Allison Adelle Hedge Coke
Hedge Coke grew up listening to her father’s traditional stories. In Rock, Ghost, Willow, Deer, she explores her Native American heritage and the experience of growing up with a schizophrenic mother, as well as her struggles in youth with alcoholism and abuse. In Blood Run, a verse play, Hedge Coke’s persona poems advocate the need to protect the Indigenous North American mound city Blood Run (successfully lobbied for and the state park opened in 2013).
Hedge Coke has worked as a mentor and teacher with Native Americans—on reservations, in urban areas, and in prisons—and at-risk youth. She was named Mentor of the Year in 2001 by the Wordcraft Circle of Native Writers and Storytellers.
Hedge Coke has also edited numerous anthologies, including two of student writing: Coming to Life, poems for peace in response to 9-11 (2002) and They Wanted Children (2003). She has also edited It’s Not Quiet Anymore (1992); Voices of Thunder (1993); To Topos (2007); Effigies (2009), a collection of work by Inupiat and Hawaiian Native poets; Sing: Poetry From the Indigenous Americas (2011), named a Best Book of 2011 by National Books Critics Circle's Critical Mass; and Effigies II (2014).
Dog Road Woman won the American Book Award from the Before Columbus Foundation, and Hedge Coke has twice received the Writer of the Year award for Poetry from the Wordcraft Circle of Native Writers and Storytellers. She held a NEH appointment at Hartwick College in 2004, and was a Reynolds Chair of Poetry and writing at the University of Nebraska, Kearney. She has also taught at Naropa University, the University of California, Riverside, and the University of Central Oklahoma, and served as Distinguished Writer in Residence at the University of Hawai'i, Mānoa.
Poems By ALLISON ADELLE HEDGE COKE
Audio & PodcastsPoetry Lectures
Three Native American Poets
The Harriet Monroe Poetry Institute hosts a conversation between Allison Adelle Hedge Coke, Linda Hogan, and Sherwin Bitsui.