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Posts Tagged ‘Hyperallergic’

A Look Into the Rilke/Rodin Relationship November 16, 2016: At Hyperallergic, we get another take on the rich and complicated relationship between Rilke the poet and Rodin the sculptor. Daniel Larkin provides his perspective on Rachel Corbett’s You Must [...] by

A Gathering of Silences: Michael Palmer’s Latest Reviewed November 15, 2016: At Hyperallergic, James Gibbons cracks into Michael Palmer’s latest collection of verse, The Laughter of the Sphinx (New Directions, 2016). Gibbon is interested in Palmer’s uncanny knack [...] by

Walter Benjamin, Sonneteer November 14, 2016: At Hyperallergic, Barry Schwabsky has been thumbing through Walter Benjamin’s Sonnets and committing his reflections to his “Reader’s Diary.” Translated by Carl Skoggard, and [...] by

Barry Schwabsky on Barrett Watten’s Questions of Poetics November 8, 2016: In this weekend’s latest installment of Barry Schwabsky’s Hyperallergic “Reader’s Diary,” he reads through Barrett Watten’s recent contribution to the study of [...] by

Real American Places: Edward Weston Collaborates With Leaves of Grass October 21, 2016: Hyperallergic’s Allison Meier previews the Huntington’s exhibition Real American Places: Edward Weston & Leaves of Grass, which opens this Saturday in San Marino, California. [...] by

Sounds Her Depths: Reviewing Alejandra Pizarnik’s Extracting the Stone of Madness: Poems 1962–1972 October 18, 2016: Jon Curley reviews Extracting the Stone of Madness: Poems 1962–1972 (New Directions, 2016) by Alejandra Pizarnik, translated by Yvette Siegert, for Hyperallergic. About her, he writes: A translator [...] by

Specters of Reason in Etel Adnan’s Night October 17, 2016: At Hyperallergic, Matt Turner sheds some light on Etel Adnan’s latest collection of poetry, Night (Nightboat Books 2016). Turner finds Night to be “in equal measure a series of [...] by

Krystal Languell Reviews Alice Notley’s Benediction at Hyperallergic October 3, 2016: Of Benediction, (Letter Machine Editions, 2015) Languell writes “Notley pestles grammatical conventions into dust, refusing common notions of order.” Can you handle it? More: Alice Notley [...] by

An Emotional Reference Point: Etel Adnan’s Survey Show at Serpentine September 12, 2016: “Her paintings evoke sheer joy, their style unpretentious, not naive but innocent, at odds with her poetry and writings that bear witness to the violence of the world,” writes Maria [...] by

John Yau Reads Brandon Som’s The Tribute Horse August 30, 2016: In his marvelously titled review, “Foreign Sounds or Sounds Foreign,” John Yau reflects on sound and the experience of language, and their impact on poet Brandon Som’s work. The [...] by