I lose my patience in Greensboro where no discoveries are ever made and the only inner lavishment is the bar, occasionally.
The spineless aspire to incessant interludes that never arrive anywhere and that can’t remember wherefrom they came.
Mary is slightly spineless, for instance: her dress is cream her skin is cream her creamy mind is fine and her life will end finely—how sad is that to think of, the finery of a cream life?
It is the saddest of all truths that can be read on a person’s face in a decorous garden that person has planted themselves and of which they are explaining to you the intricacies and expense:
“notice how in the light”; “three pallets shipped last week”; “have complementary attitudes when it comes to soil-type and moisture.” She isn’t wicked; but, also, she destroys the art of her life.
Each “Plumblossom” is a selection from the papers of Eliot Pfitzer, whose trots and glosses of Naemura Chiri’s work were invaluable to my translations. These have been reprinted with permission from the University of North Carolina at Greensboro where Pfitzer’s manuscripts are archived.