The Frame
From Gulliver’s Travels, “A Voyage to Laputa, etc.,” at the Grand Academy of Lagado :
“The first professor I saw was in a very large room, with forty pupils about him…Every one knew how laborious the usual method is of attaining to arts and sciences; whereas by his contrivance the most ignorant person at a reasonable charge, and with a little bodily labour, may write books in philosophy, poetry, politics, law, mathematics, and theology, without the least assistance from genius or study. He then led me to [a] frame, about the sides whereof all his pupils stood in ranks. It was about twenty foot square, placed in the middle of the room. The superficies was composed of several bits of wood, about the bigness of a die, but some larger than others. They were all linked together by slender wires. These bits of wood were covered on every square with paper pasted on them, and on these papers were written all the words of their language, in their several moods, tenses, and declensions, but without any order….The pupils…took each of them hold of an iron handle, whereof there were forty fixed round the edges of the frame, and giving them a sudden turn, the whole disposition of the words was entirely changed. He then commanded six and thirty of the lads to read the several lines softly as they appeared upon the frame; and where they found three or four words together that might make part of a sentence, they dictated to the four remaining boys who were scribes. This work was repeated three or four times, and at every turn the engine was so contrived that the words shifted into new places, as the square bits of wood moved upside down.
“Six hours a day the young students were employed in this labor, and the professor showed me several volumes in large folio already collected, of broken sentences, which he intended to piece together, and out of those rich materials to give the world a complete body of all arts and sciences; which however might be still improved and much expedited, if the public would raise a fund for making and employing five hundred such frames…”
“…and the professor showed me several volumes in large folio already collected, of broken sentences, which he intended to piece together…”
Posted By: John Blackard on March 15, 2008 at 6:06 amDaisy, I’ll raise you two quotes:
“In the artist of all kinds one can detect an inherent dilemma, which belongs to the co-existence of two trends, the urgent need to communicate and the still more urgent need not to be found”
– D.W. Winnicott
“If we are to save poetry…we must restore poetry to the status of seclusion and even secrecy that characterizes only our authentic pleasures”
–Richard Howard
(I found both referenced in James Longenbach’s book, “The Resistance of Poetry”.)
John Blackard
http://www.johnablackard.com
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