Harriet: News & Community

The Nation names Steph Burt and Carmen Giménez Smith as new poetry editors of the publication. Looks like their plans include soliciting and commissioning "a wide range of American and international poetry and [building]...

At Hyperallergic, Jon Curly invites readers to dive headlong into the abyss in his review of Joshua Marie Wilkinson’s Meadow Slasher (Black Ocean, 2017). Curly notes Meadow Slasher is collection number...

In this weekend's New York Times Book Review Poetry section, poet Natalie Diaz applauds Layli Long Soldier's debut collection, Whereas. In transit from the book's introduction to the poem at its heart, Diaz writes...

This is a open call for posters, signs, banners, and other ephemera that were used in direct action on the streets of Chicago for the Poetry Foundation's forthcoming exhibit, Signs of Resistance (October...

In the current New York Times Book Review section, Craig Morgan Teicher examines two new books about poetry by two of poetry's heavy-hitters: former U.S. Poet Laureates Robert Hass and Louise Glück. His analysis...

Like many people, I discovered Raymond Pettibon’s artwork through his ink drawings that were used on a few SST Records album covers, most notably Black Flag’s Slip It In, which...

BOMB picks out some enchanting, strange reads — novels, poetry collections, reissues, dreamy drawings, translations, and more — for its Fall Books Preview, thanks to contributors Justin Taylor, Chelsea Hodson, Paul...

Matthew Zapruder's Why Poetry and Jill Bialosky's Poetry Will Save Your Life are both in the news today, as a result of this stunning review in the New York Times by Simone White....

Christy Davids interviews Allison Cobb at Jacket2, covering Cobb's "writing process, the significance of the material body, using poetry to explore new ways of living in an increasingly uninhabitable world," and the poet's...