Harriet

Archive for January, 2010

Sina Queyras

On the Where of Reading

It doesn’t matter where one is someone said recently, thinking, reading, working, that happens anywhere. As someone who grew up on the move, quite literally upended at a days notice, I have always thought that is true. You make the best of where you are whether that’s three days in a car, spending the holidays at a motel thrust up like a tent in the middle of nowhere, or in a train station overnight in Lyon.

Bhanu Kapil

Notes on Mutation

What is a question?  How do questions work in your writing?  What do they perform?  What happens when you ask them?

Some notes from my own attempt to think about this, originally written as a way to think about Jean Valentine’s “Little Boat,” for a collection of writing on her work collected by Kazim Ali, whom I have never met but look forward to (Who is Kazim Ali?  Did he drink black coffee in Egypt from a tiny porcelain cup?  That is a separate question) [meeting]:

A question: Literally, it’s a way of gathering information but not of processing it.  As a mode of enquiry that’s also, linguistically, founded on doubt, on not having the words for what happens at the end of a relationship, the question seals space*.

Thom Donovan

Bruce Boone Weekend

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This past weekend in New York City I will always remember as the Bruce Boone weekend. On Friday night Boone read as part of a launch event for Nightboat Books at Metro Pictures gallery in Chelsea. He was preceded by Evelyn Reilly and Marcella Durand, who read from the Eco Language Reader (co-published by Nightboat Books and Portable Press at Yo-Yo Labs, edited by Brenda Iijima), Stephen Motika, the publisher of Nightboat, who introduced the readers and their books, Edwin Torres, who read from his book In the Function of External Circumstances, and Rob Halpern, who read from his forward to the Nightboat reissue of Boone’s 1980’s New Narrative classic, Century of Clouds. Triumphantly, Boone read from the final pages of Century of Clouds, wherein he breezily recalls the social atmosphere around the Marxist study group in which he, Fredric Jameson, and others participated.

Travis Nichols

“The only thing I’d really like to be.”

Comin thro’ the rye, poor body,
  Comin thro’ the rye,
She draigl’t a’ her petticoatie
  Comin thro’ the rye.

Oh Jenny ’s a’ weet poor body
  Jenny ’s seldom dry,
She draigl’t a’ her petticoatie
  Comin thro’ the rye.

Gin a body meet a body
  Comin thro’ the rye,
Gin a body kiss a body —
  Need a body cry.

Gin a body meet a body
  Comin thro’ the glen;
Gin a body kiss a body —
  Need the warld ken!

        “Comin Thro’ The Rye” by Robert Burns

Bhanu Kapil

“So sonic intensity is tantamount to submerged embodied historiography.”

border

: (Th.Donov. on Fr. Moten): “Translate to color.”  In the comment stream.  And looped up, like a baby.  Though if I had another baby, which would depend, quite frankly, upon meeting  a competent and ecstatic South-Asian medical professional in the next thirty days: I might put it down (the baby not a suitor) on a sheepskin rug to roll around a bit.  More than I did.

Craig Santos Perez

Gender, (Race), & Poetry (Part 2): Numbers & Unnumbered Trouble

*

some of you may be familiar with ‘NUMBERS TROUBLE,’ the essay by juliana spahr & stephanie young, published in the chicago review (2007), in response to jennifer ashton’s ill-conceived essay ‘our bodies, our poems.’ (you can read the spahr/young essay, ashton’s clumsy response, and a statistical report complied by joshua kotin & robert baird here). a major strand of the discussion involved gender equity in usamerican anthologies, literary journals, small presses, and prizes/awards.

*

the publication of ‘numbers trouble’ and the ensuing blog discussion created an important moment for editors and publishers to take a long, ethical look at our publishing practices. i was a new editor/publisher at the time and decided (with bated breath) to do an accounting of the press I co-founded, Achiote Press (tho i took it one step further and counted the ethnic breakdown as well–which remains an ‘unnumbered trouble’ in the discourse). in a blogpost dating back to 2007, i wrote (go below to find out):

Thom Donovan

Commoning part II

light_industryI am still wrapping my head around what happened at Lower Manhattan Cultural Counsel this past weekend. Clearly, it was one of those conversations that needed to happen because everyone had something to say about the topic of “commons.” In attendance were no less than twenty people, many of whom participated in the discussion including Alan Davies, Andrew Levy, Brenda Iijima, Lawrence Giffin, Evelyn Reilly, Bruce Boone, and a number of people who I didn’t know, but who had wonderful things to say regarding the necessities of their own practices as artists and culture workers. Daria Fain and Robert Kocik have a “space” grant through LMCC until June so we are hoping to have more talks and conversations in upcoming months which I will post about here. For my part, I presented the following at this past weekend’s gathering. A very inchoate talk about how art historical practices may benefit the creation and maintenance of a commons:

Sotère Torregian

Days and Nights

Sina Queyras

Caroline Bergvall’s Lingual Sculptures

Caroline Bergvall is a poet and text-based artist of Norwegian and French descent working out of London. I first heard Bergvall read at Blue Stockings, a wonderfully resilient little bookstore in the Lower East Side. As discussed in my previous post, Bergvall’s reading was one of those rare events that provide an absolutely transforming experience, taking me pleasantly outside of myself while rewiring neurons in my brain. I had not heard anything like it.

Sotère Torregian

Spiritual Explorations

CONTRIBUTING WRITERS

Thom Donovan
Bhanu Kapil
Fred Moten
Craig Santos Perez
Sina Queyras
Sotère Torregian

STAFF WRITERS

Cathy Halley
Michael Marcinkowski
Travis Nichols
Fred Sasaki
Don Share

About Harriet

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IN THIS ISSUE: March 2010

Poetry Magazine

A selection of new work from Dorothea Grossman; new poems by Lavinia Greenlaw, David Yezzi, A.E. Stallings, Gerald Stern, and Dan Gerber; translations of Carlo Betocchi, and Mahmoud Darwish; an Editorial on Ruth Lilly; an exchange between Ilya Kaminsky and Adam Kirsch; an essay by Chen Li; and a review by Daisy Fried.

Chicago Poetry Tour

CHICAGO EVENTS

Poetry Off the Shelf: David Baker

Poetry Off the Shelf: David Baker Fri, March 26th, 6:00 PM
Open Books
213 West Institute Place
Free admission

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