Reading with Will Alexander at the Poetry Project recently was a fabulous experience. One of the layers I walked away with was his between-poem chatter-as-parable.
The Levi’s ad using Walt Whitman’s poem “America” repositions Levis within their target– audience, as a hip company making cool jeans because they’re using a poet to ‘empower’ America’s youth. Here’s to empowerment, I think?
I was deep in the heart of the heart of the country on September 11, 2001, and spent much of the day trying and failing to fight off abstraction, to somehow worm my way into the reality.
Poems can sometimes help with that.
The Poetry Foundation has these poems available for your perusal today. No offense, fine poems, but kind of a weird list, isn’t it?

It’s municipal election day where I live. I went by the activity center at a Baptist church to vote on my way to work. Got there early and was first in line when the doors opened at 7:00, so I got to be the very first person to sign in. The poll workers were still drinking their coffee, still a little unclear on the procedures, still a little flusterable: the nice lady, who must have gotten up at 4:00 a.m. to do her meticulous silver hair, kept looking for my name in the registry among the scores of “Browns.” A poll watcher designated by one of the candidates hovered, frowning, alert to the possibility of fraud. But finally I received my ballot, that oddly large sheet, discovering on it, as I knew I would, just one opportunity to make my mark. (The current school board commissioner for district 4, Bryan Chandler, is facing a challenge from newcomer Kelly Horwitz.) I filled in one of the two ovals — right there on the table in front of the workers, not much caring who knew how I was voting — got my “I Voted” sticker from another amazingly coiffed senior, and fed my ballot into a machine, which, to much general consternation among the poll workers, kept spitting the sheet back out, making me wonder if I’d made the right choice, until finally someone pointed out that the poll workers had forgotten to tear off the little perforated receipt along the bottom. Problem solved, vote recorded. Outside, along the sidewalk across the street, beyond the required 30-foot perimeter, supporters for the candidates stood with signs. I suppose they’re working in shifts, since the polls will be open until 7:00 tonight. That’s a long time to stand up for your candidate for school board.
Last fall the NY Times printed a number of poems as part of their election day coverage. This was my favorite of them:
INFOMERCIAL 2
The old mule delivers the goods.
Nugatory diddlings are on the decline.
Stateliness has its day.
There are indeed many encouraging signs
in the weather and in handshakes.
Still there are those who mistake dark clouds
for raffish hucksterism. They have never savored
the elation of an empty crystal ball.
To them I say, seconds will call upon you
in the morning. Tonight there are dreams to be thumbed through
before the complicated, awful business
of summoning beautiful particles after the horse is stolen.
That’s Ashbery, of course. You can hear him read the poem here.
Elsewhere, the election news is not so good. Can’t blame the mules, though. They seem to have performed admirably.

Now and then I think I have something of use to say about poetry as a category, but generally I’m much happier talking about poems. What attracted me to poetry in the first place, I think, was its prizing of instances, its radical recognition that the purse seine of theory inevitably lets slip millions of particular minnows. (And, to tax the metaphor, sometimes catches different fish than those wished for.)
So, without further ado, a poem! By Rachel Loden!

OK, if that GIF is too annoying, just tell me, and I’ll take it down. Would be a shame, tho.
Adrian Matejka’s second book of poems, Mixology, was published as part of last year’s National Poetry Series, and I’ve finally gotten around to picking it up and checking it out. I knew Adrian very briefly when we both lived in Carbondale, Illinois, in 2001. He had a radio show on the local independent station WDBX (then 700 watts; since upgraded to 3000), and he asked me to come on the show and read some poems. I’d done this sort of thing before, on a poetry show on Madison, Wisconsin’s indy station, the venerable WORT. But Adrian’s show was a little different.
Hi, Harriet. I’m going to do some more recycling! I wrote this review for some peeps and they never published it. I thought this was a bummer, not only because I’d spent time working on it, but also because I thought these books deserved some notice. I cut-n-paste the review here on Harriet for those reasons, plus the reason of needing things to blawg about from a contractual point of view, plus to say nyah nyah to the aforementioned review-not-printing peeps, plus to satisfy a certain meta-curiosity I’ve been feeling, namely, whether/how/why my writer-writing differs — in tone, substance, form, content, etc. — from my blogger-writing. But ugh, don’t bother yourself too much about that last bit if it’s of no interest; it’s only slightly so to me. Instead read these reviews and let me know a) whether/why you do/n’t find my comments about these books valuable and/or enticing and/or whatever, and b) if you already knew about these books, what did you think of them?

Participants in the "What Is a Poet?" symposium at The University of Alabama, October 1984. L-R: Bernstein, Vendler, Jay, Perloff, Altieri, Stern, Ignatow, Simpson, Lazer, Levertov, Burke. Photo by Gay Chow.
No, no, don’t expect an answer from me; I’m just using my Harriet soapbox here to commemorate the 25th anniversary of a unique event in American poetry. In October of 1984, my friend and colleague Hank Lazer gathered together here in Tuscaloosa a sparkling group of poetry and poetics all-stars (Charles Altieri, Charles Bernstein, Kenneth Burke, Donald Hall, David Ignatow, Denise Levertov, Marjorie Perloff, Louis Simpson, Gerald Stern, and Helen Vendler) for three days of conversations and lectures concerning the aforementioned question. (The lasting result of this meeting was a terrific collection of essays with the same title as this post.) As you might expect, there were disagreements among the symposium participants regarding the nature and function of the poetic act.

Last summer, I was asked to write something about Hayden Carruth, and I did, but the folks who had asked me to write the piece never published it. Carruth died in September of last year. He had been an idiosyncratic but pervasive force in American poetry — both as a writer of poems and a critic of poetry — for more than fifty years. Here is a link to his obituary in the New York Times. And below is the appreciation I wrote last summer. It’s lazy of me, recycling old material here, but I’m grateful to have the opportunity to offer this piece for your consideration. Hopefully it will both garner Carruth some new fans and spark good memories for old ones.
Anselm Berrigan
Abigail Deutsch
Tonya Foster
Melissa Friedling
John S. O'Connor
Barbara Jane Reyes
Amber Tamblyn
Edwin Torres
Cathy Halley
Michael Marcinkowski
Travis Nichols
Fred Sasaki
Don Share
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