I suppose all possible puns/infusions/scrap-heaping has already been done with the word “blog” but I still find it amusing to try to work it into every post. This one is totally inscrutable. Anyone who guesses what I’m going for wins . . . a free subscription to Fence. That’s what I have to offer, it seems.
I’ve been reveling in the freaky cold August, watching my tomato plants suffer the potato famine,
1) I got the alphabet tattooed around my right ankle in 1990. This is just one of those things that, once seen, seems so inevitable, or obvious, it’s like “why aren’t there hundreds and even thousands of people walking around with the alphabet tattooed around various limbs and joints?” Often I am asked, by someone who thinks they are being very clever, if I am a teacher of small children. I suppose this seems a great teaching tool. “No,” I think, “I’m a person who uses words.” At a poetry reading the other day I saw a much younger woman with the letters of the alphabet, writ very small, scattered to random effect all over her body. She was showing a lot of skin.
2) Sushi at interstate rest stops. If they can do it at supermarkets . . .
3) A t-shirt that reads: “Soho Gives Me Hives”; another that reads: “Why Are You Dressed Like A Hooker?” (This first one is pertinent mostly for native New Yorkers; the second may have passed its moment of application, which I think was the early 2000s.)
4) Virtual graveyards, and a searchable database of gravesites, so you could go and visit whomever, whenever.
I was a little big hungover this morning after a wonderfully friendly reading in Williamsburg last night, after which I reconvened with some batshit crazy friend of mind from high school who I nomered “The Unlikeliest Attorney.” I mean, fifteen years ago this guy was growing hydroponic in a warehouse in Brooklyn and next thing you know he’s a public defender. This morning I woke up on the floor (intentionally) of my parents’ apartment, where they had kindly laid out the spare mattress in what they call “the library”–which really is a room lined with books. Among these books I noticed three copies in a row of my dad’s only one, published in 1973 by the Sierra Club. It’s called Unreal Estate, (har har, and that’s the point of this post) and it’s an expose of a certain bunch of real estate scams going down at the time. Knowing my dad, it’s probably a pretty dry read, but unfailingly accurate and even-handed. He’s a Libra. Right there and then, with my right temple alternately on fire and impaled by an ice pick I had a revelation: EVERYTHING is genetic. Or let me rephrase that as a question: IS Everything Genetic? Did even my helpless and unremitting fondness for punny or just jokey titles (”Laconic Parkway”; “The World Is My Cloister”; “Autobiographia Copularia”–these are just a few of my gems) come to me the same way my large hands and skinny ankles did? God knows my dad didn’t walk around the house punning or even just being humorous with any regularity. He’s a Libra.
I saw a dead cat on the side of the road and it reminded me of my intention to write about Jennifer Moxley’s new book, Clampdown. Actually first it reminded me of the book itself, and then it reminded me of my intention. So I’ll do that later.
This morning I’ve set about finishing my novel for the dozenth time. It keeps being finished and then adjustments need to be made, and I make them, and then it goes out into the world again for feedback, and then it comes back to me, and so on and so forth. My hope is that it will go out this time and not come back, and instead will be made directly into a fantastic teen sex/longing movie by the genius who made the movie Twilight. Or by Eric Rohmer. I think Europeans (even dead ones)(actually he’s not dead! even better) will get my novel better than Americans. An undead European would be ideal.

she has some kind of viral cataracts in her eyes
Here let this image of my new gray kitten, Myshka (”little mouse”) stand eternally (and here let the internet stand for eternity) in for my realization that I am not suited for blogging. I’ve realized this before, on my own blog over at Fence. I started that blog more than a year ago, and thought it would be so great to have a space in which to relate all the things I thought about on my long drive to my office. Now, I thought, now I see what this blogging thing is all about. It’s about speaking TO THE WORLD! A whole other kind of engagement, never before possible. But my blog has really slogged–it’s there, we use it more as an announcement board type thing–as it seemed to turn out that really I’d rather keep my random thoughts to myself. My speech has a lot more reverb, it turns out, when it’s bouncing around in my skull-cage.
Did you all catch the Colbert Rapport last night? Or the rerun tonight. I do rely on Colbert to voice my inner rantings, and he did beautifully slicing and dicing and ripping-the-mask-off of and otherwise sending up the concept of “neutrality” as it relates to “heritage” in the case of Judge Sotomayor vs whitey, i.e., confirmation hearings.
Have you yet read Lisa Robertson’s Magenta Soul Whip? I haven’t, fully, due to the previously mentioned feelings of deep inadequacy my first foray brought up. I picked it up and read umpteen pages, and then skimmed the rest, flipping it like a flip book to see how the texture of the language makes an image rise up, holographically from the pages. I AM going to read it, for real, soon, O reading, posture of stillness and the eyes darting, and the experience of reading it will be much bigger-better-faster-quieter than the experience of talking about it–not so different from theater, really, Joel, I think: to some extent, you have to be there. And maybe there’s the dynamic and distinguished difference between poetry and criticism/response to poetry. Not to say that poetics or writing about poetry or thinking and feeling about poetry is necessarily not describable as poetry, but maybe at least for me there is somehow a qualitative difference in the experience of reading it. Or maybe that’s bull-hockey
I thought I’d share some mature thoughts on Lisa Robertson’s magic powers but instead I’m thinking about Jane Austen. She’s really come down in the world. My parents were watching some PBS bodice-ripper a few months ago, and it took me several minutes to discern that it was a hotted-up Pride & Prejudice. Lots of longing and heavy breathing in between those elegant sentences. (I know I sound Puritanical but I’ve recently realized I am a Puritan.)
It seems that the medium of the blog has come full circle or full bloom and one is now solicited, and renumerated, for one’s formerly private or random or sketchy thoughts. In this venue, in the next few weeks, I’ll be publicly thinking about: my new gray kitten, Myshka (that’s Russian-in-English for “little mouse”); the imminent homebirth of my oldest, dearest friend’s first child (a single mom at 42 and I’m going to be the “birth partner,” ie, hand-crusher); Jennifer Moxley’s new book Clampdown; some great private ideas I’ve had over the years; and some of the joys and woes of being a one-woman publishing house—I’m the editor and publisher of Fence, a literary journal, and Fence Books. I’ll start in soon on the woes.
Thom Donovan
Bhanu Kapil
Fred Moten
Craig Santos Perez
Sina Queyras
Sotère Torregian
Cathy Halley
Michael Marcinkowski
Travis Nichols
Fred Sasaki
Don Share
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