Muse to Kerouac and Ginsberg, Neal Cassidy Profiled at The New Yorker December 13, 2012: Scott Staton writes about the "holy fool" Neal Cassidy over at The New Yorker. With Walter Salles’s film adaptation of On the Road opening in theaters on December 21st, Staton looks at Cassidy's place in the Beat canon. He writes: Cassady was a complicated soul whose creative energies found release through an immoderate enthusiasm [...] by Harriet Staff