Carrion Comfort

By Gerard Manley Hopkins 1844–1889 Gerard Manley Hopkins
Not, I'll not, carrion comfort, Despair, not feast on thee;
Not untwist — slack they may be — these last strands of man
In me ór, most weary, cry I can no more. I can;
Can something, hope, wish day come, not choose not to be.
But ah, but O thou terrible, why wouldst thou rude on me
Thy wring-world right foot rock? lay a lionlimb against me? scan
With darksome devouring eyes my bruisèd bones? and fan,
O in turns of tempest, me heaped there; me frantic to avoid thee and flee?

   Why? That my chaff might fly; my grain lie, sheer and clear.
Nay in all that toil, that coil, since (seems) I kissed the rod,
Hand rather, my heart lo! lapped strength, stole joy, would laugh, chéer.
Cheer whom though? the hero whose heaven-handling flung me, fóot tród
Me? or me that fought him? O which one? is it each one? That night, that year
Of now done darkness I wretch lay wrestling with (my God!) my God.

Source: Gerard Manley Hopkins: Poems and Prose (Penguin Classics, 1985)

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Poet Gerard Manley Hopkins 1844–1889

POET’S REGION England

SCHOOL / PERIOD Victorian

Subjects Faith & Doubt, Religion, Christianity, God & the Divine

Poetic Terms Alliteration, Sonnet, Assonance

 Gerard  Manley Hopkins

Biography

Gerard Manley Hopkins is one of the three or four greatest poets of the Victorian era. He is regarded by different readers as the greatest Victorian poet of religion, of nature, or of melancholy. However, because his style was so radically different from that of his contemporaries, his best poems were not accepted for publication during his lifetime, and his achievement was not fully recognized until after World War I.

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Poem Categorization

SUBJECT Faith & Doubt, Religion, Christianity, God & the Divine

POET’S REGION England

SCHOOL / PERIOD Victorian

Poetic Terms Alliteration, Sonnet, Assonance

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Originally appeared in Poetry magazine.

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