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Robert Fisk in Defense of Hashem Shaabani and Poetry in Iran, at The Independent
The other week, we posted about Iranian poet and activist, Hashem Shabaani’s death by execution at the hands of Iranian authorities, after his life-long fight for civil rights in Iran. At The Independent, Robert Fisk reflects on Shaabani’s spirit and fight.
In Iran, there should be a Dead Poets Society. Or perhaps a Martyred Poets Society, with its newest member a certain Arab-Iranian from Ahwaz, in the far south-west of the country, on the Iraqi border.
He has been hanged for “spreading corruption on earth”, one of hundreds put to death by the Islamic revolution since 1979. Everything about Hashem Shabaani cries out in shame against his executioners: his pacifist poetry, his academic learning, his care for his sick father – a disabled soldier seriously wounded in the 1980-88 war against the Iraqi invaders of his country – and his love for his wife and only child. Already, of course, he has become a political corpse. His killers, the Iranian interior ministry and a revolutionary tribunal judge called Mohamed-Bagher Moussavi, must be the first culprits.
Then come the Iraqi opposition groups which have spent almost as much time smearing Iranian President Hassan Rouhani for Shabaani’s death as they have mourning his loss. And then, of course, history comes clanking into third place as the executioner.
Iran’s Revolutionary Guard Corps and interior ministry mandarins have been cut down by bombs in the Arab-majority province of Ahwaz for more than two years. Their revenge is absolute. Shabaani, needless to say, was accused of helping the “resistance”, presumably writing poetry in Arabic – and even translating Farsi poetry into the Arabic language – qualifies a writer as a subversive in Iran these days. In a letter from prison, Shabaani said that he could not remain silent against the “hideous crimes against Ahwazis perpetrated by the Iranian authorities, especially arbitrary and unjust executions… I have tried to defend the legitimate right that every people in this world should have – which is the right to live freely with full civil rights. With all these miseries and tragedies, I have never used a weapon to fight these atrocious crimes except the pen.”
Perhaps that was Shabaani’s undoing. In Iran, the pen can indeed be mightier than the sword, especially when the nation’s security services are growing increasingly paranoid about the danger of separatism, not only in Ahwaz, but in Baluchistan, Iranian Kurdistan and among the country’s other minority communities. […]
Learn more about Hashem Shaabani and poetry in Iran at The Independent.