Youth and Art

By Robert Browning 1812–1889 Robert Browning
   It once might have been, once only:
      We lodged in a street together,
You, a sparrow on the housetop lonely,
      I, a lone she-bird of his feather.

   Your trade was with sticks and clay,
      You thumbed, thrust, patted and polished,
Then laughed "They will see some day
      Smith made, and Gibson demolished."

   My business was song, song, song;
      I chirped, cheeped, trilled and twittered,
"Kate Brown's on the boards ere long,
      And Grisi's existence embittered!"

   I earned no more by a warble
      Than you by a sketch in plaster;
You wanted a piece of marble,
      I needed a music-master.

   We studied hard in our styles,
      Chipped each at a crust like Hindoos,
For air looked out on the tiles,
      For fun watched each other's windows.

   You lounged, like a boy of the South,
      Cap and blouse—nay, a bit of beard too;
Or you got it, rubbing your mouth
      With fingers the clay adhered to.

   And I—soon managed to find
      Weak points in the flower-fence facing,
Was forced to put up a blind
      And be safe in my corset-lacing.

   No harm! It was not my fault
      If you never turned your eye's tail up
As I shook upon E in alt,
      Or ran the chromatic scale up:

   For spring bade the sparrows pair,
      And the boys and girls gave guesses,
And stalls in our street looked rare
      With bulrush and watercresses.

   Why did not you pinch a flower
      In a pellet of clay and fling it?
Why did not I put a power
      Of thanks in a look, or sing it?

   I did look, sharp as a lynx,
      (And yet the memory rankles,)
When models arrived, some minx
      Tripped up-stairs, she and her ankles.

   But I think I gave you as good!
      "That foreign fellow,—who can know
How she pays, in a playful mood,
      For his tuning her that piano?"

   Could you say so, and never say
      "Suppose we join hands and fortunes,
And I fetch her from over the way,
      Her, piano, and long tunes and short tunes?"

   No, no: you would not be rash,
      Nor I rasher and something over:
You've to settle yet Gibson's hash,
      And Grisi yet lives in clover.

   But you meet the Prince at the Board,
      I'm queen myself at bals-paré,
I've married a rich old lord,
      And you're dubbed knight and an R.A.

   Each life unfulfilled, you see;
      It hangs still, patchy and scrappy:
We have not sighed deep, laughed free,
      Starved, feasted, despaired,—been happy.

   And nobody calls you a dunce,
      And people suppose me clever:
This could but have happened once,
      And we missed it, lost it for ever.

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Poet Robert Browning 1812–1889

POET’S REGION England

SCHOOL / PERIOD Victorian

Subjects Music, Living, Disappointment & Failure, Love, Youth, Painting & Sculpture, Arts & Sciences, Relationships, Men & Women, First Love, Unrequited Love, Realistic & Complicated

Poetic Terms Alliteration, Ballad

 Robert  Browning

Biography

Although the early part of Robert Browning’s creative life was spent in comparative obscurity, he has come to be regarded as one of the most important poets of the Victorian period. His dramatic monologues and the psycho-historical epic The Ring and the Book (1868-1869), a novel in verse, have established him as a major figure in the history of English poetry. His claim to attention as a children’s writer is more modest, resting . . .

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Poem Categorization

SUBJECT Music, Living, Disappointment & Failure, Love, Youth, Painting & Sculpture, Arts & Sciences, Relationships, Men & Women, First Love, Unrequited Love, Realistic & Complicated

POET’S REGION England

SCHOOL / PERIOD Victorian

Poetic Terms Alliteration, Ballad

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Originally appeared in Poetry magazine.

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