In my craft or sullen art
Exercised in the still night
When only the moon rages
And the lovers lie abed
With all their griefs in their arms,
I labour by singing light
Not for ambition or bread
Or the strut and trade of charms
On the ivory stages
But for the common wages
Of their most secret heart.
Not for the proud man apart
From the raging moon I write
On these spindrift pages
Nor for the towering dead
With their nightingales and psalms
But for the lovers, their arms
Round the griefs of the ages,
Who pay no praise or wages
Nor heed my craft or art.
Dylan Thomas, “In My Craft or Sullen Art” from The Poems of Dylan Thomas. Used by permission of David Higham Associates, London as agents for the Trustees of the Copyrights of Dylan Thomas.
Source:
The Collected Poems of Dylan Thomas (1957)
The work of Dylan Thomas has occasioned much critical commentary, although critics share no consensus on how bright his star shines in the galaxy of modern poetry. In fact, it is a curious phenomenon that so many critics seem obsessed with deciding once and for all whether Thomas's poems belong side by side with those of T. S. Eliot and W. H. Auden, or whether they are—in the words of a reputable critic quoted by Henry Treece in . . .
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