Town Eclogues: Wednesday; The Tête à Tête

By Lady Mary Wortley Montagu 1689–1762 Lady Mary Wortley Montagu
DANCINDA. " NO, fair DANCINDA, no ; you strive in vain
" To calm my care and mitigate my pain ;
" If all my sighs, my cares, can fail to move,
" Ah ! sooth me not with fruitless vows of love."

Thus STREPHON spoke. DANCINDA thus reply'd :
What must I do to gratify your pride ?
Too well you know (ungrateful as thou art)
How much you triumph in this tender heart ;
What proof of love remains for me to grant ?
Yet still you teize me with some new complaint.
Oh ! would to heav'n ! — but the fond wish is vain —
Too many favours had not made it plain !
But such a passion breaks thro' all disguise,
Love reddens on my cheek and wishes in my eyes.
Is't not enough (inhuman and unkind !)
I own the secret conflict of my mind ?
You cannot know what secret pain I prove,
When I with burning blushes own I love.
You see my artless joy at your approach,
I sigh, I faint, I tremble at your touch ;
And in your absence all the world I shun ;
I hate mankind, and curse the cheering sun.
Still as I fly, ten thousand swains pursue ;
Ten thousand swains I sacrifice to you.
I shew you all my heart without disguise :
But these are tender proofs that you despise —
I see too well what wishes you pursue ;
You wou'd not only conquer, but undo :
You, cruel victor, weary of your flame,
Would seek a cure in my eternal shame ;
And not content my honour to subdue,
Now strive to triumph o'er my virtue too.
Oh ! LOVE, a God indeed to womankind,
Whose arrows burn me and whose fetters bind,
Avenge thy altars, vindicate thy fame,
And blast these traytors that profane thy name,
Who by pretending to thy sacred fire,
Raise cursed trophies to impure desire.

Have you forgot with what ensnaring art
You first seduc'd this fond uncautious heart ?
Then as I fled, did you not kneeling cry,
Turn, cruel beauty ; whither wou'd you fly ?
Why all these Doubts ? why this distrustful fear ?
No impious wishes shall offend your ear :
Nor ever shall my boldest hopes pretend
Above the title of a tender friend ;
Blest, if my lovely Goddess will permit
My humble vow, thus sighing at her feet.
The tyrant Love that in my Bosom reigns,
The God himself submits to wear your chains ;
You shall direct his course, his ardour tame,
And check the fury of his wildest flame.

Unpractis'd youth is easily deceiv'd ;
Sooth'd by such sounds, I listen'd and believ'd :
Now quite forgot that soft submissive fear :
You dare to ask what I must blush to hear.

Cou'd I forget the honour of my race,
And meet your wishes, fearless of disgrace ;
Cou'd passion o'er my tender youth prevail,
And all my mother's pious maxims fail ;
Yet to preserve your heart (which still must be,
False as it is, for ever dear to me)
This fatal proof of love I wou'd not give,
Which you contemn the moment you receive.
The wretched she, who yields to guilty joys
A man may pity, but he must despise.
Your ardour ceas'd, I then shou'd see you shun
The wretched victim by your arts undone.
Yet if I cou'd that cold indifference bear,
What more wou'd strike me with the last despair,
With this reflection wou'd my soul be torn,
To know I merited your cruel scorn.

Has Love no pleasures free from guilt or fear ?
Pleasures less fierce, more lasting, more sincere ?
Thus let us gently kiss and fondly gaze,
Love is a child, and like a child it plays.

O STREPHON, if you wou'd continue just,
If Love be something more than brutal lust,
Forbear to ask what I must still deny,
This bitter pleasure, this destructive joy,
So closely follow'd by the dismal train
Of cutting shame, and guilt's heart-piercing pain.

She paus'd ; and fix'd her eyes upon her fan ;
He took a pinch of snuff, and thus began ;
Madam, if Love — but he cou'd say no more,
For Mademoiselle came rapping at the door.

The dangerous moments no adieus afford ;
Begone, she cries, I'm sure I hear my Lord.
The lover starts from his unfinish'd loves,
To snatch his hat, and seek his scatter'd gloves :
The sighing dame to meet her dear prepares,
While STREPHON cursing, slips down the back-stairs.

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Poet Lady Mary Wortley Montagu 1689–1762

POET’S REGION England

SCHOOL / PERIOD Augustan

Subjects Love, Relationships, Men & Women, Romantic Love, First Love, Infatuation & Crushes, Unrequited Love

Poetic Terms Couplet

 Lady Mary Wortley  Montagu

Biography

Best known as a letter writer, Lady Mary Wortley Montagu wrote verses all her life and frequently referred to herself as a "poet." From the young girl, as she later described herself, "trespassing" in Latin and Greek sources to the old woman haunted "by the Daemon of Poesie" (as quoted by Isobel Grundy in Essays and Poems, 1977), Montagu repeatedly turned to the forms of Augustan verse—satires, verse epistles, mock epics, . . .

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Poem Categorization

SUBJECT Love, Relationships, Men & Women, Romantic Love, First Love, Infatuation & Crushes, Unrequited Love

POET’S REGION England

SCHOOL / PERIOD Augustan

Poetic Terms Couplet

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Originally appeared in Poetry magazine.

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