Harriet

Wanda Coleman

HOPE ALL-AMERICAN GHETTO STYLE

Audrey called a week ago today. I went for family visit. We have been friends for forty years—a friendship that has corresponded to my literary pursuits. She has always appreciated my quest, if not so inclined. Like involuntary saints, we are survivors, having spent our lives in America’s unforgiving economic underclass—former long-time residents of some of the toughest neighborhoods in South Central Los Angeles. Whenever we get together, “the headcount is a mutha”—among our dearly departed my son Anthony, her son Darryl, her brothers Emmet, Joe and Carl. Over coffee, scrambled eggs, bacon and rice, we surveyed our hearts, totaled up damages and dramas, and gave thanks that we’re still throwing blows and chasing the raggedy remains of our dreams. Sated on the personal, our talk turned worldward—we whooped about communal stupidities, “how they still harrassin’ us”, the O.J. fiasco (ssshiiittt, he never spoke out for Folk back in the day), and how—thanks to the housing and stockmarket crashes—we’ve got plenty of new company on the lower rungs. Then I say how me-and-mine cracked a bottle of spumanti and celebrated New Years on November 8th. Everybody in the house did the Obama holler. Comprising the first generation, Audrey and I yelled “I never thought I’d live to see the day!” Amens came from the second generation, Sean and DeShaun signifying, “We never thought we’d see the day!” Then Audrey’s twenty-something grandsons crowned our moment, “Hell, we didn’t think we’d see it in our lifetimes!”

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IN THIS ISSUE: March 2010

Poetry Magazine

A selection of new work from Dorothea Grossman; new poems by Lavinia Greenlaw, David Yezzi, A.E. Stallings, Gerald Stern, and Dan Gerber; translations of Carlo Betocchi, and Mahmoud Darwish; an Editorial on Ruth Lilly; an exchange between Ilya Kaminsky and Adam Kirsch; an essay by Chen Li; and a review by Daisy Fried.

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