Edwin Markham

1852–1940
Edwin Markham

Once internationally famous as the author of the poem "The Man with the Hoe," Markham was a popular American literary figure during the first half of the twentieth century whose works espoused progressive social and spiritual beliefs. In contrast to the experimentalism and pessimism that generally characterized poetry of this era, Markham's quatrains, sonnets, and heroic verse celebrate peace, love, and socialist utopian reform. In a 1902 essay in the Comrade, Leonard D. Abbot proclaimed that "Markham, more than any other poet in the English language, can claim the honor of being the Bard of Labor—the true product of the last great movement that is destined to shake the world."

Markham was born in Oregon City, in the Oregon Territory. His parents separated several years after his birth, and in 1856 the young Markham moved with his mother to a farm at Suisun, in central California. Although in later years Markham romanticized his childhood and adolescence, he found his youthful pursuit of knowledge frustrated by his mother's refusal to buy books or to finance his education. Only after Markham ran away from home for two months in 1867 did she agree to allow him to enter Vacaville College. Markham earned his teacher's certificate from Vacaville in 1870, and later attended the San Jose Normal school. After teaching in California for several years and taking courses at Christian College in Santa Rosa, Markham became superintendent of schools at Placerville.

In 1876 Markham abandoned the Methodist faith of his childhood and became a follower of the spiritualist and utopian socialist Thomas Lake Harris. Harris's doctrine, which espoused social harmony and universal charity, became a major force in Markham's life. Markham had begun writing poetry as early as 1872, but he did not sell his first poem until 1880. For the next nineteen years, he contributed poems to Harper's,Century, and Scribner's, and cultivated friendships with such eminent American literary figures as Edmund Clarence Stedman, Hamlin Garland, and Ambrose Bierce.

During the last week of December 1898, Markham completed a poem that changed his career overnight. Titled "The Man with the Hoe," the poem was based on the painting of the same name by the French artist Jean-Francois Millet in 1862. Millet's painting depicts a stooping peasant with a brutish expression on his face, who in Markham's poem becomes the embodiment of the suffering of oppressed labor throughout world history. Markham read the poem to an editor of William Randolph Hearst's San Francisco Examiner at a New Years' Eve party, and that newspaper published the work two weeks later.

"The Man with the Hoe" attracted wide public notice and was reprinted in newspapers across the United States. Its appeal for better treatment of the working class became the subject of national debate and launched Markham's career as a poet, transforming him into a national celebrity. Markham enjoyed this immense public prestige until his death in 1940.

Markham's poetry is characterized by its highly rhetorical nature and expresses his advocacy of social reform as well as his desire for the unity of humankind through spiritual faith. "The Man with the Hoe," as well as his subsequent poetry, was hotly debated by critics. William Jennings Bryan wrote: "There is a majestic sweep to the argument; some of the lines pierce like arrows," while Ambrose Bierce railed: "As a literary conception it has not the vitality of a dead fish. It will not carry a poem of whatever excellence otherwise through two generations." Although Markham's first collection of poetry, The Man with the Hoe, and Other Poems, was subject to the same controversy, critics generally viewed Markham as a poet of much promise. With each successive collection, however, he encountered disfavor with critics. When Gates of Paradise, and Other Poems was published in 1920, Herbert S. Gorman wrote, "Markham became a poet when he wrote 'The Man with the Hoe' and when he penned the last line he ceased to be a poet." Nevertheless, Markham always remained popular with readers, and his distinguished appearance—tall, ruggedly featured, and bearded—impressed many people as the ideal of a great American poet.

In 1922 Markham, on invitation from former president William Howard Taft, read his poem "Lincoln, the Man of the People" at the dedication of the Lincoln Memorial; in 1932, on the occasion of Markham's eightieth birthday, he was regaled at New York's Carnegie Hall, a celebration to which thirty-five nations sent representatives. Despite the decline in his reputation after his death, among scholars Markham remains an important figure in American poetry of the early twentieth century. "At a time when protest counted, Markham's first triumph, 'The Man with the Hoe,' helped awaken the conscience of the American people," observed Joseph W. Slade in the Dictionary of Literary Biography. "Markham elevated socialism, naive as it was, into sublimity. If 'The Man with the Hoe' represents Markham on a soapbox, critic Benjamin De Casseres has written, the 'that soapbox is a star.'"

Career

American poet. Teacher in Los Berros, CA, c. 1872-73. University Observation School, Oakland, CA, served as schoolteacher and then headmaster for ten years. Worked as lecturer and editor in New York and New Jersey, beginning c. 1900.

Bibliography

  • The Man with the Hoe and Other Poems, Doubleday & McClure (New York, NY), 1899.
  • Lincoln and Other Poems, McClure, Phillips (New York, NY), 1901.
  • (Editor and author of introduction) Edgar Allan Poe, The Works of Edgar Allan Poe, ten volumes, Funk & Wagnalls (New York, NY), 1904.
  • (With Mary E. Burt) The Burt-Markham Primer: The Nature Method, Ginn (Boston), 1907.
  • 1909-27(Editor) John R. Musick, The Real America in Romance, fourteen volumes, W. H. Wise (New York City and Chicago).
  • (Editor and author of introduction) The Younger Choir, Moods (New York, NY), 1910.
  • (With Benjamin B. Lindsey and George Creel) Children in Bondage (nonfiction), Hearst's (New York, NY), 1914.
  • California the Wonderful: Her Romantic History, Her Picturesque People, Her Wild Shores, Her Desert Mystery, Her Valley Loveliness, Her Mountain Glory (nonfiction), Doubleday, Page (Garden City, NY), 1915.
  • Gates of Paradise and Other Poems, Doubleday, Page (Garden City, NY), 1920.
  • Campbell Meeker, Harold Vinal (New York, NY), 1925.
  • (Editor) The Book of Poetry, three volumes, W. H. Wise (New York City), 1926, expanded editions published as The Book of American Poetry, The Book of Classic English Poetry: 600-1830, and The Book of Modern English Poetry: 1830-1934, W. H. Wise, 1934.
  • (Editor) Songs and Stories, Powell (Los Angeles), 1931.
  • New Poems: Eighty Songs at Eighty, Doubleday, Doran (Garden City, NY), 1932.
  • (Editor) Poetry of Youth: Selected from the Book of Poetry, W. H. Wise (New York, NY), 1935.
  • The Star of Araby, John Willig Press (Stapleton, NY), 1937.
  • Poems of Edwin Markham, selected and arranged by Charles L. Wallis, Harper (New York, NY), 1950.
  • The Ballad of the Gallows Bird, Antioch Press (Yellow Springs, OH), 1967.
  • (As told by Alda Ellis) An Unexpected Christmas Guest, Harvest House (Eugene, OR), 2001.

Contributor of essays to periodicals, including "The Social Conscience" to San Francisco Chronicle, May 23, 1898; "How and Why I Wrote 'The Man with the Hoe'" to Saturday Evening Post, December 16, 1899; "Christ and the Social State" to Twentieth Century, January, 1910; "Swedenborg: The Eye of the Age" to New Church Review, April, 1925; "How I Wrote 'Lincoln, the Man of the People'" to Dearborn Independent, February 6, 1926; and "Poetry: Defining the Indefinable" to Poetry Review, September/October, 1929. The Markham Archives are located in the Horrmann Library, Wagner College.

Further Reading

BOOKS

  • Dictionary of Literary Biography, Volume 54: American Poets, 1880-1945, Gale (Detroit), 1987.
  • Filler, Louis, The Unknown Edwin Markham: His Mystery and Its Significance, Antioch Press (Yellow Springs, OH), 1966.
  • Stidger, William L., Edwin Markham, Abingdon Press (New York City), 1933.

PERIODICALS

  • American Literature, May, 1945, pp. 152-160.
  • Arena, July, 1899, pp. 17-24.
  • Comrade, January, 1902, pp. 74-75.
  • Critic, November, 1899, pp. 1033-1034.
  • Current Literature, March, 1907, pp. 317-318.
  • Pacific Humanities Review, September, 1944, pp. 303-312.
  • Poetry, September, 1915, pp. 308-311.
  • Sewanee Review, October, 1899, pp. 499-502.
  • South Carolina Review, spring, 1984, pp. 120-124.

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LIFE SPAN 1852–1940

Edwin Markham

Biography

Once internationally famous as the author of the poem "The Man with the Hoe," Markham was a popular American literary figure during the first half of the twentieth century whose works espoused progressive social and spiritual beliefs. In contrast to the experimentalism and pessimism that generally characterized poetry of this era, Markham's quatrains, sonnets, and heroic verse celebrate peace, love, and socialist utopian reform. . . .

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Originally appeared in Poetry magazine.

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