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Crane

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Paper creased is
with a touch
made less by half,
reduced as much

again by a second
fold—so the wish
to press our designs
can diminish

what we hold.
But by your hand’s
careful work,
I understand

how this unleaving
makes of what’s before
something finer
and finally more.   

Source: Poetry (November 2010)

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This poem originally appeared in the November 2010 issue of Poetry magazine

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Crane

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  • David Yezzi’s poetry collections include Azores (2008) and The Hidden Model (2003), and his criticism and poetry have appeared in The New York Times Book Review, The Wall Street Journal, and Best American Poetry. A former Stegner Fellow at Stanford University, Yezzi is Executive Editor of The New Criterion. He has also edited The Swallow Anthology of New American Poetry (2009). His libretto for a chamber opera by composer David Conte, Firebird Motel, premiered in 2003 and was released on CD by Arsis (2007). Poet-critic Adam Kirsch, who selected Azores as one of Slate’s Best Books of 2008, noted that Yezzi’s poetry “displays a civilized mastery reminiscent of Philip Larkin and Donald Justice, which no poet of his generation can match.” David Yezzi is a graduate of Carnegie-Mellon University and received his MFA from Columbia University.

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