Harriet

Rigoberto González

Feliz Día de los Muertos

Mariposa%20Muerto.jpg
I’m celebrating the Days of the Dead on the border, the place that knows about the communion and collision of contrasting worlds—México/USA, Spanish/English, South/North, Vírgen de Guadalupe/Uncle Sam. This festive holiday is close to my heart and my literary imagination, but instead of quoting any of my own poems, I’d like to offer the following by fierce Chicana poet Brenda Cárdenas:


Cornflowers
She says my hair smells
like corn tortillas.
I raise an eyebrow.
After all those honeysuckle
and papaya shampoos,
I can’t believe my scalp
hasn’t soaked up
the scent of blossom
or the perfume of rainfall.
No, she’s my mother,
and she insists
that even as a little girl,
my whole bedroom breathed
corn tortillas.
Pressing nose to pillowcase,
I search for masa,
reach back before
molcajete and plow
to a dusky meadow,
its bed of soil flecked
with teosinte,
ancestor grasses.
Up through the dark
follicles of my skull
covered in sun-cracked husks,
push the black-brown silk strands,
cocooning thirsty kernels.
Maíz sprouts into fields of thought
bearing hybrid rows of words
that fall like teeth
from the mouths of the dead.
(From the chapbook From the Tongues of Brick and Stone, published by Momotombo Press, 2005. Used with the permission of the author.)

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IN THIS ISSUE: March 2010

Poetry Magazine

A selection of new work from Dorothea Grossman; new poems by Lavinia Greenlaw, David Yezzi, A.E. Stallings, Gerald Stern, and Dan Gerber; translations of Carlo Betocchi, and Mahmoud Darwish; an Editorial on Ruth Lilly; an exchange between Ilya Kaminsky and Adam Kirsch; an essay by Chen Li; and a review by Daisy Fried.

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