
We love poetry at Poetry. We especially love poetry that comes over the transom, wrapped in fine ink on paper, accompanied by missives that state: “This is the most important letter you have ever received.” This week we’re abuzz over Ryan Murphy’s latest art press incarnation (The North Beach Yacht Club) and its newly minted Hokku Notebook, by Jack Spicer. Here’s a teaser:

Poetry contributor Caroline Bergvall attended the 50-some poet, 36-hour poetry marathon at the Serpentine Gallery in London on October 17–18. Her dispatch follows:
I’m writing in from London where I’ve recently been part of a highly ambitious poetry event. The internationally reputed Serpentine Gallery in Hyde Park has for the past 4 years been hosting a mad type of event, an annual 36 hours live event, a more or less non-stop art marathon of presentations. This year they decided to create it as a Poetry Marathon. Some 50 poets were slated to take part, each reading for approx. 15 mins—a decent time given the chain of readings and the expected strained attention span.
The event has been summarized in great detail online, complete with program notes, introductory remarks by the curator and high-end cultural entrepreneur Hans Ulrich Obrist, as well as pics and comments on many of the readers. Although amazing, I have to admit the event has left me thoughtful…

So long September. On this, the last day of the month, have a lasting look at Cathie Bleck’s “Transformations” above, also featured on the current cover of Poetry. Inside, I see a hoof, a hand, and (blush) the distinct influence of Rockwell Kent.

Poetry staff was happy to see Ana Benaroya’s e-mail come over the transom with big, beautiful illustrations for us to consider for the cover of the magazine. (See November 2008 for her first appearance and April 2009 for her latest, “Crazy Head.”) After perusing her website we found several poetry illos in her pocket that made us fall crazy head over heels for her work. Click on for a few samples.
O Swallow, Swallow, if I could follow, and light
Upon her lattice, I would pipe and trill,
And cheep and twitter twenty million loves.
—Lord Alfred Tennyson

Every morning I tweet bits from Poetry to 865 loves. Our trills are here. The posts are mostly unrequited, but sometimes we get a little love back. When we do, we invariably wonder what other Poetry tweets are out there, cheeping. See for yourself:
Every year Poetry hosts a gathering for Chicago literary publishers called the Printers’ Ball. Over 100 local literary organizations showcase a diverse selection of print publications, available free of charge, including magazines, journals, weeklies, posters, and broadsides, plus a full night of live entertainment. See, hear, and read all about it, or get the gist from Poetry contributor Robert Archambeau’s blog post at samizdat.
Recently the editor of Sara Ranchouse Publishing, Sally Alatalo, stopped by the Foundation offices to collect the leftover books she exhibited at this year’s Ball…but we didn’t let her leave with them. Keep reading to see why.

Those drawings on the cover of November’s Poetry are of chairs.
The chairs are drawn by David Byrne.
Why did David Byrne draw chairs?

At birth, before the umbilical was cut, Ralph Steadman pooped in the hand of the hospital nurse. This marked, according to Steadman, the “earliest manifestation of a Gonzotic event.” He claims to have sole understanding of Gonzo, a term taken from an astonished medical student, Giuseppe Gonzaga, who witnessed the immaculate crap and shouted, “Biologico impossible! Mama mia! Gonzo puro!” Steadman figures, “Pure shit.”

YOU ARE BEAUTIFUL (YAB) is my favorite public art collective based in Chicago.

The best book-publishing story of the year is from Open City in New York.
Thom Donovan
Bhanu Kapil
Fred Moten
Craig Santos Perez
Sina Queyras
Sotère Torregian
Cathy Halley
Michael Marcinkowski
Travis Nichols
Fred Sasaki
Don Share
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