The Nymph Complaining for the Death of her Fawn

By Andrew Marvell 1621–1678 Andrew Marvell
The wanton troopers riding by
Have shot my fawn, and it will die.
Ungentle men! they cannot thrive
To kill thee. Thou ne’er didst alive
Them any harm, alas, nor could
Thy death yet do them any good.
I’m sure I never wish’d them ill,
Nor do I for all this, nor will;
But if my simple pray’rs may yet
Prevail with Heaven to forget
Thy murder, I will join my tears
Rather than fail. But oh, my fears!
It cannot die so. Heaven’s King
Keeps register of everything,
And nothing may we use in vain.
Ev’n beasts must be with justice slain,
Else men are made their deodands;
Though they should wash their guilty hands
In this warm life-blood, which doth part
From thine, and wound me to the heart,
Yet could they not be clean, their stain
Is dyed in such a purple grain.
There is not such another in
The world to offer for their sin.

       Unconstant Sylvio, when yet
I had not found him counterfeit
One morning (I remember well)
Tied in this silver chain and bell,
Gave it to me; nay, and I know
What he said then; I’m sure I do.
Said he, “Look how your huntsman here
Hath taught a fawn to hunt his dear.”
But Sylvio soon had me beguil’d,
This waxed tame, while he grew wild;
And quite regardless of my smart,
Left me his fawn, but took his heart.

       Thenceforth I set myself to play
My solitary time away,
With this, and very well content
Could so mine idle life have spent;
For it was full of sport, and light
Of foot and heart, and did invite
Me to its game; it seem’d to bless
Itself in me. How could I less
Than love it? Oh, I cannot be
Unkind t’ a beast that loveth me.

       Had it liv’d long, I do not know
Whether it too might have done so
As Sylvio did; his gifts might be
Perhaps as false or more than he.
But I am sure, for aught that I
Could in so short a time espy,
Thy love was far more better then
The love of false and cruel men.

       With sweetest milk and sugar first
I it at mine own fingers nurst;
And as it grew, so every day
It wax’d more white and sweet than they.
It had so sweet a breath! And oft
I blush’d to see its foot more soft
And white, shall I say than my hand?
Nay, any lady’s of the land.

       It is a wond’rous thing how fleet
’Twas on those little silver feet;
With what a pretty skipping grace
It oft would challenge me the race;
And when ’t had left me far away,
’Twould stay, and run again, and stay,
For it was nimbler much than hinds,
And trod, as on the four winds.

       I have a garden of my own,
But so with roses overgrown
And lilies, that you would it guess
To be a little wilderness;
And all the spring time of the year
It only loved to be there.
Among the beds of lilies I
Have sought it oft, where it should lie;
Yet could not, till itself would rise,
Find it, although before mine eyes;
For, in the flaxen lilies’ shade,
It like a bank of lilies laid.
Upon the roses it would feed
Until its lips ev’n seemed to bleed,
And then to me ’twould boldly trip
And print those roses on my lip.
But all its chief delight was still
On roses thus itself to fill,
And its pure virgin limbs to fold
In whitest sheets of lilies cold.
Had it liv’d long it would have been
Lilies without, roses within.

       O help, O help! I see it faint,
And die as calmly as a saint.
See how it weeps! The tears do come,
Sad, slowly dropping like a gum.
So weeps the wounded balsam, so
The holy frankincense doth flow;
The brotherless Heliades
Melt in such amber tears as these.

       I in a golden vial will
Keep these two crystal tears, and fill
It till it do o’erflow with mine,
Then place it in Diana’s shrine.

       Now my sweet fawn is vanish’d to
Whither the swans and turtles go,
In fair Elysium to endure
With milk-white lambs and ermines pure.
O do not run too fast, for I
Will but bespeak thy grave, and die.

       First my unhappy statue shall
Be cut in marble, and withal
Let it be weeping too; but there
Th’ engraver sure his art may spare,
For I so truly thee bemoan
That I shall weep though I be stone;
Until my tears, still dropping, wear
My breast, themselves engraving there.
There at my feet shalt thou be laid,
Of purest alabaster made;
For I would have thine image be
White as I can, though not as thee.

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Poet Andrew Marvell 1621–1678

POET’S REGION England

SCHOOL / PERIOD 17th Century

Subjects Death, Sorrow & Grieving, Relationships, Living, Pets, Mythology & Folklore

Poetic Terms Couplet

 Andrew  Marvell

Biography

In an era that makes a better claim than most upon the familiar term transitional, Andrew Marvell is surely the single most compelling embodiment of the change that came over English society and letters in the course of the seventeenth century. Author of a varied array of exquisite lyrics that blend Cavalier grace with Metaphysical wit and complexity, Marvell turned, first, into a panegyrist for the Lord Protector and his regime . . .

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SUBJECT Death, Sorrow & Grieving, Relationships, Living, Pets, Mythology & Folklore

POET’S REGION England

SCHOOL / PERIOD 17th Century

Poetic Terms Couplet

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Originally appeared in Poetry magazine.

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