Harriet

Fred Moten

B 5

At circle time on Thursday, Lorenzo declared that when he makes smores for Julian (which I wasn’t aware that he’d ever done) he makes them with bricks, sticks and snow. He has become an anoriginal king of comedy. When everybody stopped laughing all the other jokes started flying around. “Have you ever seen a Bethany eat another Bethany? Have you ever seen a Christopher eat a dishtopher?” The circle broke up into a whole bunch of fiery, delectable shapes driven further out by chocolate milk. Orchard Hill School became the river of rivers in North Carolina (centrifugal curriculum, vigor, local abstraction). Then it was time for me to go to the other school and time for them to go to the sleds. I wish my class were the other school. That’s what I’m trying for. But I have been lecturing my ass off, driven by the holy ghost that Philip is giving away. The only way I’m gonna be able to shut up is to go to Chicago. But I hadn’t gone yet last week so my poor students had to bear with me, sitting around the table, while I repeated myself again, hoping that it was in a different way and hoping that the difference mattered. Then I said, in desparation, that the thing about this class is that I just want to be in a band, preferably this band, pointing to the speakers listening to that first modification of the one that causes Baraka to use atom bomb and switchblade in the same phrase, Miles and them in ‘60, in Stockholm, but with Wynton Kelly instead of Red Garland and Jimmy Cobb instead of Philly Joe. There’s a sped-up deepening of “All Blues” that was only gonna get faster and more lowdown over the next handful of years until the machines came to blow everything up and from there we went to “The Buzzad Song,” with Gil Evans’ horns chasing him into the room with the moving walls. Abram said, “Well, he’s just so cool that he can play his way out of any situation.” Maybe if we just learn how to enunciate these poems, how to read them aloud together, how to arrange ourselves, we can play our way out of the depths, like they do in the old school, like they do at Orchard Hill School.

Dear John,

I’m I haven’t read The World Republic of Letters but it’s somewhere on my shelf. I’l get it down now that I know you’re checking it out. I’m wary of republicanism, tholugh I know she’s being descriptive more than prescriptive. My preference is for the disloyal apposition and I’m eager, now, to see what she might have to say about that.

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One Comment for “B 5”

  1. Sticks and bricks can never be enough for the blues. One looks for a stone, and some words.
    P

    Posted By: Peter Greene on February 8, 2010 at 3:35 pm
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CONTRIBUTING WRITERS

Thom Donovan
Bhanu Kapil
Fred Moten
Craig Santos Perez
Sina Queyras
Sotère Torregian

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Michael Marcinkowski
Travis Nichols
Fred Sasaki
Don Share

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IN THIS ISSUE: March 2010

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A selection of new work from Dorothea Grossman; new poems by Lavinia Greenlaw, David Yezzi, A.E. Stallings, Gerald Stern, and Dan Gerber; translations of Carlo Betocchi, and Mahmoud Darwish; an Editorial on Ruth Lilly; an exchange between Ilya Kaminsky and Adam Kirsch; an essay by Chen Li; and a review by Daisy Fried.

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