Julia de Burgos
Predating the Nuyorican poetry movement, de Burgos’ poems engage themes of feminism and social justice. In a 2011 profile of de Brugos for Ms. Magazine’s blog, Vanessa Perez Rosario states, “De Burgos was an ambitious and brilliant woman who worked diligently on two fronts—to establish herself as a writer of international acclaim and to eradicate injustice. Her feminist politics and her Afro-Caribbean ideas allow us to read her as a precursor to contemporary U.S. Latina/o writers.”
De Burgos is the author of the poetry collections Poemas exactos a mi misma (1937), Poema en veinte surcos (1938), Canción de la verdad sencilla (1939), and the posthumously-published El mar y tú: otros poemas (1954). Overviews of her work include Obra Poética (1961) and Antologia poética (1967), as well as the critical study Julia de Burgos: vida y poesia (1967) by Ivette Jiménez Báez.
Her honors include awards from the Institute of Puerto Rican Literature and an honorary doctorate from the University of Puerto Rico. De Burgos died in Harlem, and her body was returned to Puerto Rico, and is buried in the municipal cemetery at Carolina. She is the namesake for many schools, parks, and cultural centers, including the Julia de Burgos Cultural Arts Center in Cleveland, the Julia de Burgos Latino Cultural Center in East Harlem, and Julia de Burgos Park in Chicago.