From a list of the most interesting list of of finalists ever (so says Ron Silliman), the National Book Award judges picked Keith Waldrop’s Transcendental Studies: A Trilogy (UC Press) as this year’s winner.
Waldrop, a fixture of the poetry world of Providence, Rhode Island, has been celebrated as a translator (most recently of Baudelaire’s Les Fleurs du Mal) and as a publisher, with his wife Rosmarie, of Burning Deck Press.
Transcendental Studies: A Trilogy is made up of three long poem sequences that mix philosophy and poetry in a style familiar to readers of Waldrop’s fourteen other collections.
“These powerful poems,” says his publisher, “at once metaphysical and personal, reconcile Waldrop’s romantic tendencies with formal experimentation, uniting poetry and philosophy and revealing him as a transcendentalist for the new millennium.”
Publisher’s Weekly called the collection “entrancing” and the Providence Sunday Journal said it’s “a complex, absorbing work.”
The National Book Award judges said: “If transcendental immanence were possible, it would be because Keith Waldrop had invented it; he’s the only one who could—and in Transcendental Studies he has. These three linked series achieve a fusion arcing from the Romantic to the Postmodern that demonstrates language’s capacity to go to extremes—and to haul daily lived experience right along with it: life imitates language, and when language becomes these poems, life itself gets more various, more volatile, more vital.”
Pennsound has a large collection of Waldrop recordings up for those who want deep immersion into the transcendental experience.
For anyone else who just wants a taste of the celebration, here’s a short clip from St. Mark’s Poetry Project.
Have the NBAs transcended? Has this award gone to a notably different poet than it has in the past (2008: Mark Doty; 2007: Robert Hass; 2006: Nathaniel Mackey)?
One thing that happened the other day was the memorial, at which one found the issue in which one’s article on the other one recently passed was printed. Agh! I was blogging around trying to nosedive into ashes

In a recent Slate article, Ron Rosenbaum explores uses and abuses of the word “genius,” suggesting:
Maybe genius has been, if not democratized, more widely and thinly distributed, rather than concentrated in the hands of a precious few…. Maybe we no longer live in the kind of romantic age that created Byron, the template of genius.
Or maybe we do.
Chicago poet Paul Martínez Pompa kind of frightens me. I just tore through his first collection of poetry, My Kill Adore Him, which was selected by Martín Espada for the 2008 Andrés Montoya Poetry Prize. This prize is administered by Letras Latinas, the literary program of the Institute for Latino Studies at University of Notre Dame. The two previous recipients of the Montoya Prize are Sheryl Luna and Gabriel Gomez.

I’ve seen Martínez Pompa read before; last year, he was one of a handful of feature poets for The Wind Shifts: New Latino Poetry anthology reading, hosted by the anthology editor Francisco Aragón at Moe’s Books on Telegraph Avenue in Berkeley (you can read Aragón’s Poetry Foundation article here). I remember one of the poems Martínez Pompa read at the time, “Amputee Etcetera,” which I found hilarious and troubling.
At this point I’m cracking up, knowing it’s a terrible thing, my need to laugh this hard.
I am judging a poetry contest. I’m not going to say which one. And I didn’t know I was judging it until after the deadline so it wasn’t like I could say hey I’m judging so you should send your manuscript in. I was a little glad I was judging it. I mean it was flattering. But then of course then the giant box of manuscripts arrived the drycleaners where I receive packages. Uhnnnh. I don’t have to tell you that I work really hard.

I love that somebody didn’t like my exchange with Bobby Byrd about whether the tortillas were good. Is it tortillas they didn’t like, our friendly exchange or whaa? I rarely use a question mark. Gertrude Stein said if the sentence doesn’t contain the question you didn’t write it well enough. Though whaa is a cartoon Americanism up
The Before Columbus Foundation announces
Winners of the Twenty-Eighth Annual
AMERICAN BOOK AWARDS
Moustafa Bayoumi, How Does It Feel to Be a Problem? Being Young and Arab in America (The Penguin Press)
Douglas A. Blackmon, Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II (Doubleday)
Nora Marks Dauenhauer, Richard Dauenhauer, and Lydia T. Black, and Anooshi Lingit Aani Ka/Russians in Tlingit America: The Battles of Sitka, 1802 And 1804 (University of Washington Press)
Maria Mazziotti Gillian, All That Lies Between Us (Guernica Editions Inc.)
Nikki Giovanni, The Collected Poetry of Nikki Giovanni: 1968-1998 (HarperCollins)
C.S. Giscombe, Prairie Style (Dalkey Archive Press)
Angela Jackson, Where I Must Go: A Novel (TriQuarterly)
L. Luis Lopez, Each Month I Sing (Farolito Press)
Tom Lutz, Doing Nothing: A History of Loafers, Loungers, Slackers, and Bums in America (Farrar, Straus and Giroux)
Fae Myenne Ng, Steer Toward Rock (Hyperion)
Yuko Taniguchi, The Ocean in the Closet (Coffee House Press)
Frank B. Wilderson III, Incognegro: A Memoir of Exile and Apartheid (South End Press)
Oakland, the city in which I live, is home to two national book awards—the American Book Award and the Pen Oakland Josephine Miles Award—that challenge the hegemonic judgment of the literary establishment. The force behind these awards is multiculturalism, a belief that “sweetness and light” is multiple and diverse. I tend to trust the Oakland awards more (though I suppose I still hold a mistrust for all awards, for that Lehman Tendency to rank the best of the best of the best) than the Big Three because they seem to be more accurately representative of what’s being published in the United States today.
Here is an announcement of the 2008 Pen Oakland Josephine Miles Awards:
PEN Oakland & The Oakland Public Library Announce the Winners of the PEN Oakland-Josephine Miles 18th Annual National Literary Awards & 12th Annual PEN Oakland Censorship Award Saturday, December 6th, 2:00 PM – 5:00 PM in Oakland Free To The Public
On Saturday, December 6th, come celebrate well-known and emerging Bay Area and international authors who will be honored for excellence in multicultural literature at the 18th Annual PEN Oakland-Josephine Miles National Literary Awards.
PEN Oakland, A Bay Area Chapter of the International Organization of Poets, Essayists, and Novelists, was founded in 1989 to address multicultural issues, and educate the public as to the nature of multicultural work. These award-winning authors address the diversity and uniqueness of American culture, and represent the new voices of American literature. The late Josephine Miles, in whose honor the awards are presented, was a highly regarded poet, critic, and professor of English at the University of California in Berkeley.
Poet and memoirist Mark Doty’s new and selected poems Fire to Fire was awarded the National Book Award last night at the NBF’s annual gala event in New York City.
You can listen to Doty read a few poems here, read an excerpt from Fire to Fire here, and listen to Julie Bernstein chat with Doty here.

The 2008 National Book Award finalists were just announced by Scott Turow via live web video (watch), and Harriet emeritus Patricia Smith was on the list, for Blood Dazzler (Coffee House). A big congratulations from Harriet.
Read
Patricia’s poems
Patricia’s Harriet posts
Anselm Berrigan
Abigail Deutsch
Tonya Foster
Melissa Friedling
John S. O'Connor
Barbara Jane Reyes
Amber Tamblyn
Edwin Torres
Cathy Halley
Michael Marcinkowski
Travis Nichols
Fred Sasaki
Don Share
Señor Smith to you. (1)
Vladimir, Ron, and Gregori (4)
dubious poetry: the palin comparison (3)
To Vaya in the Viva of Time (2)
Indie Publishing: Two Questions, Many More... (5)
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