Fred Sasaki
Love, Jack
We love poetry at Poetry. We especially love poetry that comes over the transom, wrapped in fine ink on paper, accompanied by missives that state: “This is the most important letter you have ever received.” This week we’re abuzz over Ryan Murphy’s latest art press incarnation (The North Beach Yacht Club) and its newly minted Hokku Notebook, by Jack Spicer. Here’s a teaser:
Abigail Deutsch
second sex takes second place?
I own a pink skirt, a pink dress, a pink scarf, a pink coat, three pink sweaters, and six pink shirts. Each time I shop for clothes, my eyes wander toward another rose tee, and my fingers fondle another salmon sarong, and I ask myself, Why?
But I know why. I love pink because I am Woman.
Obviously.
The more serious implications of being Woman—and Literary Woman in particular—have lately drawn a lot of press. First, as poet Steve Fellner noted in his blog, men beat out women four to one in the prestigious, and historically male-skewed, Whiting Awards for emerging writers. Second, in a move that attracted much more attention than the Whiting wrong, Publishers Weekly compiled a boys-only top 10 books list of the year. The extended list of 100 best books featured 29 female writers.
Anselm Berrigan
In circulars
I’ve started several times to write something about the Tulsa School Conference since I came home to New York Sunday night. Exhaustion prevented anything coherent from happening initially. Sticking my head up my ass for a moment inside a comment box
Don Share
Lisa Robertson: Dispatch from Jouhet!
During a site migration (I love technical jargon, don’t you?), a number of Harriet’s journals were lost. But I’m pleased – and extremely grateful to the crack web team here for their help – to be able to re-present this one! It’s Lisa Robertson’s dispatch from Jouhet, France. Here you go… enjoy! Discuss!!
Abigail Deutsch
Writing on the wall
White space criss-crossed yesterday’s New York Times opinion page like mortar. Uneven in length and width, stanzas gave the impression of crumbling brick. Poem titles appeared painted on, recalling graffiti.
In light of the endless debate over Whether Good Political Poetry Exists, the commemoration of the fall of the Berlin Wall with a wall of poetry–a throwback to the days when poems regularly appeared in newspapers–gave me a case of the grins. The poetry wall struck me as an editorial eye-roll, a visually complex, literarily ambitious “duh.” (Just the same, it’s worth bearing that debate in mind while reading these poems, which, like the rough-hewn wall, can feel uneven.)
Edwin Torres
Buffer Zone Galactica
Reading with Will Alexander at the Poetry Project recently was a fabulous experience. One of the layers I walked away with was his between-poem chatter-as-parable.
John S. O'Connor
Poemsinging
Like many people, my interest in poetry grew out of my interest in music. As a listener, I love the thoughtful lyrics of songwriters like Joe Henry, Rennie Sparks from The Handsome Family, Chuck D, Gershwin. Regardless of the song-genre, great lyrics hit me first. My interest in reading poetry came about in a much sneakier way. I took voice classes in college and unwittingly sang art songs derived from poems. (One teacher marveled — in what I’m still not sure was a compliment — at my “gift” at turning any art song into a country tune). I had no idea that the German songs I loved were actually poems by Schiller and Goethe, nor that one of my favorite folk songs was a Yeats poem set to music by Benjamin Britten. Here’s my audio version of this last song, Down By the Salley Gardens.
Barbara Jane Reyes
Indie Publishing: Two Questions, Many More Answers
Many thanks to Brent E. Beltrán and Consuelo Manríquez de Beltrán of Calaca Press, Patrick Durgin of Kenning Editions, and Willie Perdomo of Cypher Books for their responses to my indie publishing questions.
I know my current series of posts (#1 | #2) on indie publishing isn’t garnering heaps of Harriet comments, which is fine, because I do know these posts are generating good conversation, and that others about small presses and independent publishing are happening elsewhere in poet e-world.
Over at HTMLGIANT, Rauan Klassnik asks, “What’s Right and What’s Wrong with the Small Press World?” Read responses from Reb Livingston and Justin Marks.
Anselm Berrigan
a question on hearing
I’ll be heading to Tulsa, Oklahoma tomorrow to take part in The Tulsa School Conference & Literary Festival that Grant Jenkins has organized through The University of Tulsa. Never been there, but my father, Ted Berrigan, was stationed in Tulsa after the Korean War and wound up enrolling in TU via the G.I. Bill.
Other Recent Posts
Fred Sasaki: Love, Jack
Abigail Deutsch: second sex takes second place?
Melissa Friedling: Tomas
Anselm Berrigan: In circulars
Don Share: Lisa Robertson: Dispatch from Jouhet!
Abigail Deutsch: Writing on the wall
Edwin Torres: Buffer Zone Galactica
John S. O'Connor: Poemsinging
Barbara Jane Reyes: Indie Publishing: Two Questions, Many More Answers
Anselm Berrigan: a question on hearing
Melissa Friedling: Joe
Don Share: Poetry makes nothing happen... or does it?
Abigail Deutsch: literary gatherings: a schmoozer's guide
Edwin Torres: Brand World Atheist
John S. O'Connor: A New View on Haiku
Amber Tamblyn: The One That Got Away.
Anselm Berrigan: Poetry and Narrative in Performance, part II
Barbara Jane Reyes: Indie Publishing: Two Questions and More Answers
Abigail Deutsch: Nabokov trundles back up the lane
Anselm Berrigan: Poetry and Narrative in Performance, part I
CONTRIBUTING WRITERS
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I must apologize: in my comment just above, I screwed up the link to ... MORE »
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Yes and yes to the marvels of Will Alexander’s poetry! How grand that you’re ... MORE »
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Hey, maybe she's making a grocery list, or one for party invitations. MORE »
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