Eileen R. Tabios
Her mixed-genre works include I Take Thee, English, for My Beloved (2005); the political and semiautobiographical The Light Sang As It Left Your Eyes: Our Autobiography (2007), which deals with her father’s life; and The Blind Chatelaine’s Keys: Her Biography through Your Poetics (2008), a biography of Tabios based on other writers’ critiques of her work (the title references her blogging name, Chatelaine).
Tabios invented the “hay(na)ku,” a poetic form in which the first line contains one word, the second line contains two words, and the third line contains three words, for a total of six words. Often considered an experimental writer, Tabios discussed what she terms her “abstract poetry” in an interview with Purvi Shah, editor of the Asian Pacific American Journal: “In poetry, I try to create an emotion that transcends the dictionary sense of what words mean or what they typically evoke in the current cultural context. There are words that are beautiful outside their meaning, like azure or jasmine or cobalt.… For me, this is partly the place of abstract poetry, in addition to what’s happening in that space between, words, lines, sentences and paragraphs.”
Tabios is the author of the short-story collection Behind the Blue Canvas (2004). She co-edited the anthology Babaylan: An Anthology of Filipina and Filipina American Writers (2000) with the poet Nick Carbo.
Tabios has received many awards and commendations for her work, including the PEN Open Book Award, the Potrero Nuevo Fund Prize, the PEN Oakland–Josephine Miles National Literary Award, the Philippines’ Manila Critics Circle National Book Award for Poetry, and a Witter Bynner Poetry Grant.