The Destruction of Sennacherib

By Lord Byron (George Gordon) 1788–1824 Lord Byron (George Gordon)
   The Assyrian came down like the wolf on the fold,
And his cohorts were gleaming in purple and gold;
And the sheen of their spears was like stars on the sea,
When the blue wave rolls nightly on deep Galilee.

   Like the leaves of the forest when Summer is green,
That host with their banners at sunset were seen:
Like the leaves of the forest when Autumn hath blown,
That host on the morrow lay withered and strown.

   For the Angel of Death spread his wings on the blast,
And breathed in the face of the foe as he passed;
And the eyes of the sleepers waxed deadly and chill,
And their hearts but once heaved, and for ever grew still!

   And there lay the steed with his nostril all wide,
But through it there rolled not the breath of his pride;
And the foam of his gasping lay white on the turf,
And cold as the spray of the rock-beating surf.

   And there lay the rider distorted and pale,
With the dew on his brow, and the rust on his mail:
And the tents were all silent, the banners alone,
The lances unlifted, the trumpet unblown.

   And the widows of Ashur are loud in their wail,
And the idols are broke in the temple of Baal;
And the might of the Gentile, unsmote by the sword,
Hath melted like snow in the glance of the Lord!

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Poet Lord Byron (George Gordon) 1788–1824

POET’S REGION England

SCHOOL / PERIOD Romantic

Subjects War & Conflict, Religion, Social Commentaries, God & the Divine

Poetic Terms Alliteration, Imagery, Allusion, Simile, Rhymed Stanza

 Lord  Byron (George Gordon)

Biography

The most flamboyant and notorious of the major Romantics, George Gordon, Lord Byron, was likewise the most fashionable poet of the day. He created an immensely popular Romantic hero—defiant, melancholy, haunted by secret guilt—for which, to many, he seemed the model. He is also a Romantic paradox: a leader of the era’s poetic revolution, he named Alexander Pope as his master; a worshiper of the ideal, he never lost touch with . . .

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Poem Categorization

SUBJECT War & Conflict, Religion, Social Commentaries, God & the Divine

POET’S REGION England

SCHOOL / PERIOD Romantic

Poetic Terms Alliteration, Imagery, Allusion, Simile, Rhymed Stanza

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Originally appeared in Poetry magazine.

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