In bed I muse on Tenier’s boors,
Embrowned and beery losels all:
A wakeful brain
Elaborates pain:
Within low doors the slugs of boors
Laze and yawn and doze again.
In dreams they doze, the drowsy boors,
Their hazy hovel warm and small:
Thought’s ampler bound
But chill is found:
Within low doors the basking boors
Snugly hug the ember-mound.
Sleepless, I see the slumberous boors
Their blurred eyes blink, their eyelids fall:
Thought’s eager sight
Aches—overbright!
Within low doors the boozy boors
Cat-naps take in pipe-bowl light.
Although chiefly known for his magisterial novel Moby-Dick and for other prose works, Herman Melville was also a fascinating poet who turned to the art after his serious fiction failed to find appreciative readers. His eccentric verse displays the complexity of thought and verbal richness of his novels, which has led some critics to rank him just below Walt Whitman and Emily Dickinson among 19th-century American poets.
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