger-writing. But ugh, don’t bother yourself too much about that last bit if it’s of no interest; it’s only slightly so to me. Instead read these reviews and let me know a) whether/why you do/n’t find my comments about these books valuable and/or enticing and/or whatever, and b) if you already knew about these books, what did you think of them?

Peterborough NH, July 28 2009
Would you be available for a possible conversation?
Researcher needs to shift to an animal platform where other sound systems have value and can be received. Transition successful:
I saw a dead cat on the side of the road and it reminded me of my intention to write about Jennifer Moxley’s new book, Clampdown. Actually first it reminded me of the book itself, and then it reminded me of my intention. So I’ll do that later.

Get ready for the fifth annual Printers’ Ball, the completely free, open-to-the-public print festival taking place this coming weekend.
What is The Printers’ Ball, you ask?
Officially, The Printers’ Ball is “one of the largest celebrations of print culture in the country,” which in my fantasy includes people wandering around wearing ink-stained paper dresses and tuxedos. Apparently that’s not far from the truth. The organizers—folks at Poetry magazine, Columbia College Chicago and the Center for Book & Paper Arts–tell me there will be an origami ball gown made of recycled magazines, poet-trees, paper statuary and lots of activities that “take print back to its roots”. In short, it’s a paper-lover’s paradise.
Come on down and get your hands dirty making paper and rubber stamps, or stay clean and watch book binding, letterpress, silkscreen and offset printing demonstrations. Lazy bones are invited to sit around and drink microbrew beer at readings sponsored by the participating publications.
Find out more about it and watch some sneak peak preview video at The Chicago Poetry Calendar.
Check back next week for a report and pictures from the field.
Details:
The Printers’ Ball (not to be confused with the Printer’s Row Lit Fest)
Friday July 31
5:00 to 11:00 pm
Columbia College of Chicago – Center for Book & Paper Arts
Ludington Building
1104 South Wabash Avenue
Chicago
This morning I’ve set about finishing my novel for the dozenth time. It keeps being finished and then adjustments need to be made, and I make them, and then it goes out into the world again for feedback, and then it comes back to me, and so on and so forth. My hope is that it will go out this time and not come back, and instead will be made directly into a fantastic teen sex/longing movie by the genius who made the movie Twilight. Or by Eric Rohmer. I think Europeans (even dead ones)(actually he’s not dead! even better) will get my novel better than Americans. An undead European would be ideal.
Anselm Berrigan
Abigail Deutsch
Tonya Foster
Melissa Friedling
John S. O'Connor
Barbara Jane Reyes
Amber Tamblyn
Edwin Torres
Cathy Halley
Michael Marcinkowski
Travis Nichols
Fred Sasaki
Don Share
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