Eiléan Ní Chuilleanáin
Ní Chuilleanáin uses transformative, sweeping metaphor to invert the structures of interior, natural, and spiritual realms. In a 2009 interview for Wake Forest University Press, Ní Chuilleanáin states, “The question I ask myself constantly is ‘is this real? Do I really believe this, do I really feel this?’ But that is a question I cannot answer except by trying again in a poem.” Awarding Ní Chuilleanáin the 2010 Griffin Prize, the judges noted, "She is a truly imaginative poet, whose imagination is authoritative and transformative. She leads us into altered or emptied landscapes. […] Each poem is a world complete, and often they move between worlds, as in the beautiful ‘A Bridge between Two Counties.’ These are potent poems, with dense, captivating sound and a certain magic that proves not only to be believable but necessary, in fact, to our understanding of the world around us."
Ní Chuilleanáin is the author of numerous poetry collections, including Acts and Monuments (1966), which won the Patrick Kavanagh Award; The Magdalene Sermon (1989), which was selected as one of the three best poetry volumes of the year by the Irish Times/Aer Lingus Poetry Book Prize Committee; Selected Poems (2009); and The Sun-fish (2010). She translated Ileana Malancioiu’s After the Raising of Lazarus (2005) and Nuala Ní Dhomhnaill’s The Water Horse (2001, co-translated with Medbh McGuckian). Ní Chuilleanáin’s work has been featured in several anthologies, including The Wake Forest Book of Irish Women's Poetry, 1967-2000 (1999, edited by Peggy O’Brien).
Since 1975 she has edited the literary magazine Cyphers, and she has also edited Poetry Ireland Review. She has taught at Trinity College Dublin since 1966. With her husband, poet Macdara Woods, she divides her time between Ireland and Italy.