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Annie Finch

On Being Started By a Blog

america.a.p16.100 I wrote most of this post just before Craig posted his lament for the bloggers. But I was too busy starting up my own new blog, American Witch, to post it until now. Though it may feel to Craig and others (primarily men?) that the great age of blogging is over, it sure doesn’t feel like that to someone who is so excited about having created her blog at last. I’m grateful to everyone at Harriet–from the staff to all those lively readers who kept things interesting–for my experience as a blogger here last spring, which helped give me the momentum to start American Witch. Thanks for the memories, happy new year, and please come visit at American Witch!—Annie

Dear Harrieteers, I never thought I’d say this here, but I’ve just posted the first few posts on my very own blog, American Witch. It’s something I’ve been thinking about doing for many years—and then everything suddenly and smoothly clicked.

Annie Finch

A Moment with Maxine (and Robert and Henry)

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Alexs Pate, David Mura, Maxine Kumin, Annie Finch
Stonecoast 2009, photo by Suzy Colt

Bowdoin college campus. Cool perfect Maine summer night. The warm wake of a great reading—a strong and vivid event, Maxine Kumin and David Mura, each introduced with heart and thought by a Stonecoast student, and each reaching a powerful and somehow a shared place. Everyone else finally gone from the hall after the signings and the hugs

Annie Finch

Muse-Goddess

inanna1
For my last post as a Harriet blogger, I wanted to give a shout-out to what makes it work for me. I could say the earth, spirit, guidance, love, chi, or justice—

Annie Finch

A Post of Posts

I have only one day left on Harriet (though they have asked we who are leaving to keep posting occasionally, and I will look forward to that). I’ve been rationing posts, but I’ve nearly run out. There were a lot gestating. One about food poetry. One about finishing

Annie Finch

A Toast for the Fathers

royfinch1
Roy Finch at Sarah Lawrence College, mid 1960’s

Father’s day came and went, and I’ve been wanting to say something about my dad, and all my poetic fathers,

Annie Finch

Four Ears: the Curse of the Metrical Code

Last year I happened to be sitting next to the young poet Jericho Brown at a reading in Los Angeles. Jericho noticed me counting on my fingers and scribbling down some marks on a piece of paper. He nearly leaped out of his seat

Annie Finch

Marxist Hexameter: Genevieve Taggard in a Heroic Measure–now with audio!

mac1

Labor Day march across the Mackinac Bridge

Annie Finch

Why I Am a Woman Poet

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My Sister-in-Law, Sister, Niece, and Me in My Mother’s Kitchen

Anna Leahy
reminds us, in her recent essay “Is Women’s Poetry Passé?” in Legacy, that “in the January 2006 issue of Poetry, the three female poets who had been asked to comment on “women’s poetry” (Meghan O’Rourke, J. Allyn Rosser, and Eleanor Wilner) asserted, “we all concur that we ought to abolish the unpleasant term ‘women’s poetry.” And in the ensuing few years, consensus on this point seems, if anything, to have become wider. Even I, who claimed for myself the name of “poetess” in a 2002 essay, found myself beginning a paragraph in my recent Women’s Work post on Harriet with the caveat that “there may not be such a thing as women’s poetry. . .”

But the more I have thought about it since writing that post, the more I have decided that, whether or not women’s poetry exists, I am a woman poet, for three reasons:

Annie Finch

Overheard at the West Chester Poetry Conference

“Welcome to the largest conference in the country devoted to poetry.”

“Go ahead, tell us about the dactyls and the anapests, we can handle it.”

Annie Finch

An Evening with Forugh: Iranian Poetry Night

foroogh
Forugh Farrokhzād

Travis’s post and recent events call me to describe something I’ve been wanting to post about for a while. One of the most moving evenings I’ve had as an American poet occurred in Farsi.

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IN THIS ISSUE: February 2010

Poetry Magazine

A selection of new work from Robert Hass; new poems by Martha Zweig, Joshua Mehigan, Robert Vandermolen, Patty Seyburn, Robert Bly, Bob Hicok, Spencer Reece, Eleanor Wilner, and Kay Ryan; a translation of a Durs Grünbein essay by Michael Hofmann; and reviews by Fiona Sampson.

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