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Michelle Tea on Your Reading Series: “You are not delivering a testimony to Congress”
What are your reading don’ts?
Don’t take it so seriously. You are not delivering a testimony to Congress. Don’t speak in POETRY VOICE. You know what I mean. There are writers whose work I enjoy on the page, but I can’t listen to them read it because that inflection makes me leave my body.
How do you prepare for a reading?
I don’t, unless you count neurotically changing my mind about what I’m reading and wearing “preparation.” I call it mental illness. Not everything works best aloud. I try to not feel the audience too much because it’s easy to mistake silence for boredom, and then I get nervous and start acting desperate. I try to read as if everything I’m delivering is AMAZING.
What’s the strangest interaction you’ve had with an audience member?
Sometimes a person thinks that just because you are comfortable reading something sexual in the very specific and controlled environment of a reading, it means you are down for discussing sex with random strangers. And I actually enjoy that no more than the average person, which is to say, not much.
What’s your crowd-pleaser, and why does it work?
They all seem to revolve around shock. In Rose of No Man’s Land, it’s when a character throws her dirty tampon at a boy who is harassing her. In Valencia, it’s an unusual sex scene. In Rent Girl, it’s a very funny fake orgasm contest between two prostitutes—which allows me to caw like a bird whilst performing, so I like it, too.
What makes the RADAR Reading Series unique?
My reading series has been running for almost nine years. I mix up my readers—unpublished, published, well-known, emerging, and I bring in graphic novelists, video artists, and photographers. It’s free. There’s a Q&A segment, and I hand out homemade cookies to whoever asks questions. (There are always questions!)
It’s queer like a queer bar—anyone can go in, but you know it’s a space that has prioritized queer people. As a queer person I spend tons of time in straight spaces where queers are welcome, but the spaces are straight, even though often they aren’t designated as such because straight people aren’t accustomed to thinking about space like queers are. RADAR uses that model—yes, of course everyone is welcome, but the space, the event, is queer.
Read it in full here.