Executive producers Terrence Malick and Robert Redford turn to poetry in their collaborative venture, Laura Dunn’s documentary, The Unforeseen. The film, which debuted at the 2007 Sundance Film Festival, covers Austin, Texas environmental politics via interviews with environmentalists, real estate developers, a vocal local community, and everyone’s favorite ex-governor of Texas, while peppering excerpts of Wendell Berry reading his poem “Santa Clara Valley” throughout. The poem provides a reflective continuity to the film, making sense, at times, of what is a bitter and emotional battle for the area of Barton Springs in Austin, a battle begun in the ’70s and continuing through the ’90s.
An excerpt from Berry’s poem captures the main arc of the film:
I walked alone in that desert of unremitting purpose,
feeling the despair of one who could no longer remember
another valley where bodies and events took place and form
not always foreseen by human, and the humans themselves followed
ways not altogether in the light, where all the land had not yet
been consumed by intention, or the people by their understanding,
where still there was forgiveness in time, so that whatever
had been destroyed might yet return. Around me
as I walked were dogs barking in resentment
against the coming of the unforeseen.
According to the film’s website, the poem has been a popular point of discussion in post-screening conversations across the country.
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