Saturday Night

By Alicia Ostriker b. 1937 Alicia Ostriker

Music is most sovereign because more than anything
else, rhythm and harmony find their way to the inmost
soul and take strongest hold upon it, bringing with
them and imparting grace.
—Plato,
The Republic

The cranes are flying ...
—Chekhov

And here it comes: around the world,
In Chicago, Petersburg, Tokyo, the dancers
Hit the floor running (the communal dancefloor

Here, there, at intervals, sometimes paved,   
Sometimes rotted linoleum awash in beer,   
Sometimes a field across which the dancers streak

Like violets across grass, sometimes packed dirt   
In a township of corrugated metal roofs)
And what was once prescribed ritual, the profuse

Strains of premeditated art, is now improvisation,   
The desperately new, where to the sine-curved   
Yelps and spasms of police sirens outside

The club, a spasmodic feedback ululates   
The death and cremation of history,   
Until a boy whose hair is purple spikes,

And a girl wearing a skull
That wants to say I’m cool but I’m in pain,
Get up and dance together, sort of, age thirteen.

Young allegorists, they’ll mime motions
Of shootouts, of tortured ones in basements,   
Of cold insinuations before sex

Between enemies, the jubilance of the criminal.   
The girl tosses her head and dances   
The shoplifter’s meanness and self-betrayal

For a pair of stockings, a scarf, a perfume,   
The boy dances stealing the truck,   
Shooting his father.

The point is to become a flying viper,   
A diving vulva, the great point
Is experiment, like pollen flinging itself

Into far other habitats, or seed   
That travels a migrant bird’s gut   
To be shit overseas.

The creatures gamble on the whirl of life   
And every adolescent body hot
Enough to sweat it out on the dance floor

Is a laboratory: maybe this lipstick, these boots,   
These jeans, these earrings, maybe if I flip   
My hair and vibrate my pelvis

Exactly synched to the band’s wildfire noise   
That imitates history’s catastrophe   
Nuke for nuke, maybe I’ll survive,

Maybe we’ll all survive. . . .

At the intersection of poverty and plague
The planet's children—brave, uncontrollable, juiced   
Out of their gourds—invent the sacred dance.

Alicia Ostriker, “Saturday Night” from The Little Space: Poems Selected and New, 1968-1998. Copyright © 1998 by Alicia Ostriker. All rights are controlled by the University of Pittsburgh Press, Pittsburgh, PA 15260, upress.pitt.edu. Used by permission of University of Pittsburgh Press.

Source: The Little Space: Poems Selected and New 1968-1998 (University of Pittsburgh Press, 1998)

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Poet Alicia Ostriker b. 1937

POET’S REGION U.S., New England

Subjects Music, Theater & Dance, Youth, Living, Arts & Sciences

Poetic Terms Free Verse

 Alicia  Ostriker

Biography

Poet, critic, and activist Alicia Ostriker was born in 1937 in New York City. She earned degrees from Brandeis and the University of Wisconsin-Madison. Twice a finalist for the National Book Award, Ostriker has published numerous volumes of poetry, including The Book of Seventy (2009), which received the Jewish National Book Award. Other books of poetry include No Heaven (2005); The Volcano Sequence (2002); Little Space (1998), . . .

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SUBJECT Music, Theater & Dance, Youth, Living, Arts & Sciences

POET’S REGION U.S., New England

Poetic Terms Free Verse

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Originally appeared in Poetry magazine.

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