Harriet

Travis Nichols

Summer Jams

Headphones.jpg

While the context of a reading can often mean everything, there is also something to be said for readings ripped free from their spatial/temporal trappings and escorted into the private, headphoned world.


A few examples of Choose-Your-Own-Context:
A friend has been walking the few miles to work everyday, just long enough to listen to a lecture by Philip Whalen, downloaded from the Naropa files on the Internet Archive site.
Another friend has made a muxtape from his own stock of mp3’s, most of which were culled from the UBU site, or the Penn Sound site–where you can find readings by the recently discussed Robert Duncan, among many others.
This friend, Eric Baus, has his own website, To The Sound, where he discusses the cellphone relay method of widening the poetry audience, especially useful at the sparsely attended readings.
Eric also links to Steve Evans’ intermittently updated site, Lipstick of Noise–where you can read about the intriguing context of Ericka Huggins’ poem “For a Woman”– and the Slought Archive– where you can listen to a little Denise Levertov.
Additional voices welcome in the comments, including most definitely anyone else’s poetry muxtape.

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14 Comments for “Summer Jams”

  1. I must be in a distinct minority: my experience of poetry is text-based. I can’t stand poetry readings (although I sometimes attend them), & I almost never listen to recorded poetry. Unless by “poetry” we mean, as I think we should, that denigrated form, the song. In which case, & with apologies for violating the spirit of the post, my poetry muxtape would run, today anyway, something like this:
    The Hold Steady, “Stuck between Stations”: sample lyrics: “There was that night that we thought that John Berryman could fly. / But he didn’t so he died. / She said ‘you’re pretty good with words but words won’t save your life’ / And they didn’t so he died. / He was drunk and exhausted but he was critically acclaimed and respected. / He loved the Golden Gophers but he hated all the drawn out winters. / He likes the warm feeling but he’s tired of all the dehydration. / Most nights were kind of fuzzy but that last night he had total retention.”
    Lil Wayne, “Sky’s the Limit”: “Relying on rap, but in the kitchen I’m a chemist, / And when I was 5, my favorite movie was the Gremlins. / Ain’t got shit to do with this, but I just thought that I should mention it.”
    Ghostface Killah, “The Champ”:
    I’m James Bond in the Octagon with two razors
    Bet y’all didn’t know I had a fake arm
    I lost it
    Sonic Youth, “Incinerate”: “The firefighters were so nice.”
    Laurie Anderson, “The Dream Before”: a perfect poem that borrows Benjamin.
    Clipse, “Play Your Part”:
    All the snow on the timepiece confusing them
    All the snow on the concrete Peruvian
    I flew ‘em in, it ruined men, I’m through with them
    Blamed for misguiding their life
    So go and sue me then
    Steinski, “It’s up to You (Television Mix)”: contains a sample of George Bush I saying (musically arranged in such a way that the rhythm & rhyme are emphasized): “Regrettably / we now believe / that only force / will make him leave.”
    Robert Johnson, “Me & the Devil Blues”: “You may bury my body down by the highway side / So my old evil spirit can catch a Greyhound bus & ride.”

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    Posted By: Michael Robbins on July 14, 2008 at 6:26 pm
  2. Hey Travis,
    The UPenn files really are amazing.
    A poet who must remain nameless, but whom you no doubt know, worked in the library of a large East Coast university, and he would occasionally loan me dubs of readings that were in the university’s archives. Much as I was tempted, I never made duplicates of the recordings.
    Troy Jollimore burned me a disc recently, with some terrific music, and poetry by O’Hara, Berryman, Muldoon, Ondaatje, etc. It has become the soundtrack to my mornings of late, when I’m not listening to Lisa Lisa and the Cult Jam.

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    Posted By: D. A. Powell on July 14, 2008 at 7:25 pm
  3. Lisa Lisa and the Cult Jam, Lil Wayne, the Hold Steady . . . I think links to non-poetry muxtapes would be accepted (even welcomed) here in the comments. In fact, here’s this (until I upload some poetry).

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    Posted By: Travis Nichols on July 14, 2008 at 7:37 pm
  4. You can read why “Berryman isn’t the first or last figure in a Hold Steady song to hover by the Mississippi” here.

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    Posted By: Emily Warn on July 15, 2008 at 9:04 pm
  5. Ha! I’d not read that — thanks, Emily. (Nor did I know Brandon Stosuy had written for PF — how did that come about? I’m familiar with his metal reviews.)

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    Posted By: Michael Robbins on July 15, 2008 at 10:01 pm
  6. No Harrieteer has a Mux to share? Official verse kulchur!

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    Posted By: Michael Robbins on July 18, 2008 at 12:24 pm
  7. Here’s a link to my muxtape:
    http://flizzo.muxtape.com/
    Dylan fans will be pleased. Also notice how the Baden version of Berimbau approaches an Aram Aroyan understatedness.
    One might considered how the remix, sampling, and bootlegs contribute to the peripheral field of music production, and what that might look like as equivalents in terms of poetry… or you can just tap your foot along…

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    Posted By: Kimbo Slice on July 18, 2008 at 3:58 pm
  8. That Crystal Castles “song” is tearing my brain apart one spongiform unit at a time. Merci, Kimbo!

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    Posted By: Travis Nichols on July 18, 2008 at 4:23 pm
  9. oh, and only slightly more earnestly… does anyone out there know if there’s any good critical writing on the Last Poets? i’ve looked to no avail…

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    Posted By: Kimbo Slice on July 18, 2008 at 4:25 pm
  10. Kimbo, the only thing I can think of is On a Mission: Selected Poems and a History of the Last Poets by Abiodun Oyewole, Umar Bin Hassan, and Kim Green, but you may have seen this already.

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    Posted By: Don Share on July 19, 2008 at 8:26 am
  11. . . . from
    The Grandeur and Twilight of Radical Universalism, by Agnes Heller and Ferenc Fehér, p. 364:
    Both Plato and Thomas Mann were right in regarding music as politically suspect. While under its spell, we are more indeterminate and unspecific in our hates and sympathies than politics would like us to be. There is no doubt that we communicate while we are listening to music and hugging millions. But this is a special kind of communication. Its message is meager yet redundant. It conveys to those millions in my embrace only the truism that they are like me and I am like them. It is a discourse that knows no argument; indeed it is one that draws its strength from the absence of argument . . . .

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    Posted By: bill knott on July 19, 2008 at 10:41 am
  12. In defiance of Plato, Mann, Heller, & Fehér, I offer this politically suspect muxtape to Harriet:
    http://murkplectrum.muxtape.com/

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    Posted By: Michael Robbins on July 22, 2008 at 12:13 am
  13. That’s what I’m talking about! Nice work, Michael “Double B” Robbins! Lucky Darryl, you got next?

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    Posted By: Travis Nichols on July 22, 2008 at 10:52 am
  14. Dept. of Futile Enforcement of Obsolete Business Model:
    http://www.pitchforkmedia.com/article/news/144766-muxtape-shut-down-for-now

    Vote -1 Vote +1
    Posted By: Michael Robbins on August 19, 2008 at 10:35 am

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