Harriet

Archive for August, 2009

Joel Brouwer

Hoodoo You Love

warhol_mona_lisa

The Collected Poems of Wallace Stevens was the fourth book of poetry I ever bought, with a gift certificate to Schuler Books in Grand Rapids I’d been given for a birthday, probably my sixteenth or so. Why that book? I’m not entirely sure.

Barbara Jane Reyes

Russell Leong, ‘The Country of Dreams and Dust’ (West End Press, 1993)

Russell Leong’s The Country of Dreams and Dust is one of those books of poetry I wonder why I read so many years (15, to be exact) after its original publication, and then in many ways I am glad I came to it when I did. I’d recently picked it up used at Half Price Books in Downtown Berkeley for $4.98, and really, I was drawn to it because of the publisher, West End Press, who’s published Arlene Biala, Paula Gunn Allen, Nellie Wong, Naomi Quiñones, among other writers I admire.

Photo credit: I. Perello (2003)

Photo credit: I. Perello (2003)

This is what I expect to find in a collection of Asian American poetry — conventional immigration and immigrant narratives which give us a clean delineation between “there” (homeland) and “here” (host country), translating into a neatly packaged conflict. In this conventional Asian American “identity politics” poetry, the poet’s ethnic identity is the thing driving forth the narrative, the reason for the conflict, and the primary if not sole lens through which the poet views his “there” and “here” world.

Eileen Myles

POST ON THE POST

Harriet’s the second blog I’ve posted on. The last one was about art which could include poetry and I did it for a year.

Rebecca Wolff

On the Road

I met my neighbor on the road this morning, a childhood friend I haven’t seen since childhood, except on Facebook, which is where he saw the news of my new book. “Selling lots of copies?” he inquired cheerfully, and when I mentioned that books of poems don’t really figure in that way in the American consciousness he and I then shared a few moments laughingly comparing the obscurity of our respective art forms: He is an opera singer, it turns out, though from his Facebook friends I had construed him as an architect. But this is not a post about Facebook.

Barbara Jane Reyes

Jeff Tagami, ‘October Light’ (Kearny Street Workshop Press, 1987)

I’ve previously reviewed Central Valley poet Jeff Tagami’s October Light, for the International Examiner’s Pacific Reader at the time of the book’s third printing. October Light, Tagami’s first and thus far only collection of poetry, was originally published in 1987 by San Francisco-based, Manilatown-founded Kearny Street Workshop.

tagami

Tagami appeared in the PBS television series, United States of Poetry (1995), which featured his poem, “Song of Pajaro”:

Barbara Jane Reyes

Evie Shockley, ‘a half-red sea’ (Carolina Wren Press, 2006)

[Hello all, I realize this book review is about three years too late, but better now than never!]

evie-shockley-book

Evie Shockley’s got a brave and firm grip on history; her first full-length collection of poems, a half-red sea, Harryette Mullen describes as “navigating against prevailing currents.” Indeed, Shockley skillfully navigates, pointedly assesses, and calls our acute attention to the prevailing current of the Middle Passage and of rivers, their historical and contemporary effects in shaping American world views on race and gender.

Travis Nichols

This Is the Week That Is

Jason Conger, Rodrigo Toscano, Riva Roller, Clare Alexa Sammons (photo by Laura Elrick)
Jason Conger, Rodrigo Toscano, Riva Roller, Clare Alexa Sammons (photo by Laura Elrick)

Meet the Radical:  Jason Boog, GalleyCat impresario and freelance video essayist, explores the life and work of Rodrigo Toscano for this week’s cover story.  A taste:

“Frustrated by his formal education, Toscano skipped college altogether, moving to San Francisco in the early 1990s. There, poetry and activism became intimately intertwined in his adult life. Toscano’s self-made syllabus sampled a wide range of poets—Leslie Scalapino, Fanny Howe, Bob Perelman, Lyn Hejinian, and Charles Bernstein—as well as political thinkers such as Karl Marx, Louis Althusser, and Herbert Marcuse. In the mid-1990s, he helped organize the Labor Party in San Francisco and published his first collection, Arbiter (Parenthesis, 1995).”

Read the whole fascinating story of this labor activist, poet, and playwright here.

Welcome:  We’re pleased to announce that Barbara Jane Reyes, author of Poeta en San Francisco and Gravities of Center, has joined us at Harriet.  Welcome to the conversation, Barbara!

Topping the Charts: The number 1 book on the contemporary best seller list this week is Slamming Open the Door, Kathleen Sheeder Bonanno’s harrowing series of poems about her daughter’s murder.  Bonanno’s book edges out W.S. Merwin’s Shadow of Sirius and Mary Oliver’s Evidence for the top spot.

UPDATE:  While “How Forrest Gander is like Megadeth” is pretty good, the headline of the week (so far) goes to “Shocker: Robin Williams’s poetry teacher character is unlikable, ‘needs to grow up’ says director.”  That one really does have it all, doesn’t it?  Even better?  The director is Bobcat Goldthwait.

Read each and every bit of news fit to print over at the news page (Thanks, as always, to Cate and Abby for stellar puns and cub reporter skill-sets).

Eileen Myles

The Group

 We’re turning the corner into fall and it seems to me 2009 was a fast summer. I sprained my ankle hiking with one group at the beginning of it and as the chill infiltrates the air as many mornings as not when I wake up it’s still x@#$$% swollen. I lived at MacDowell for a month this summer with a strangely shifting group. There were people I met at the end of their stay – and others began to arrive in the last week I was

Joel Brouwer

they go up pretty easy

t2189-memento-mori-jean-morin

How many passwords does Sharon Olds have? How many passwords does Seamus Heaney have? Does anyone other than them know what they are?

The TIME Magazine in the dentist’s office is wondering what happens to your cloud-borne data when you’re dead. A relevant question for all of us who a) compute and b) are mortal. (Indeed, it recently occurred to me that I might oughta swap passwords with my dad, just in case one of us unexpectedly needs to execute the other’s “estate,” such as they are. (We’re Dutch; we enjoy planning.)) But it seems like this must be a particularly vexing issue for readers and scholars of literature, since, for better or worse, people are going to want to write dissertations about Olds and Heaney (and Gary Snyder and C. D. Wright and Lyn Hejinian and Robert Pinsky and Charles Bernstein and Adrienne Rich etc.), and some of these folks, and certainly many more of the generations which follow them, must be conducting their correspondence increasingly online, and that information lies behind a login screen.

Barbara Jane Reyes

Suheir Hammad, ‘breaking poems’ (Cypher Books, 2008)

Cypher Books has just announced that Suheir Hammad’s breaking poems, which was the recipient of the 2009 Arab American Book Award in Poetry, has just been nominated for an American Book Award from the Before Columbus Foundation.

breaking_poems-banner

It’s wonderful to see a poet most well-known for her sharp and effective performance — she was an original cast member and co-writer for the TONY Award winning Russell Simmons Presents Def Poetry Jam on Broadway (2003) — being recognized for her literary work.

I have been a huge admirer of Hammad’s work since I first read her poem, “Of Woman Torn,” in the anthology The Poetry of Arab Women, edited by Nathalie Handal. Hammad’s “Of Woman Torn” addresses the so-called “honor killing” of an eloped young woman by her father in Cairo in 1997:

CONTRIBUTING WRITERS

Thom Donovan
Bhanu Kapil
Fred Moten
Craig Santos Perez
Sina Queyras
Sotère Torregian

STAFF WRITERS

Cathy Halley
Michael Marcinkowski
Travis Nichols
Fred Sasaki
Don Share

About Harriet

RECENT COMMENTS

  • WARNING COPYWRITE PROTECTED: DO NOT PLAGARISE. BASTARDS! Call it having a career, a care, a community ... MORE »
    Eric Landon | 03.18.10
  • In order to have great poetry, there must be great audiences, said Walt Whitman, or ... MORE »
    Henry Gould | 03.17.10
  • But in ye olden ShakespeHearean days, the King NEEDED the Fool. & the Fool ... MORE »
    Henry Gould | 03.17.10
  • Sina, one of the things I like about poetry is that no one wants to ... MORE »
    Mark Wallace | 03.17.10
  • I work in insurance. There's a lot to be said for having more time ... MORE »
    Marty Elwell | 03.17.10

Graphic Poetry Spotlight: Jai Arun Ravine’s... (3)
To Sonnet, to Son-net, Tuscon Net (54)
Beyond Careerism? (Redistributing Poetic... (30)
Women’s History Month: A Salute (3)
Teachability, Pedagogy, and Why You Can Easily... (5)

RECENT POSTS

MONTHLY ARCHIVE

CATEGORY ARCHIVE

PREVIOUS WRITERS

Subscribe to the RSS feed.
What is RSS?

IN THIS ISSUE: March 2010

Poetry Magazine

A selection of new work from Dorothea Grossman; new poems by Lavinia Greenlaw, David Yezzi, A.E. Stallings, Gerald Stern, and Dan Gerber; translations of Carlo Betocchi, and Mahmoud Darwish; an Editorial on Ruth Lilly; an exchange between Ilya Kaminsky and Adam Kirsch; an essay by Chen Li; and a review by Daisy Fried.

DC Poetry Tour

CHICAGO EVENTS

Poetry Off the Shelf: David Baker

Poetry Off the Shelf: David Baker Fri, March 26th, 6:00 PM
Open Books
213 West Institute Place
Free admission

MORE EVENTS »