Julia Ward Howe
But Howe first gained renown because of "The Battle Hymn of the Republic," which she wrote in 1862 during the U.S. Civil War. Originally published as a poem in the magazine Atlantic Monthly, for which she received just four dollars, the hymn was put to the dirge "John Brown's Body." President Lincoln reportedly cried when he first heard it. There are several versions of why Howe wrote the poem, which she hoped would help the Union win the war and free slaves in the South. After watching a review of the army of the Potomac, one version goes, Howe went to a party where friends were singing "John Brown's Body," inspiring her to write the verse at her hotel. A more likely version is Howe visiting an army camp outside Washington DC and, inspired by the soldiers, began writing the poem inside one of the tents. The poem, filled with Biblical cadences, expresses hope that the Lord will secure a Union victory. After its publication, the Union army adopted the hymn as its unofficial song and Howe became one of the most recognized women in America.
Still, Howe's accomplishments surpass the composition. Though not remembered as much as her hymn, her other writing earned acclaim. After her death, George S. Hellman called her "the most notable woman of letters born and bred in the metropolis of America." Her many published works began with Passion-Flowers, a poetry collection published anonymously. Other works include Life of Margaret Fuller, From Sunset Ridge: Poems Old and New and Reminiscences: 1819-1899, and the travel books A Trip to Cuba and From the Oak to the Olive. A Plain Record of a Pleasant Journey. Howe also wrote a play, titled The World's Own, and belonged to several groups, leading some of them.
Howe was raised amid privilege in New York City. Her father, Samuel Ward, was a prominent banker. Though never formally educated, Howe was taught at home and took an interest in writing as a youth. Howe rejected the leisurely life. "This is my little girl who knows about books, and writes an article, and has it printed, but I wish that she knew more about housekeeping," Howe quotes her uncle, John Ward, as saying in Reminiscences: 1819-1899. She married a much older Samuel Gridley Howe, a physician and teacher of blind persons who shared his bride's repulsion of slavery. Together, the couple edited the abolitionist newspaper Commonwealth. She and her husband, however, clashed over her suffragist activities. Howe seriously considered a divorce, but stuck with the marriage despite their heated battles. Many literary critics felt the many images of suicide, violent love and betrayal in Howe's poetry reflect the stormy marriage. In 1868, Howe began devoting much of her time to the women's suffrage movement, founding both the New England Woman's Club and New England Woman's Suffrage Association. While feminists such as Anthony and Stanton were calling for more extensive social and political rights, Howe led a group of more conservative feminists. Howe's group welcomed men, whereas Stanton and Anthony felt a male presence would be detrimental. The two groups split. Howe and her group formed the American Woman's Suffrage Association, while Stanton and Anthony organized the National Woman Suffrage Association. By 1890, Stanton and Anthony conceded their greater demands and aligned with Howe. Together they formed the National American Woman's Suffrage Association. Although women would not get the right to vote until after Howe's death, she is largely responsible for the momentum that helped feminists secure the vote, with the passage of the nineteenth Amendment in 1920. "The Battle Hymn of the Republic" became associated with many causes Howe strongly supported. The women's suffrage movement adopted the hymn. Black civil rights workers, many of whom were ancestors of the slaves Howe worked to free, sang it during the twentieth century. It has been a dirge at many funerals, including that of civil-rights supporter Robert F. Kennedy in 1968. Fittingly, "The Battle Hymn of the Republic" was also sung at a memorial service for Howe at Symphony Hall in Boston. Before her death, Smith College awarded Howe an honorary degree, one of three she received. At the ceremony, Howe was hailed as "Poet and patriot, lover of letters and learning; advocate for over half a century in print and living speech of great causes of human liberty."
- (Published anonymously) Passion-Flowers, Ticknor & Fields (Boston, MA), 1854.
- (Published anonymously) Words for the Hour, Ticknor & Fields (Boston, MA), 1857.
- The World's Own, Ticknor & Fields (Boston, MA), 1857.
- A Trip to Cuba, Ticknor & Fields, (Boston, MA) 1860.
- Battle Hymn of the Republic, Oliver Ditson (Boston, MA), 1862.
- Later Lyrics, Tilton (Boston, MA), 1866.
- From the Oak to the Olive. A Plain Record of a Pleasant Journey, Lee & Shepard (Boston, MA), 1868.
- Memoir of Dr. Samuel Gridley Howe... with Other Memorial Tributes, Howe Memorial Committee (Boston, MA), 1876.
- Modern Society, Roberts Brothers (Boston, MA), 1881.
- Margaret Fuller, Roberts Brothers (Boston, MA), 1883.
- Is Polite Society Polite? And Other Essays, Lamson, Wolffe (Boston, MA, and New York, NY), 1895.
- From Sunset Ridge: Poems Old and New, Houghton, Mifflin (Boston, MA), 1898.
- Reminiscences 1819-1899, Houghton, Mifflin (Boston, MA), 1899.
- Original Poems and Other Verse Set to Music as Songs, Boston Music (Boston, MA), 1908.
- (Edited by Laura E. Richards) At Sunset, Houghton, Mifflin (Boston, MA), 1910.
- Dictionary of Literary Biography, Volume 1, Gale (Detroit, MI), 1978.
- Dictionary of Literary Biography, Volume 189, Gale (Detroit, MI), 1998.
- Encyclopedia of World Biography, Gale, 1998.
Poems By JULIA WARD HOWE
Audio & PodcastsPoetry Off the Shelf
Poetry North, Poetry South
Faith Barrett discusses the poetry of the Civil War.
LIFE SPAN 1819–1910