Yenser’s poems range in setting from L.A. to Greece and reveal his literary acumen and attentiveness to sound. Tom Cheyney, reviewing Blue Guide for the L.A. Weekly, observed that Yenser’s work “inhabits a creative zone where playful formalism coexists comfortably with flights of free association and jazz improvisation,” adding that “fond of alliteration, pun and cadence, Yenser seeks out syllabic and sonorous synchronicities.” The poet James Merrill was an early reader of Yenser’s poems—they met when Yenser was a graduate student at the University of Wisconsin—and the two poets maintained a friendship and exchanged poems until Merrill’s death in 1995.
Yenser and the poet J.D. McClatchy co-edited James Merrill’s Collected Poems (2002), Collected Novels and Plays of James Merrill (2003), and The Changing Light at Sandover (2006). Yenser is the author of several books of criticism, including Circle to Circle: The Poetry of Robert Lowell (1975) and The Consuming Myth: The Work of James Merrill (1987), as well as the essay collection A Boundless Field: American Poetry at Large (2002).
Yenser is a professor and the director of creative writing at the University of California, Los Angeles.
Poems By STEPHEN YENSER
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I Smell the Blood of Low-Definition Attorneys
Poems by Camille T. Dungy, Eduardo C. Corral, Linda Kunhardt, Alice Lyons, and Stephen Yenser from December's Q&A issue.