Fanny Howe is the author of more than 20 books of poetry and prose. “If someone is alone reading my poems, I hope it would be like reading someone’s notebook. A record. Of a place, beauty, difficulty. A familiar daily struggle,” Fanny Howe explained in a 2004 interview with the Kenyon Review. Indeed, more than a subject or theme, the process of recording experience is central to Howe’s poetry. Her work explores grammatical possibilities, and its rhythms are generated from associative images and sounds.
Her recent collections of poetry include On the Ground (2004), Gone (2003), Selected Poems (2000), Forged (1999), Q (1998), One Crossed Out (1997), O’Clock (1995), and The End (1992). Critic Jordan Davis lauds the manner in which revelatory thought is presented in Gone: “Howe enacts what the South American poet Jorge Guinheime called hasosismo, or the art of the fallen limb, in which startling insights emerge and are subsequently concealed.” Critic Kimberley Lamm, discussing the poem “Doubt,” writes, “Fanny Howe’s work is unique in contemporary poetry for its exploration of religious faith, ethics, politics, and suffering.”
Her Selected Poems won the 2001 Lenore Marshall Poetry Prize. She has received awards from the National Endowment for the Arts, the National Poetry Foundation, the California Council for the Arts, and the Village Voice, as well as fellowships from the Bunting Institute and the MacDowell Colony. In 2001 and 2005, Howe was shortlisted for the Griffin Poetry Prize. In 2008 she won an Award in Literature from the American Academy and Institute of Arts and Letters. She is also the author of several novels and prose collections, most recently The Lives of a Spirit / Glasstown: Where Something Got Broken (2005) and Nod (1998). She has written short stories, books for young adults, and the collection of literary essays The Wedding Dress: Meditations on Word and Life (2003).
Howe grew up in Cambridge, Massachusetts, and taught for almost 20 years in Boston, at MIT, Tufts University, and elsewhere, before taking a job at the University of California at San Diego. She lives in Massachusetts. In 2012 she was the inaugural visiting writer in the Creative Writing Program at the University of Massachusetts-Boston.
Poems By FANNY HOWE
Articles By FANNY HOWE
- "My Father Was White but Not Quite"
During her father's legal battles in the civil-rights and McCarthy eras in Boston, poet Fanny Howe found her life's work studying the self, the natural world, and the 'fist of survival.'
- “Buddhists Like School and I Don’t.”
An experimental poet meditates on the intersections of language, writing, and God.
- Because He Was Flesh
How Edward Dahlberg changed my life.
- Keepers of the Image
Meditations on documenting the secret self.
Inspiration is usually a coincidence.
- Second Childhood
Giving up on growing up.
Audio & PodcastsThe Poetry Magazine Podcast
Charms that Forestall Harm
Poems from Kay Ryan, James Arthur, Fanny Howe, Sarah Lindsay and the Thai Elephant Orchestra; plus Carolyn Forché on the poetry of witness.
Feeling Like a Worm in Tequila?
Poets chasing poets, Dean Young vs. Tony Hoagland, a theory of hats, and more.
Her Victorian Roots are Showing
The editors pick highlights from an interview with Seamus Heaney and Fanny Howe's notebooks; and listen and comment on poems by Joan Houlihan, Roddy Lumsden, and Fred D'Aguiar.
You're Always Moving Toward Silence
The editors discuss a new John Ashbery poem from the March issue. Plus, Seth Abramson, Katy Didden, and Fanny Howe on her memoir The Winter Sun.
An Essential American Poet
Fanny Howe talks to us about the range of Jean Valentine’s poems.
Light in the Service of Loneliness
Fanny Howe, winner of the 2009 Ruth Lilly Poetry Prize, reads from her work.
POET’S REGION U.S., New England
SCHOOL / PERIOD Language Poetry
LIFE SPAN 1940–