Harriet

Emily Warn

From the Editors of Chicago Review

After reading the numerous responses to Juliana Spahr and Stephanie Young’s “Numbers Trouble,” Jennifer Ashton’s response, and our note, it became clear that we needed to make these articles available online. We hope the essays will ground a larger exchange of ideas.
Chicago Review
http://humanities.uchicago.edu/orgs/review/
(Follow the links for PDFs.)
Our initial reluctance to post the articles was only due to the magazine’s financial insecurity: we rely on issue sales for 80% of our $50,000 annual budget. Therefore we hope that you’ll consider ordering the issue or subscribing to CR. The magazine’s survival depends on support from its readers.
Joshua Kotin
Robert P. Baird

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2 Comments for “From the Editors of Chicago Review”

  1. Thank you that is generous

    Posted By: Jilly on November 9, 2007 at 7:30 am
    Report this comment
  2. Hi. Sorry for my english. Happy New Year!!!!!
    Good Luck!

    Posted By: Sweta-Zinok on January 5, 2008 at 1:55 am
    Report this comment

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About Harriet

RECENT COMMENTS

  • @Wendy: "Love the posed pictures of the somnolent students!" ... MORE »
    Colin Ward | 03.11.10
  • Cool article and useful, too. I'd point people gto Ernest Hilbert's book of sonnets, 60 ... MORE »
    Daniel Nester | 03.11.10
  • (Love the posed pictures of the somnolent students! And especially the grinning over-achievers. As always, ... MORE »
    Wendy Babiak | 03.11.10
  • As I understand it, anyway, the liberal arts curriculum of a university education is (or ... MORE »
    Henry Gould | 03.10.10
  • A conceptual take on the sonnet tradition: http://thechagallposition.blogspot.com/2010/01/all-of-words-of-shakespeare-sonnet-144.html MORE »
    Edmond Caldwell | 03.10.10

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IN THIS ISSUE: March 2010

Poetry Magazine

A selection of new work from Dorothea Grossman; new poems by Lavinia Greenlaw, David Yezzi, A.E. Stallings, Gerald Stern, and Dan Gerber; translations of Carlo Betocchi, and Mahmoud Darwish; an Editorial on Ruth Lilly; an exchange between Ilya Kaminsky and Adam Kirsch; an essay by Chen Li; and a review by Daisy Fried.

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