Kasischke’s poetry is noted for its intelligent, honest portrayal of domestic and familial life; its explosively accurate imagery and dense soundscapes; and its idiosyncratic use of narrative. According to Stephen Burt in the New York Times: “No poet has tried so hard to cut through suburban American illusion while respecting the lives, young and old, that it nurtures or saves. No poet has joined the chasm of ontological despair to the pathos of household frustration so well as Kasischke at her best.” In a review of Space, in Chains for the National Book Critics Circle website, Burt noted “a persistent fact about Kasischke’s poetry,” describing her innovative use of narrative: “[N]o single story controls even a single poem,” Burt wrote. “Our lives are too strange, too inwardly wild, too outwardly unpredictable for that. Instead, the poet presents herself as angry, nostalgic, angry, skeptical, pious, distraught, glad and helpless by turns.”
Kasischke’s narrative expertise helps account for her dual career as a novelist. Her novels include Suspicious River (1996), White Bird in a Blizzard (1999), The Life Before her Eyes (2002), which was made into a movie starring Uma Thurman, In a Perfect World (2009), and The Raising (2011). Taking on such weighty subjects as global pandemics and school-shootings, Kasischke’s novels have nonetheless enjoyed broad popular appeal. In the New York Times, Erika Krouse noted the poetic qualities of Kasischke’s fiction: “It is not enough to say that Kasischke's language is ‘poetic,’ a word that has come to mean ‘pretty.’ Rather, her writing does what good poetry does—it shows us an alternate world and lulls us into living in it.”
Poems By LAURA KASISCHKE
Articles By LAURA KASISCHKE
Blog Posts By LAURA KASISCHKE
Articles About LAURA KASISCHKE
Audio & PodcastsThe Poetry Magazine Podcast
"Accident Plays a Part in Art"
The editors talk with Kasischke on Ken Burns, Lindsay on Krakatau, Sheffield on fishing, and Logan on Hart Crane (and David Foster Wallace).
The Effect of Small Things
Poems from Marie Ponsot, Laura Kasischke, Todd Boss, Campbell McGrath, and Kathleen Jamie; plus C.K. Williams on the foreboding of environmental doom.
Stitched to a Wish
Ashbery translations of Rimbaud, plus poems from Laura Kasischke, Atsuro Riley, and C.K. Williams.
"We All Exist, Wetly"
Poems from Sara Miller, Kelly Cherry, Barbara Perez, Matthew Nienow; plus Laura Kasischke on not liking Wallace Stevens.
Poetry at the 92nd Street Y
Readings from Poetry magazine's centennial anthology, The Open Door.