http://www.poetryfoundation.org/ ℗ & © 2009 Poetry Foundation en-us Fri, 3 Jul 2009 22:55:25 GMT View Gary Sullivan's Comic]]> http://poetryfoundation.org/journal/feature.html?id=237178 Wed, 1 July 2009 08:51:39 GMT http://poetryfoundation.org/journal/feature.html?id=237178 http://poetryfoundation.org/journal/feature.html?id=237156 Wed, 24 June 2009 11:03:18 GMT http://poetryfoundation.org/journal/feature.html?id=237156 Robert Frost after reading Louise Bogan's 'A Tale,' the opening poem in her first book, Body of This Death. At the time of the book’s publication in 1923, Bogan was just 26 but had already experienced marriage, motherhood, estrangement, and widowhood, as well as launched a career as an incisive critic and technically masterful lyric poet." Caitlin Kimball on Louise Bogan's "A Tale."
]]> http://poetryfoundation.org/journal/feature.html?id=237154 Fri, 19 June 2009 16:03:44 GMT http://poetryfoundation.org/journal/feature.html?id=237154 http://poetryfoundation.org/journal/feature.html?id=236964 Tue, 16 June 2009 13:05:58 GMT http://poetryfoundation.org/journal/feature.html?id=236964 Simply Heavenly.
]]> http://poetryfoundation.org/journal/feature.html?id=236936 Wed, 10 June 2009 13:13:37 GMT http://poetryfoundation.org/journal/feature.html?id=236936 I’s into a resonating We. Justin Hopper takes a look at how Mark Nowak's documentary poetry shines a light on the coal industry.]]> http://poetryfoundation.org/journal/feature.html?id=236816 Wed, 10 June 2009 09:19:51 GMT http://poetryfoundation.org/journal/feature.html?id=236816 Thom Gunn was considered by many to be one of the best poets writing in English. Born in England in 1929, but a resident of San Francisco since the mid-1950s, Gunn was one of the 20th-century’s true masters of poetic form. Joshua Weiner examines Thom Gunn's "From the Wave."
]]> http://poetryfoundation.org/journal/feature.html?id=236928 Wed, 3 June 2009 10:05:31 GMT http://poetryfoundation.org/journal/feature.html?id=236928 Jason Boog examines Kenneth Fearing. 
]]> http://poetryfoundation.org/journal/feature.html?id=236900 Thu, 28 May 2009 12:17:50 GMT http://poetryfoundation.org/journal/feature.html?id=236900 Robert Polito on the poetry of Kenneth Fearing
]]> http://poetryfoundation.org/journal/feature.html?id=236906 Thu, 28 May 2009 12:16:12 GMT http://poetryfoundation.org/journal/feature.html?id=236906 Allison Glock discusses the effect of blogs on poetry
]]> http://poetryfoundation.org/journal/feature.html?id=236776 Fri, 15 May 2009 13:46:44 GMT http://poetryfoundation.org/journal/feature.html?id=236776 New Yorker or a poem on Hipster Runoff. I can take a picture of a toad that has a ‘messed up’ facial expression and look at it, or show it to people, to remind myself, and other people, of the arbitrary nature of the universe.”—Tao Lin discusses the relationship between poetry and blogs.
]]> http://poetryfoundation.org/journal/feature.html?id=236784 Fri, 15 May 2009 13:46:13 GMT http://poetryfoundation.org/journal/feature.html?id=236784 Laynie Browne discusses the poetry of Bhanu Kapil.]]> http://poetryfoundation.org/journal/feature.html?id=236782 Wed, 13 May 2009 12:48:18 GMT http://poetryfoundation.org/journal/feature.html?id=236782 Poems for the Millennium, a highly acclaimed, three-volume anthology of poems from the 19th and 20th centuries gathered with a de-centered, omnivorous approach, and a strong eye for the experimental. David Noriega explores the "total translations" of Rothenberg's Navajo Horse Songs.
]]> http://poetryfoundation.org/journal/feature.html?id=236556 Wed, 6 May 2009 11:28:43 GMT http://poetryfoundation.org/journal/feature.html?id=236556 Ira Sadoff discusses Olena Kalytiak Davis.
]]> http://poetryfoundation.org/journal/feature.html?id=236626 Thu, 30 April 2009 14:20:54 GMT http://poetryfoundation.org/journal/feature.html?id=236626 Aram Saroyan reflects on Robert Creeley and Edward Dorn.
]]> http://poetryfoundation.org/journal/feature.html?id=236554 Tue, 28 April 2009 11:21:50 GMT http://poetryfoundation.org/journal/feature.html?id=236554 To a Poor Old Woman' begins as a poem of democratic sentiment and casual observation, with social injustice not very far in the background. The poet watches a 'poor old woman' as she eats plums from a paper bag; he thinks first about the plums' taste, then about how he might imagine that taste, then about how he, and his readers, ought to see the woman." Stephen Burt takes a look at "To a Poor Old Woman" by William Carlos Williams.]]> http://poetryfoundation.org/journal/feature.html?id=236558 Fri, 17 April 2009 09:47:35 GMT http://poetryfoundation.org/journal/feature.html?id=236558 libretto, which inspires the score with plot, lyrical dialogue, and the elegant verses of arias." Jeremy Axelrod on poet-librettists.
]]> http://poetryfoundation.org/journal/feature.html?id=236544 Fri, 17 April 2009 09:47:08 GMT http://poetryfoundation.org/journal/feature.html?id=236544 Matthew Zapruder discusses poetry criticism.]]> http://poetryfoundation.org/journal/feature.html?id=186047 Wed, 25 March 2009 13:20:32 GMT http://poetryfoundation.org/journal/feature.html?id=186047 Canto’ came indirectly from Frost’s idea of a poem as an ice cube on a skillet riding on its own melting. The melting in ‘The Last Canto’ was rather strange. It set me thinking about the artist as a very ancient figure, who was as misunderstood in the age of the mastodon as any modern artist.” Tim Appelo talks with Brian Culhane, winner of the 2007 Emily Dickinson First Book Award.]]> http://poetryfoundation.org/journal/feature.html?id=184747 Wed, 18 March 2009 12:13:41 GMT http://poetryfoundation.org/journal/feature.html?id=184747 http://poetryfoundation.org/journal/feature.html?id=184107 Wed, 11 March 2009 11:37:16 GMT http://poetryfoundation.org/journal/feature.html?id=184107