A Pindaric Ode

By Ben Jonson 1572–1637 Ben Jonson

TO THE IMMORTAL MEMORY AND FRIENDSHIP OF THAT NOBLE PAIR, SIR LUCIUS CARY AND SIR H. MORISON

THE TURN
         Brave infant of Saguntum, clear
         Thy coming forth in that great year,
When the prodigious Hannibal did crown
His rage with razing your immortal town.
         Thou looking then about,
         Ere thou wert half got out,
      Wise child, didst hastily return,
      And mad'st thy mother's womb thine urn.
How summ'd a circle didst thou leave mankind
Of deepest lore, could we the centre find!

THE COUNTER-TURN
         Did wiser nature draw thee back,
      From out the horror of that sack;
Where shame, faith, honour, and regard of right,
Lay trampled on? The deeds of death and night
         Urg'd, hurried forth, and hurl'd
         Upon th' affrighted world;
      Sword, fire and famine with fell fury met,
      And all on utmost ruin set:
As, could they but life's miseries foresee,
No doubt all infants would return like thee.

THE STAND
   For what is life, if measur'd by the space,
          Not by the act?
Or masked man, if valu'd by his face,
          Above his fact?
         Here's one outliv'd his peers
         And told forth fourscore years:
      He vexed time, and busied the whole state;
         Troubled both foes and friends;
         But ever to no ends:
      What did this stirrer but die late?
How well at twenty had he fall'n or stood!
For three of his four score he did no good.

THE TURN
         He enter'd well, by virtuous parts
      Got up, and thriv'd with honest arts;
He purchas'd friends, and fame, and honours then,
And had his noble name advanc'd with men;
         But weary of that flight,
         He stoop'd in all men's sight
      To sordid flatteries, acts of strife,
      And sunk in that dead sea of life,
So deep, as he did then death's waters sup,
But that the cork of title buoy'd him up.

THE COUNTER-TURN
         Alas, but Morison fell young!
      He never fell,—thou fall'st, my tongue.
He stood, a soldier to the last right end,
A perfect patriot and a noble friend;
         But most, a virtuous son.
         All offices were done
      By him, so ample, full, and round,
      In weight, in measure, number, sound,
As, though his age imperfect might appear,
His life was of humanity the sphere.

THE STAND
   Go now, and tell out days summ'd up with fears,
          And make them years;
Produce thy mass of miseries on the stage,
          To swell thine age;
         Repeat of things a throng,
         To show thou hast been long,
      Not liv'd; for life doth her great actions spell,
         By what was done and wrought
         In season, and so brought
      To light: her measures are, how well
Each syllabe answer'd, and was form'd, how fair;
These make the lines of life, and that's her air.

THE TURN
         It is not growing like a tree
         In bulk, doth make men better be;
Or standing long an oak, three hundred year,
To fall a log at last, dry, bald, and sear:
          A lily of a day
          Is fairer far, in May,
      Although it fall and die that night,
      It was the plant and flower of light.
In small proportions we just beauties see;
And in short measures life may perfect be.

THE COUNTER-TURN
         Call, noble Lucius, then, for wine,
      And let thy looks with gladness shine;
Accept this garland, plant it on thy head,
And think, nay know, thy Morison's not dead.
         He leap'd the present age,
         Possest with holy rage,
      To see that bright eternal day;
      Of which we priests and poets say
Such truths as we expect for happy men;
And there he lives with memory, and Ben

THE STAND
   Jonson, who sung this of him, ere he went
          Himself, to rest,
Or taste a part of that full joy he meant
          To have exprest,
         In this bright asterism,
         Where it were friendship's schism,
      Were not his Lucius long with us to tarry,
         To separate these twi{-}
         Lights, the Dioscuri,
      And keep the one half from his Harry.
But fate doth so alternate the design,
Whilst that in heav'n, this light on earth must shine.

THE TURN
         And shine as you exalted are;
      Two names of friendship, but one star:
Of hearts the union, and those not by chance
Made, or indenture, or leas'd out t' advance
         The profits for a time.
         No pleasures vain did chime,
      Of rhymes, or riots, at your feasts,
      Orgies of drink, or feign'd protests;
But simple love of greatness and of good,
That knits brave minds and manners more than blood.

THE COUNTER-TURN
         This made you first to know the why
      You lik'd, then after, to apply
That liking; and approach so one the t'other
Till either grew a portion of the other;
         Each styled by his end,
         The copy of his friend.
      You liv'd to be the great surnames
      And titles by which all made claims
Unto the virtue: nothing perfect done,
But as a Cary or a Morison.

THE STAND
   And such a force the fair example had,
          As they that saw
The good and durst not practise it, were glad
          That such a law
         Was left yet to mankind;
         Where they might read and find
      Friendship, indeed, was written not in words:
         And with the heart, not pen,
         Of two so early men,
      Whose lines her rolls were, and records;
Who, ere the first down bloomed on the chin,
Had sow'd these fruits, and got the harvest in.

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Poet Ben Jonson 1572–1637

POET’S REGION England

SCHOOL / PERIOD Renaissance

Subjects Friends & Enemies, Relationships, Arts & Sciences, Social Commentaries, Poetry & Poets

Poetic Terms Ode

 Ben  Jonson

Biography

Ben Jonson’s “Song to Celia” is known to millions as “Drink to Me Only With Thine Eyes.” Jonson was educated at the prestigious Westminster School in London. He took up acting, and by 1597 he was writing original plays. Jonson’s first widely acclaimed play, Every Man in His Humour, included William Shakespeare in its cast.

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Poem Categorization

SUBJECT Friends & Enemies, Relationships, Arts & Sciences, Social Commentaries, Poetry & Poets

POET’S REGION England

SCHOOL / PERIOD Renaissance

Poetic Terms Ode

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Originally appeared in Poetry magazine.

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