Harriet

Archive for the ‘Obituaries’ Category

Abigail Deutsch

Poetry is dead! Long live poetry!

Not crossing the bars.

Writers keep writing about the end of writing.

The English department is declining. Comparative literature has died. Book reviews? Print journalism? Poetry?

There’s just one problem: no one gets into details. I want to know exactly when and why literature, and poetry in particular, will croak.  Will it happen in bed or on the street? Will poetry die in peace, or in the throes of a guilty conscience?

And so, in the style of the solemn journalism covering this crisis, I offer a few speculative reports for a nonexistent newspaper (call it my personal musepaper).

Abigail Deutsch

In memoriam: William Safire, a gem of a wordsmith

ws

Was William Safire a poet?

No.

He was a Nixon speechwriter, a conservative pundit, a four-time novelist, and a funny, fastidious observer of English usage.

But can we detect his influence, however great or small, on such dextrous manipulators of contemporary verse as Matthea Harvey, Heather McHugh, and Paul Muldoon (among others, perhaps including you, dear commenter)?

Yes.

And could anyone encounter a poem about a bartender, say, without recalling Safire’s column on bartenders, barmen, barmaids, barkeeps, innkeepers, and so forth?

I certainly can’t.

Some background:

Eileen Myles

Jim Carroll (1949-2009)

I toured with Jim Carroll in 1990. It was sort of an honor.

He was the exact same age as me but when I came to town in the poetry world he already had everything – a book from a big press with a Larry Rivers cover called Living at the Movies and parts of his Basketball Diaries had been published in Paris Review while he was still a teenager. He came to the Poetry Project when he was in high school to meet the older poets – Ted Berrigan, Anne Waldman who themselves were in their 20s then. It was unimaginable to me, Jim’s kind of youth. And that he was famous from then on.

Travis Nichols

Jim Carroll, R.I.P.

Jim Carroll—poet, novelist, musician, diarist, impresario—died on Friday at his home in Manhattan. He was 60 years old.

The tributes and reminisces have come in from various sources–from English footballers to New York musicians to everyday readers–all noting what a tremendous presence Carroll was both onstage and off.

*

The New York Times:

“’I met him in 1970, and already he was pretty much universally recognized as the best poet of his generation,’ the singer Patti Smith said in a telephone interview on Sunday. ‘The work was sophisticated and elegant. He had beauty.’

*

Tom Clark:

“Jim had by that time already begun haunting the Poetry Project at St. Mark’s in the Bowery Church. He loved the poetry of Frank O’Hara, and writing under a rush of Frank’s influence, at seventeen produced his own first slim chapbook, Organic Trains. Ted Berrigan had taken Jim under his wing. Poetry not basketball was where Jim wanted to go in his life.”

*

Carrie Brownstein of Sleater-Kinney on NPR:

Barbara Jane Reyes

San Francisco Poet Al Robles (1930-2009)

Hello all, this is my first post to the Harriet blog, so let me very briefly introduce myself. I’m Barbara Jane Reyes, and I blog regularly at Poeta y Diwata. I am also a contributing blogger for Hyphen magazine, where I feature Asian/Pacific Islander American authors published by small presses. I’m an Oakland-based poet, and a long time San Francisco Bay Area resident.

As a poet, I was mentored by writers in Kearny Street Workshop, the original hub of the San Francisco Filipino American and Asian American literary scene. One such literary figure in this scene was the much venerated poet Al Robles, a denizen of the pre-gentrified SoMa (South of Market), Chinatown, and Fillmore District. He was a true San Francisco citizen, a collector of folks’ stories, and an elder storyteller around whom communities gathered.

Photo by Jeremy Villaluz

Photo by Jeremy Villaluz

Al Robles was an activist, at the forefront of the movement to stop the demolition of the I-Hotel, which housed elderly and low income tenants, many of whom we’ve come to know as the “Manongs,” elder Filipino Americans, or Pinoys, who spent their youths as migrant labor in West Coast agriculture and canneries, and as US veterans who fought in WWII. He brought young activists and artists to Agbayani Village in Delano, a rural settlement of these Manongs, and to the WWII Japanese American internment camps at Tule Lake and Manzanar. He believed it was important for young activists and artists to see these places with their own eyes, to hear the stories of these places firsthand. Robles’s activism was closely tied to his poetic work; in fact, his activism and poetry were one and the same. He believed poets should bring themselves into the world.

Joel Brouwer

Hayden Carruth (1921-2008)

carruthhayden

Last summer, I was asked to write something about Hayden Carruth, and I did, but the folks who had asked me to write the piece never published it. Carruth died in September of last year. He had been an idiosyncratic but pervasive force in American poetry — both as a writer of poems and a critic of poetry — for more than fifty years. Here is a link to his obituary in the New York Times. And below is the appreciation I wrote last summer. It’s lazy of me, recycling old material here, but I’m grateful to have the opportunity to offer this piece for your consideration. Hopefully it will both garner Carruth some new fans and spark good memories for old ones.

D.A. Powell

In Memoriam: David Bromige

“Poetry is the theory of heartbreak” — David Bromige (October 22, 1933 to June 3, 2009)
Photo by James Garrahan

Endowed with remarkable wit and a prodigious memory, David Bromige was a paragon of poetic virtues. Not only was he a master of both traditional and innovative forms, but, as a teacher, he exhibited enormous erudition and generosity.

David’s output included dozens of books of his own poems, as well as broadsides and chapbooks, collaborations, fiction, essays, plays. He co-wrote songs with Barry Gifford. And he brought to his public readings a true gift for performance and improvisation. His honors included the Western States Book Award, a Pushcart Prize, two fellowships from the National Endowment for the Arts and two awards from the Poetry Foundation.

Linh Dinh

Shove It!

On December 3, 1937, Attila József, age 32, scissored his right sleeve, lay down, draped his arm across a rail and stared at the train arriving on time to kill him. It was his second attempt, the first pointless and disappointing because someone else had been wheeled over up the tracks. József knew his train schedule. He also wrote:

To shove this chair away from here,

to sit down in front of a train,
to climb a mountain with great care,
to shake my bag into the valley,
to feed a bee to my old spider,
to caress an old, old woman,
to sip a delicious bean soup,
to walk on tiptoes in the mud,
to place my hat on railroad tracks,
to stroll around the banks of a lake,
to sit all dressed up on the bottom,


[from "To Sit, to Stand, to Kill, to Die," translated by John Batki]

Travis Nichols

Elegies and Eulogies for Mahmoud Darwish

The BBC says, “It is easy to describe Mahmoud as a national poet, but he is much more than that.”
The New York Times says Darwish was “one of the greatest contemporary Arab poets”
The Los Angeles Times: “Despite his consistently nationalist themes, Darwish sometimes chafed under the title of Palestine’s unofficial poet laureate.”
Jordanian bloggers grieve.
The Lebanon Star presses for continued struggle in Darwish’s name
The United Arab Emirates National says “every cause needs a poet; in the late Mahmoud Darwish, Palestine got much more.”
Haaretz says “his greatness was rooted in his ability to capture and then forge the collective memory of the Palestinian refugee experience in his poems.”
The Jerusalem Post weighs Darwish inspired bleeding hearts vs. open minds.
The Telegraph on one of Palestine’s “most essential treasures.”
The Financial Times places Darwish at the center of the Arab-Israeli conflict.
The PLO’s farewell program.

Travis Nichols

End of the Line

PoetryinMotion.jpg
After more than fifteen years, the Poetry in Motion program that put poems by W.S. Merwin, Lucille Clifton, Lorine Niedecker, and Emily Dickinson—among many, many others—alongside ads for Dr. Z’s acne treatment and Lasik surgery on New York City’s subways, has ended.
The New York Times reported last month that the “Poetry in Motion” partnership between the Poetry Society of America and the Metro Transportation Authority would phase out in May and transform into a new SubTalk program entitled “Train of Thought.”
The new program will still feature one poem a year, but will focus more on quotations from history, philosophy, and science. The new quotations will be chosen by Columbia University’s Graduate School of Arts and Sciences for, according to their press release, “both their significance and accessibility.”
Alicia Martinez, MTA’s Director of Marketing & Corporate Communications, says, “New Yorkers have wide-ranging interests, and we felt that we could include material from a variety of other disciplines in addition to poetry to bring important, engaging, insightful quotes to our riders, and entice them to explore the author or subject further. We believe this approach will reach a broader and larger audience.”
Jim Dwyer wrote a eulogy of sorts last week for “Poetry in Motion” that has made the rounds via email and blogs, but for the most part it has been a quite transition.
The program has spawned similar programs across the country, from Los Angleles to St. Louis to here in Seattle, where we have a Poetry in Motion-inspired program called Poetry on the Buses. Since I only saw “Poetry in Motion” in fits and starts, my main experience with the response to poetry on public transportation has been through Poetry on the Buses, which is mixed to say the least.

CONTRIBUTING WRITERS

Anselm Berrigan
Abigail Deutsch
Tonya Foster
Melissa Friedling
John S. O'Connor
Barbara Jane Reyes
Amber Tamblyn
Edwin Torres

STAFF WRITERS

Cathy Halley
Michael Marcinkowski
Travis Nichols
Fred Sasaki
Don Share

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